I dropped out of college. But I never dropped out of design. For the past 15 years, I've lived and breathed graphic design. In the last decade, I’ve focused almost exclusively on Annual Reports and Sustainability Reports — crafting layouts that not only tell stories, but win awards (even if the trophy says “company name,” the pixels were mine). My work blends sharp editorial instinct, visual clarity, and deep corporate sensibility — the kind that makes complex data digestible, and dry content look like a million bucks. Logos, fonts, and full visual identities? I’ve done them all. But I’m best when I’m solving big design puzzles — the kind that stretch over 100 pages and need to look stunning from cover to footnote. I'm also a master of agility: Remote work is my rhythm. I’ve been collaborating seamlessly across islands for the past 3 years — proactively, independently, and always on time. Looking for opportunities to work remotely across countries and across time.…I dropped out of college. But I never dropped out of design. For the past 15 years, I've lived and breathed graphic design. In the last decade, I’ve focused almost exclusively on Annual Reports and Sustainability Reports — crafting layouts that not only tell stories, but win awards (even if the trophy says “company name,” the pixels were mine). My work blends sharp editorial instinct, visual clarity, and deep corporate sensibility — the kind that makes complex data digestible, and dry content look like a million bucks. Logos, fonts, and full visual identities? I’ve done them all. But I’m best when I’m solving big design puzzles — the kind that stretch over 100 pages and need to look stunning from cover to footnote. I'm also a master of agility: Remote work is my rhythm. I’ve been collaborating seamlessly across islands for the past 3 years — proactively, independently, and always on time. Looking for opportunities to work remotely across countries and across time.WWWW…