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I’m not a big fan of third-person bios. If we’re going to collaborate, let’s keep it real. My music lives in the space between two worlds. Born in Dnipro, Ukraine, and raised in France, I’ve always moved between cultures and contrasts. This duality defines my sound: narrative hybrid orchestral music that explores the dark, the epic, and the deeply human. I cut my teeth in the metal scene. That background gave me a taste for intensity and tension that I now channel into film and game scoring. From recording solo albums like Genesis of Delirium and Humans, to performing masterclasses or representing Ibanez Guitars, my foundation has been the electric guitar, but my vision has always been cinematic. For me, scoring is an act of translation. Holding a Master of Arts in Professional Media Composition from Arts University Bournemouth/ThinkSpace Education gave me the tools, but my heritage gives me the perspective. I see the world as something beautiful yet fragile and chaotic, a feeling I weave into every texture and orchestral layer I compose. Whether I’m teaching, reviewing gear for Audiofanzine, or working in the studio, I’m looking for authenticity over perfection.…I’m not a big fan of third-person bios. If we’re going to collaborate, let’s keep it real. My music lives in the space between two worlds. Born in Dnipro, Ukraine, and raised in France, I’ve always moved between cultures and contrasts. This duality defines my sound: narrative hybrid orchestral music that explores the dark, the epic, and the deeply human. I cut my teeth in the metal scene. That background gave me a taste for intensity and tension that I now channel into film and game scoring. From recording solo albums like Genesis of Delirium and Humans, to performing masterclasses or representing Ibanez Guitars, my foundation has been the electric guitar, but my vision has always been cinematic. For me, scoring is an act of translation. Holding a Master of Arts in Professional Media Composition from Arts University Bournemouth/ThinkSpace Education gave me the tools, but my heritage gives me the perspective. I see the world as something beautiful yet fragile and chaotic, a feeling I weave into every texture and orchestral layer I compose. Whether I’m teaching, reviewing gear for Audiofanzine, or working in the studio, I’m looking for authenticity over perfection.

Roman

Composer, Film Composer, Game Composer, +1

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I’m not a big fan of third-person bios. If we’re going to collaborate, let’s keep it real. My music lives in the space between two worlds. Born in Dnipro, Ukraine, and raised in France, I’ve always moved between cultures and contrasts. This duality defines my sound: narrative hybrid orchestral music that explores the dark, the epic, and the deeply human. I cut my teeth in the metal scene. That background gave me a taste for intensity and tension that I now channel into film and game scoring. From recording solo albums like Genesis of Delirium and Humans, to performing masterclasses or representing Ibanez Guitars, my foundation has been the electric guitar, but my vision has always been cinematic. For me, scoring is an act of translation. Holding a Master of Arts in Professional Media Composition from Arts University Bournemouth/ThinkSpace Education gave me the tools, but my heritage gives me the perspective. I see the world as something beautiful yet fragile and chaotic, a feeling I weave into every texture and orchestral layer I compose. Whether I’m teaching, reviewing gear for Audiofanzine, or working in the studio, I’m looking for authenticity over perfection.…I’m not a big fan of third-person bios. If we’re going to collaborate, let’s keep it real. My music lives in the space between two worlds. Born in Dnipro, Ukraine, and raised in France, I’ve always moved between cultures and contrasts. This duality defines my sound: narrative hybrid orchestral music that explores the dark, the epic, and the deeply human. I cut my teeth in the metal scene. That background gave me a taste for intensity and tension that I now channel into film and game scoring. From recording solo albums like Genesis of Delirium and Humans, to performing masterclasses or representing Ibanez Guitars, my foundation has been the electric guitar, but my vision has always been cinematic. For me, scoring is an act of translation. Holding a Master of Arts in Professional Media Composition from Arts University Bournemouth/ThinkSpace Education gave me the tools, but my heritage gives me the perspective. I see the world as something beautiful yet fragile and chaotic, a feeling I weave into every texture and orchestral layer I compose. Whether I’m teaching, reviewing gear for Audiofanzine, or working in the studio, I’m looking for authenticity over perfection.

Available to hire

Tours, France

I’m not a big fan of third-person bios. If we’re going to collaborate, let’s keep it real.

My music lives in the space between two worlds. Born in Dnipro, Ukraine, and raised in France, I’ve always moved between cultures and contrasts. This duality defines my sound: narrative hybrid orchestral music that explores the dark, the epic, and the deeply human.

I cut my teeth in the metal scene. That background gave me a taste for intensity and tension that I now channel into film and game scoring. From recording solo albums like Genesis of Delirium and Humans, to performing masterclasses or representing Ibanez Guitars, my foundation has been the electric guitar, but my vision has always been cinematic.

For me, scoring is an act of translation. Holding a Master of Arts in Professional Media Composition from Arts University Bournemouth/ThinkSpace Education gave me the tools, but my heritage gives me the perspective. I see the world as something beautiful yet fragile and chaotic, a feeling I weave into every texture and orchestral layer I compose.

Whether I’m teaching, reviewing gear for Audiofanzine, or working in the studio, I’m looking for authenticity over perfection.