Sam Woodcock

Avid EA and DIT at Clear Cut Pictures

Avid Edit Assistant (EA) and DIT supporting editors on Hunted and Celebrity Hunted; conformed proxies, aligned timecodes, prepared timelines, relinked master files, QC’d outputs, and facilitated handoffs for offline-to-online delivery.

Colourist / Online Editor at Urchin Studios / Channel 5

Long-form colour grading and editing support for Secrets of The Mummy (60m); broadcast-ready deliverables with QC for Channel 5, including HDR considerations and workflow coordination with VFX.

Premiere EA at BASE

Premiere-based Edit Assistant (EA) for RBIA Pilot; assisted online editing, media organization, and delivery conformations.

Colour and VFX Assistant at Steam

Colour grading and VFX assistance on Frozen The Musical; conducted cleanup, compositing, and lighting effects; supported HDR and reference look development, with archival and delivery considerations.

Edit Assistant / Premiere Editor at UTG

Edit assisting on Premiere for Blur: To the End (106m) and Blur: Live at Wembley Stadium (120m); matched cameras, skin tones, and ensured HDR/VFX workflows and delivery preparedness.

QC & Avid Edit Support at The Edit

QC and Avid edit support for BBC and Discovery channel; offline-to-online turnover, correct titling, end cards, bug/watermark, frame rate checks, and subtitle accuracy across languages.

DCP QC Operator at Motion Picture Solutions

DCP QC operator for clients including Sony, Universal Pictures, Dogwoof and the BFI; ensured deliverables met DCP specs and compatibility for screening and distribution.

Avid EA & DIT at Clear Cut Pictures

Avid EA and DIT on Celebrity Hunted (54m); proxy ingest, timecode management, linking of EDL/AAF/XML, and facilitating conform workflows for broadcast.

Avid EA at Evolutions

Avid EA for Celebrity Race Across the World (60m); ingest, logging, and prep for conforming across versions.

Premiere EA at Salon Pictures

Premiere-based Edit Assistant on Charlie Mackesy: The Boy, the Mole, the Fox, The Horse and Me (60m); offline editing and deliverables packaging.

Avid EA at Fulwell 73

Avid EA on Blowing LA (43m); early-stage editing workflow, proxy management, and prep for conforming.

Avid EA at Salon Pictures

Avid EA on Call me Kate (80m); ingest, proxies, and deliverable preparation for broadcast.

Edit & Grade at Pitesti

Pitesti: The Experiment; edit and grade across 85m; Resolve-based colour work and online delivery; creation of deliverables and trailers.

Post-Production / Colourist at Storm

Billy Connolly: In His Own Words (90m); resolve colour and online editing; delivery to broadcasters.

Post-Production / Colourist at Storm

French & Saunders: Funny Women (90m); colour grading and online delivery to broadcast.

Online Editor / Colourist at Pitesti

Pitesti project responsibilities extended into 2022 with color correction and online assembly for delivery.

Editor / Colourist at Jody Carbstrong - Confronting Britain’s Most Violent Cheese Bosses

VFX blurring and color corrections for a feature piece exploring food industry misconduct; delivery-ready cuts.

Editor / Colourist at Bladdonmore

Investor content; grading and VFX for promotional material.

Premiere Audio EA at Exposure Promotions

Premiere-based Audio EA for Nordstrom Rack promo; media management and delivery prep.

Premiere EA / QC at Something

Premiere-based EA and QC for Visa Europe ‘Level Up Your Game’ promotional content; offline-to-online tasks and deliverables.

Colour / VFX at Steam

Continuation of Frozen The Musical color and VFX workflow; collaboration with VFX, editorial, and delivery teams.

DCP QC Operator at Motion Picture Solutions

DCP QC operator delivering high-quality DCPs to clients and screening venues; adherence to technical specs.

DCP QC / Editor Support at The Edit

QC and Avid edit support for BBC and Discovery; ensure broadcast-ready masters and correct metadata.

Editor / Colourist at Storm

Resolve colour and online editing work for various Storm projects; delivery-ready masters.

Pitesti - Editor / Colour at Pitesti

Pitesti: The Experiment; editing and colour grading across the project lifecycle; deliverables for online and trailers.

Colorist / Online Editor at Storm

Billy Connolly: In His Own Words; colour enhancement and online finishing; broadcaster deliverables.

Colour/ Edit Support at Urchin Studios / Channel 5

Resolve colour/ Edit support for 'Secrets of The Mummy' 60m

Edit Assistant at UTG

Edit assistance on Premiere for Blur: To the End and Blur: Live at Wembley

QC and Avid Edit Support at The Edit

QC and Avid edit support for BBC and Discovery Channel

Avid EA and DIT at Clear Cut Pictures

Avid EA and DIT for 'Celebrity Hunted' 54m

Avid EA at Salon Pictures / Lorna Tucker

Avid EA for 'Call me Kate' 80m

Editor and Grader at Pitesti: The Experiment

Edit and grade 85m

VFX Editor / Blurring at Previously Connected Pictures (TBT)

VFX blurring for Joey Carbstrong project

Restoration Grader at Custard

Restoration grade of 16mm footage for 'Girls Like That'

Editor at Tickled Pink Group

Editor for 'Land Mine'

Grader / VFX at Bladdonmore

Grading and VFX for investor content

Premiere EA (Audio) at Exposure Promotions

Premiere audio editing for Nordstrom Rack

Premiere EA and QC at Something

Premiere EA and QC for Visa Europe video

Offline/Online Grader at Co-op

Offline, grade, online for 'Pioneering Great Futures'

Grade at Joseph’s Machines

Dacia promo - grading

Editor and Colourist at Pitesti: The Experiment

Long form edit and grading; created DCP and online version & trailers.

Colour and Online EA at Storm

Colour and Online EA for 'French & Saunders: Funny Women' 90m.

Colour assistant at Steam

Colour assistant on 'Beetlejuice The Musical' 90m.

Colour and VFX Assistant at Harbor Picture Company

Colour and VFX assistant for 'The Great' 45m (Amazon Prime).

Avid EA at Lorna Tucker / Salon Pictures

Avid EA for 'Call me Kate' 80m (June 2022 - July 2022); media prep, conform and delivery support.

Edit and Grade at Pitesti: The Experiment

Long-form edit and grade; created cinema deliverables including a DCP and online version & trailers.

Resolve Colour/Edit Support at Urchin Studios / Channel 5

Resolve colour grading and edit support for 'Secrets of The Mummy' (60m); HDR workflows and delivery preparation.

Premiere Offline Editor at HTI Media

Offline editor on assorted broadcast projects; delivered offline-to-online for Channel 4, BBC, Apple TV, Paramount Plus; created cinema deliverables (DCP, online versions, trailers) and supported long-form and branded content across multiple formats.

Resolve Colourist / Archive Restoration at Monster Films

Colourist and archive restoration for Britain’s X Files, 43m episodes 1-6; HDR workflows; Apple TV / Sky History.