With over 15 years of experience at leading studios such as MPC, ILM, Framestore, Pixomondo, DreamWorks, Rhythm & Hues and Axis studios. I have developed a strong background in creature and character animation. I am based in London and hold an ILR/Work permit in the UK. Currently, I am working on a Duncan Jones film, animating hyper-realistic digital humans with complex mobility and fight sequences. I specialize in keyframing/Mocap challenging body mechanics and action shots for the MetaHumans Rigs on this show. Also in my free time I am learning UE5, I have signed up for a course online. Throughout my career, I've worked on high-profile projects like The Lion King 2 at MPC, His Dark Materials, Mowgli, Wonder Woman 2, and A Boy Called Christmas, focusing on complex creatures and facial animation. My experience spans VFX, feature films, and game cinematics, enabling me to adapt my skills quickly and deliver high-quality results. I recently completed a creature-intensive project at Framestore and contributed to ULTRAMAN-RISING for Netflix at ILM, where I often shoot my own performances for shots. Additionally, my work at Axis Studios on Destiny cinematics has sharpened my ability to work with both VFX and mocap animation workflows. Earlier in my career at DreamWorks, I worked on crowd cycle animations for Penguins of Madagascar and The Boss Baby. My foundation at Rhythm & Hues helped me refine my animation skills, from basic to advanced levels. I am eager to bring my experience and passion for animation to your team. Thank you for considering my application. I look forward to discussing how I can contribute to your projects. My showreel can be found here: _Website not available. Sign in: https://www.twine.net/signup_ Yours sincerely, Ramji…With over 15 years of experience at leading studios such as MPC, ILM, Framestore, Pixomondo, DreamWorks, Rhythm & Hues and Axis studios. I have developed a strong background in creature and character animation. I am based in London and hold an ILR/Work permit in the UK. Currently, I am working on a Duncan Jones film, animating hyper-realistic digital humans with complex mobility and fight sequences. I specialize in keyframing/Mocap challenging body mechanics and action shots for the MetaHumans Rigs on this show. Also in my free time I am learning UE5, I have signed up for a course online. Throughout my career, I've worked on high-profile projects like The Lion King 2 at MPC, His Dark Materials, Mowgli, Wonder Woman 2, and A Boy Called Christmas, focusing on complex creatures and facial animation. My experience spans VFX, feature films, and game cinematics, enabling me to adapt my skills quickly and deliver high-quality results. I recently completed a creature-intensive project at Framestore and contributed to ULTRAMAN-RISING for Netflix at ILM, where I often shoot my own performances for shots. Additionally, my work at Axis Studios on Destiny cinematics has sharpened my ability to work with both VFX and mocap animation workflows. Earlier in my career at DreamWorks, I worked on crowd cycle animations for Penguins of Madagascar and The Boss Baby. My foundation at Rhythm & Hues helped me refine my animation skills, from basic to advanced levels. I am eager to bring my experience and passion for animation to your team. Thank you for considering my application. I look forward to discussing how I can contribute to your projects. My showreel can be found here: _Website not available. Sign in: https://www.twine.net/signup_ Yours sincerely, RamjiWWWW…