I’m a sound technician based in Santa Fe, NM with extensive experience in recording devices, wireless networks, mic placement, and coordinating sound teams for feature and episodic work. I’ve been Emmy-nominated for Outstanding Sound Mixing and Editing on a Netflix series (Trinkets) and I regularly work with AVID, Final Cut Pro, Pro Tools, Adobe Audition, and Live DAW systems. I thrive in interfacing with multiple departments across production and studio settings, bringing a collaborative, problem-solving approach to every project. I interface, improvise, and collaborate with multiple departments in widely variable Production and Studio settings. I’m comfortable with on-set and post-production workflows, lighting and board operations, and I also contribute as a violinist and experimental musician, enriching collaborations with a broad creative perspective. My credits span long-form episodic and feature work, with a strong track record of team leadership, mic placement, and sound design that supports storytelling. Previous electronic and violin based works: _Website not available. Sign in: https://www.twine.net/signup_

Morgan Hobart

I’m a sound technician based in Santa Fe, NM with extensive experience in recording devices, wireless networks, mic placement, and coordinating sound teams for feature and episodic work. I’ve been Emmy-nominated for Outstanding Sound Mixing and Editing on a Netflix series (Trinkets) and I regularly work with AVID, Final Cut Pro, Pro Tools, Adobe Audition, and Live DAW systems. I thrive in interfacing with multiple departments across production and studio settings, bringing a collaborative, problem-solving approach to every project. I interface, improvise, and collaborate with multiple departments in widely variable Production and Studio settings. I’m comfortable with on-set and post-production workflows, lighting and board operations, and I also contribute as a violinist and experimental musician, enriching collaborations with a broad creative perspective. My credits span long-form episodic and feature work, with a strong track record of team leadership, mic placement, and sound design that supports storytelling. Previous electronic and violin based works: _Website not available. Sign in: https://www.twine.net/signup_

Available to hire

I’m a sound technician based in Santa Fe, NM with extensive experience in recording devices, wireless networks, mic placement, and coordinating sound teams for feature and episodic work. I’ve been Emmy-nominated for Outstanding Sound Mixing and Editing on a Netflix series (Trinkets) and I regularly work with AVID, Final Cut Pro, Pro Tools, Adobe Audition, and Live DAW systems. I thrive in interfacing with multiple departments across production and studio settings, bringing a collaborative, problem-solving approach to every project.

I interface, improvise, and collaborate with multiple departments in widely variable Production and Studio settings. I’m comfortable with on-set and post-production workflows, lighting and board operations, and I also contribute as a violinist and experimental musician, enriching collaborations with a broad creative perspective. My credits span long-form episodic and feature work, with a strong track record of team leadership, mic placement, and sound design that supports storytelling.
Previous electronic and violin based works: Website not available. Sign in: https://www.twine.net/signup

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Language

English
Fluent

Work Experience

Sound Mixer at Pulse (Production)
January 1, 2024 - Present
On-set and post-production sound mixing for 8 episodes; collaborated with multiple departments; proficient with AVID, Final Cut Pro, Pro Tools, and Adobe Audition; responsible for mic placement and wireless network coordination.
Sound Mixer at Mad Woman’s Game
January 1, 2024 - Present
Sound mixing for 1 episode; oversaw on-set recording, editing, and ADR coordination; ensured clarity and continuity of dialogue and effects.
Sound Utility at Stranger Things NM Unit
January 1, 2023 - Present
Sound utility work across 2 episodes; live mixing, field recording, and equipment coordination.
Sound Utility at Outer Range
January 1, 2023 - Present
Sound utility for 4 episodes; on-location support, equipment setup, and wireless management.
Boom Operator at Poker Face
January 1, 2022 - Present
Boom operator for 1 episode (2022); camera support and mic placement optimization for on-camera dialogue.

Education

BFA at Massachusetts College of Art and Design, Studio for Interrelated Media (SIM)
January 1, 1998 - January 1, 2002

Qualifications

Emmy nomination: Outstanding Sound Mixing and Editing for Trinkets (Netflix)
January 11, 2030 - December 12, 2025

Industry Experience

Media & Entertainment, Professional Services, Other