In 2021, I had the honor of working with Dirt Empire and The New Yorker on a VR animated documentary. I was responsible for scene composition, lighting, and animation.
The New Yorker’s “Reeducated,” an immersive V.R. documentary, directed by Sam Wolson, with reporting by Ben Mauk, illustrations by Matt Huynh and animation by Nicholas Rubin/Dirt Empire, that takes viewers inside the secret world of a “reëducation” camp in Xinjiang, China. In the spring of 2017, authorities in Xinjiang began detaining thousands of Uighurs, Kazakhs, and other predominantly Muslim minorities in secret extrajudicial detention camps. By 2018, as many as a million people were held in a vast network of “reëducation centers.” Guided by the eyewitness accounts of three men—Erbaqyt Otarbai, Orynbek Koksebek, and Amanzhan Seituly, all ethnically Kazakh—who were imprisoned at a facility in Tacheng in 2017, the film illuminates what is likely the largest mass internment of ethnic and religious minorities since the Second World War.
“Reeducated” premièred at SXSW, in the Virtual Cinema category, and received the film festival’s Special Jury Recognition for Immersive Journalism. It has gone on to win top prizes from France's NewImages, Germany's VRHAM and has been shown at many other festivals including the 78th Venice Film Festival VR Expanded section.
As of 2023 Reeducated was awarded a 2022 News and Documetary Emmy in the Outstanding Interactive Medica Category as well as a Peabody Award for Immersive and Interactive.
“Reeducated” was supported by the Pulitzer Center, the Eyebeam Center for the Future of Journalism, and the Online News Association, and accompanies the interactive New Yorker feature “Inside Xinjiang’s Prison State.”…In 2021, I had the honor of working with Dirt Empire and The New Yorker on a VR animated documentary. I was responsible for scene composition, lighting, and animation.
The New Yorker’s “Reeducated,” an immersive V.R. documentary, directed by Sam Wolson, with reporting by Ben Mauk, illustrations by Matt Huynh and animation by Nicholas Rubin/Dirt Empire, that takes viewers inside the secret world of a “reëducation” camp in Xinjiang, China. In the spring of 2017, authorities in Xinjiang began detaining thousands of Uighurs, Kazakhs, and other predominantly Muslim minorities in secret extrajudicial detention camps. By 2018, as many as a million people were held in a vast network of “reëducation centers.” Guided by the eyewitness accounts of three men—Erbaqyt Otarbai, Orynbek Koksebek, and Amanzhan Seituly, all ethnically Kazakh—who were imprisoned at a facility in Tacheng in 2017, the film illuminates what is likely the largest mass internment of ethnic and religious minorities since the Second World War.
“Reeducated” premièred at SXSW, in the Virtual Cinema category, and received the film festival’s Special Jury Recognition for Immersive Journalism. It has gone on to win top prizes from France's NewImages, Germany's VRHAM and has been shown at many other festivals including the 78th Venice Film Festival VR Expanded section.
As of 2023 Reeducated was awarded a 2022 News and Documetary Emmy in the Outstanding Interactive Medica Category as well as a Peabody Award for Immersive and Interactive.
“Reeducated” was supported by the Pulitzer Center, the Eyebeam Center for the Future of Journalism, and the Online News Association, and accompanies the interactive New Yorker feature “Inside Xinjiang’s Prison State.”WW…