Available to hire
I’m Nicholas J. Schenck, a Level 2 AVID Pro Tools Certified Instructor (ACI) and a member of The Editor’s Guild. I bring a keen ear for detail and specialize in dialogue editing, voiceover recording, ADR, and Foley, complemented by sound design and mixing for film and television.
I’m based in Irvington, NY and I enjoy collaborating with directors and editors to shape authentic soundscapes that meet industry standards, with credits listed on IMDb.
Experience Level
Expert
Expert
Expert
Beginner
Beginner
Beginner
Language
English
Fluent
Work Experience
Sound Editor at A24
January 1, 2025 - November 10, 2025Project work including Eddington (foley) and Desert Warrior (dialogue/ADR/SFX/foley) with near-completion status.
ADR Editor / Dialogue Editor at Amazon
January 1, 2024 - November 10, 2025Road House (ADR / Group Editor / Temp FX) and other dialogue editing responsibilities for Amazon projects.
Sound Effects Editor at Amazon
January 1, 2023 - November 10, 2025The Burial (sound effects editor) for Amazon.
Adjunct Professor - Multimedia & Internet at SAE Institute, New York
December 31, 2022 - December 31, 2022Overview of the internet, packet switching, HTML editing and web design; guide students through editing their own web pages as part of final projects.
Adjunct Professor - Game Audio at SAE Institute, New York
December 31, 2022 - December 31, 2022Teach differences between sound design for film/television and video games; discuss asset integration for major and casual game releases.
Adjunct Professor - Sound for Picture at SAE Institute, New York
December 31, 2022 - December 31, 2022Teach methods and practices of audio postproduction, including in-class Foley and ADR sessions, SFX edit, sound design, and basic mixing.
Adjunct Professor - Multimedia & Internet at SAE Institute
December 31, 2022 - October 15, 2025Overview of the internet, packet switching, proxy, protocol, HTML editing and web design; guide students through editing their final web projects.
Adjunct Professor - Game Audio at SAE Institute
December 31, 2022 - October 15, 2025Teach differences between sound design for film/television and video games; cover asset integration for AAA and casual game releases.
Adjunct Professor - Sound for Picture at SAE Institute
December 31, 2022 - October 15, 2025Teach methods and practices of audio postproduction, including in-class Foley and ADR sessions, SFX edit, sound design, and basic mixing; explain script-to-screen process (edit, mix, conform, print master, distribution).
Adjunct Professor - Multimedia & Internet at SAE Institute, New York
December 31, 2022 - October 10, 2025Overview of internet basics, including HTML editing and web design; guide students through editing their own web pages as part of final projects.
Adjunct Professor - Game Audio at SAE Institute, New York
December 31, 2022 - October 10, 2025Teach differences between sound design for film/television and video games; cover implementation of sound design assets into AAA and casual game releases.
Adjunct Professor - Sound for Picture at SAE Institute, New York
December 31, 2022 - October 10, 2025Teach methods and practices of audio postproduction, including in-class Foley and ADR sessions, SFX edit, sound design, and basic mixing; explain script-to-screen processes including edit, mix, conform, print master, and distribution.
Dialogue Editor at Amazon
January 1, 2022 - November 10, 2025Emergency (dialogue editor) for Amazon.
Composer at Independent / Freelance
January 1, 2022 - September 13, 2025Composer credits for projects including Iqaluit 2022 and Early Light 2020
Adjunct Professor - Multimedia & Internet at SAE Institute
January 1, 2022 - September 13, 2025Overview of the internet, packet switching, proxy, protocol, HTML editing and web design; guide students through editing their own web pages as a final project
Adjunct Professor - Game Audio at SAE Institute
January 1, 2022 - September 13, 2025Teach differences between sound design for film/television and video games; implement sound design assets into AAA and casual game releases
Adjunct Professor - Sound for Picture at SAE Institute
January 1, 2022 - September 13, 2025Teach methods and practices of audio postproduction; in-class Foley and ADR sessions, SFX edit, sound design and basic mixing; script-to-screen process
Adjunct Professor - Multimedia & Internet at SAE Institute, New York
January 1, 2022 - September 13, 2025Provide overview of internet fundamentals, packet switching, proxy/protocols, HTML editing, and basic web design; guide students through editing their own web pages as part of final projects.
Adjunct Professor - Game Audio at SAE Institute, New York
January 1, 2022 - September 13, 2025Teach differences between sound design for film/television and video games; cover asset integration into major (AAA) and casual game releases, and methods of implementing sound design assets.
Adjunct Professor - Sound for Picture at SAE Institute, New York
January 1, 2022 - September 13, 2025Teach methods and practices of the audio postproduction industry, including in-class Foley and ADR sessions, SFX edit, sound design, and basic mixing. Explain script-to-screen processes, including edit, mix, conform, print master, and distribution.
Dialogue Editor at Netflix
January 1, 2021 - November 10, 2025Tick, Tick… Boom! (dialogue editor).
Re-recording Mix Engineer at AXIOS
January 1, 2020 - PresentRe-recording mix engineer for HBO documentary/News Series, seasons 2–4
Voiceover Recorder / Dialogue Editor at Viceland & Vice Media
January 1, 2016 - PresentFreelance voiceover recording for hosts on nearly all digital, branded, HBO, and network broadcasts; dialogue editor for short form and episodic pieces; sound effects and SFX design; mix and deliver various elements (Mixes, Stems, and Splits) based upon project needs (branded, digital, or network).
Voiceover Artist / Dialogue Editor / Sound Designer at Viceland & Vice Media
January 1, 2016 - November 10, 2025Voiceover recording for hosts on nearly all digital, branded, HBO, and network broadcasts; dialogue editing for short-form and episodic pieces; SFX design for network episodics; mix and deliver various elements (MIXES, STEMS, SPLITS).
Freelance Sound Editor / Re-recording Mixer at C5, Inc
January 1, 2016 - November 10, 2025Freelance sound editor and re-recording mixer for film and television projects; responsibilities include dialogue editing, ADR, Foley, sound design, and final mixes. Collaborated with directors and post teams to deliver broadcast- and streaming-ready audio while meeting targeted specs.
Voiceover Recorder / Dialogue Editor at Viceland & Vice Media (Freelance)
January 1, 2016 - PresentVoiceover recording for hosts on nearly all digital, branded HBO, and network broadcasts; dialogue editor for short form and episodic pieces; sound effects and SFX design for various network episodes (including Noisey, Balls Deep, F*ck, That’s Delicious, and Black Market).
Freelance Sound Editor / Re-recording Mixer at C5, Inc
January 1, 2016 - PresentFreelance sound editing and re-recording mixing for various projects. Involves dialogue editing, ADR, Foley, and sound design; notable items include Eddington (foley), Desert Warrior (dialogue/ADR/SFX/FOLEY) near completion; Road House (ADR/Group Editor/Temp FX) for Amazon (2024); The Burial (sound effects editor) for Amazon (2023); Emergency (dialogue editor) for Amazon (2022); Tick, Tick… Boom! (dialogue editor) for Netflix (2021).
Freelance Sound Editor/Re-recording Mixer at Self-employed / Freelance
January 1, 2016 - PresentSpecializes in dialogue editorial, voiceover, ADR, Foley, sound design, and mixing for film and television. Clients include A24, Amazon, Netflix, HBO, Viceland & Vice Media. Responsibilities include editing, SFX design, and delivering mixes, stems, and splits for branded and network formats. Notable projects include Eddington (foley editor); Desert Warrior (dialogue/ADR/SFX/FOLEY); Road House (ADR/Group Editor/Temp FX); The Burial (sound effects editor); Emergency (dialogue editor); Tick, Tick… Boom! (dialogue editor).
Freelance Sound Editor / Re-recording Mixer at C5, Inc
January 1, 2016 - PresentSound editor and re-recording mixer on select features and series; projects include Eddington (foley) for A24 (2025), Road House (ADR / group editor / temp FX) for Amazon (2024), The Burial (sound effects editor) for Amazon (2023), Emergency (dialogue editor) for Amazon (2022), Tick, Tick… Boom! (dialogue editor) for Netflix (2021) and ongoing freelance work. Pro Tools workflows, dialogue editing, SFX design, and final mix across branded and network projects.
Voiceover Recorder at Viceland & Vice Media
January 1, 2016 - PresentVoiceover recording for hosts on digital, branded, HBO, and network broadcasts; dialogue editor for short form and episodic pieces; sound effects and SFX design; mix and deliver various elements (Mixes, Stems, and Splits)
Sound Editor / Re-recording Mixer at C5, Inc
January 1, 2016 - PresentFreelance sound editor and re-recording mixer for various projects including Eddington (foley) for A24's Desert Warrior; Road House (ADR, group editor, temp FX) for Amazon; The Burial (sound effects editor) for Amazon; Emergency (dialogue editor) for Amazon; Tick, Tick… Boom! (dialogue editor) for Netflix
Freelance Sound Editor / Re-recording Mixer at Independent / Freelance
January 1, 2016 - PresentProvide dialogue editing, ADR, Foley, SFX design, and re-recording mixing for feature films, television, and documentaries. Credits include work on Eddington (foley) for Desert Warrior (A24, 2025, near completion); Road House (ADR, group editor, temp FX) for Amazon (2024); The Burial (sound effects editor) for Amazon (2023); Emergency (dialogue editor) for Amazon (2022); Tick, Tick… Boom! (dialogue editor) for Netflix (2021); AXIOS (HBO documentary) as Re-recording Mix Engineer; Glue Trap (Independent Film) for Viceland & Vice Media (2016).
Adjunct Professor – Multimedia & Internet at SAE Institute, New York
April 1, 2015 - December 31, 2022Overview of the internet, packet switching, proxy, protocol, HTML editing and web design; guide students through editing their own web page as part of the final project.
Adjunct Professor – Game Audio at SAE Institute, New York
August 1, 2014 - December 31, 2022Teach differences between sound design for film/television and video games; guide implementation of sound design assets into major (AAA) and casual game releases.
Adjunct Professor – Sound for Picture at SAE Institute, New York
July 1, 2011 - December 31, 2022Teach methods and practices of audio postproduction, including in-class Foley and ADR sessions, SFX edit, sound design, and basic mixing; explain script-to-screen process including edit, mix, conform, print master, and distribution.
Sound Editor / Foley Designer at Independent Work
March 1, 2010 - November 10, 2025SFX editor, ambient FX editor for independent films and long-form projects; notable credits include As You Are (2016) and Song of Lahore (2015).
Independent Sound Editor / Post Production Specialist at Independent Work
March 1, 2010 - PresentSFX and ambient FX editor for numerous projects; credits include As You Are (Sundance 2016), Song of Lahore (Tribeca 2015), Ava’s Possessions (SXSW 2015); VO work for Man vs. Food; VO for ESPN 30 for 30 Muhammad Ali: The Mission; live sound mixing and Pro Tools support for touring acts.
Sound Editor / Voiceover / Independent Projects at Independent Work
March 1, 2010 - PresentIndependent sound editing, Foley, ambient FX, and voiceover work for various films and series. Notable credits include As You Are (SFX & Ambient FX for Sundance 2016), Song of Lahore (Sound Editor, Tribeca 2015), Ava’s Possessions (SFX and Ambient FX, SXSW 2015), and voiceover work for Man vs. Food episodes; John Legend voiceover for ESPN 30 for 30 Muhammad Ali: The Mission; pickup VO for Grand Theft Auto: The Ballad of Gay Tony.
Sound Effects Editor and Special Design SFX at Independent Work
March 1, 2010 - PresentSFX editor for As You Are (2016 Sundance documentary) and Song of Lahore (Tribeca 2015); ambient FX editor on Ava’s Possessions (SXSW 2015); VO for various Man vs. Food episodes; live sound mixing for events; ADR and Foley duties
Studio Engineer at Dig It Audio, Inc.
December 31, 2008 - December 31, 2008In-house technician for the audio postproduction facility; maintained Pro Tools systems; ADR and Foley recordist, editor and sound designer; prepared deliverables for distribution.
Studio Engineer at Dig It Audio, Inc.
December 31, 2008 - October 15, 2025In-house technician for an audio postproduction facility; maintained Pro Tools systems; ADR and Foley recordist; editor and sound designer; prepared deliverables for HBO, The Weinstein Company, Showtime, Pathé; supported engineering operations for client projects.
Studio Engineer at Dig It Audio, Inc.
December 31, 2008 - October 10, 2025In-house technician for an audio postproduction facility; ADR and Foley recordist, editor, and sound designer; re-recording mix assistant; prepared deliverables for HBO, Weinstein Company, Showtime, and Pathé; managed technical specifications and workflow for client needs.
Studio Engineer at Dig It Audio, Inc.
January 1, 2008 - September 13, 2025In-house technician for audio postproduction facility; ADR and Foley Recordist, Editor and Sound Designer; re-recording mix assistant; prepared deliverables for HBO, The Weinstein Company, Showtime, Pathé; Pro Tools maintenance
Studio Engineer at Dig It Audio, Inc.
January 1, 2008 - September 13, 2025In-house technician for an audio postproduction facility, specializing in independent features, documentaries, and long-form television. Responsibilities included maintaining and upgrading Pro Tools systems, cable fabrication, troubleshooting, ADR and Foley recording, sound design, and delivering print masters and distribution-ready deliverables (HBO, The Weinstein Company, Showtime, Pathé).
Studio Engineer at Dig It Audio, Inc.
January 1, 2005 - December 31, 2008In-house technician for an audio postproduction facility; ADR and Foley Recordist, Editor and Sound Designer; Re-recording Mix Assistant to Chief Engineer; prepared projects after turnover from picture houses; created deliverables in multiple formats for HBO, The Weinstein Company, Showtime, and Pathé; collaborated with clients to arrange technical specifications and workflow.
Education
B.A. in Music Management at Manhattanville College
August 27, 1999 - December 18, 2003B.A. Music Management at Manhattanville College, Purchase, NY
January 11, 2030 - January 1, 2004Qualifications
AVID Pro Tools Certification – Level 2 (ACI)
January 11, 2030 - September 13, 2025AVID Pro Tools Certified Instructor (ACI) Level 2
January 11, 2030 - November 10, 2025Level 2 AVID Pro Tools Certified Instructor (ACI)
January 11, 2030 - February 8, 2026Industry Experience
Media & Entertainment, Education, Professional Services, Software & Internet
Experience Level
Expert
Expert
Expert
Beginner
Beginner
Beginner
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