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I love the moment when a set of individual assets turns into an actual world. As a 3D Environment Artist, I’ve spent 5+ years moving from blockout to final frames—shaping scenes through composition, scale, materials, lighting, and integration while also keeping an eye on performance and technical constraints. In production, I enjoy bridging the artistic and technical sides: from retopology and UVs to Unreal Engine 5 setups like Lumen and Nanite, and from look-dev in materials to final presentation in tools like Marmoset and Arnold. I’ve handled full environment pipelines across animated productions, cinematic work, and advertising.…I love the moment when a set of individual assets turns into an actual world. As a 3D Environment Artist, I’ve spent 5+ years moving from blockout to final frames—shaping scenes through composition, scale, materials, lighting, and integration while also keeping an eye on performance and technical constraints. In production, I enjoy bridging the artistic and technical sides: from retopology and UVs to Unreal Engine 5 setups like Lumen and Nanite, and from look-dev in materials to final presentation in tools like Marmoset and Arnold. I’ve handled full environment pipelines across animated productions, cinematic work, and advertising.

ULAD PRAKAPUK

3D Designer, Game Developer, 3D Modeler, +2

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I love the moment when a set of individual assets turns into an actual world. As a 3D Environment Artist, I’ve spent 5+ years moving from blockout to final frames—shaping scenes through composition, scale, materials, lighting, and integration while also keeping an eye on performance and technical constraints. In production, I enjoy bridging the artistic and technical sides: from retopology and UVs to Unreal Engine 5 setups like Lumen and Nanite, and from look-dev in materials to final presentation in tools like Marmoset and Arnold. I’ve handled full environment pipelines across animated productions, cinematic work, and advertising.…I love the moment when a set of individual assets turns into an actual world. As a 3D Environment Artist, I’ve spent 5+ years moving from blockout to final frames—shaping scenes through composition, scale, materials, lighting, and integration while also keeping an eye on performance and technical constraints. In production, I enjoy bridging the artistic and technical sides: from retopology and UVs to Unreal Engine 5 setups like Lumen and Nanite, and from look-dev in materials to final presentation in tools like Marmoset and Arnold. I’ve handled full environment pipelines across animated productions, cinematic work, and advertising.

Available to hire

I love the moment when a set of individual assets turns into an actual world. As a 3D Environment Artist, I’ve spent 5+ years moving from blockout to final frames—shaping scenes through composition, scale, materials, lighting, and integration while also keeping an eye on performance and technical constraints.

In production, I enjoy bridging the artistic and technical sides: from retopology and UVs to Unreal Engine 5 setups like Lumen and Nanite, and from look-dev in materials to final presentation in tools like Marmoset and Arnold. I’ve handled full environment pipelines across animated productions, cinematic work, and advertising.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Language

Belarusian

Fluent

Spanish; Castilian

Fluent

English

Intermediate

Work Experience

3D Environment Artist & Technical Artist at Morgana Studios

March 1, 2024 - March 1, 2026

Created stylized and realistic environments and assets for animated productions and advertising, working from modeling to final render in Maya, ZBrush, and Unreal Engine 5. Led environment and lighting/asset/technical tasks for “Sharon,” serving as Environment Artist, Lighter, Asset Artist, and Technical Artist; the film became a Semi-Finalist at the New York Indie Shorts Awards 2026. Supported an additional short film selected for Festival de Annecy 2025, and helped manage the studio pipeline transition from Maya to Unreal Engine 5 using Lumen/Nanite, including real-time asset optimization. Handled the full environment workflow (retopology, UVs, texturing, materials, and scene integration) and produced advertising assets for clients including BBVA, ALSA, and Sala Scala Gran Canaria.

3D Character Artist at Indie Game Project

January 1, 2021 - January 1, 2022

Contributed to a stylized platformer RPG by producing a full character pipeline from blockout to engine-ready delivery.

3D Character & Collectibles Artist at Freelance

January 1, 2021 - January 1, 2022

Worked on a sculpt-to-print pipeline for premium collectible figures: sculpting, preparing files for FDM/resin production, and delivering production-ready assets.

Concept Artist at Freelance

January 1, 2020 - January 1, 2021

Created concept art for characters, environments, and props for game projects.