I’m a game audio composer focused on interactive and emotionally- driven music design. I’ve spent nearly a decade developing my skills in music production, primarily within the bass music space, where I built a strong foundation in sound design alongside a background in jazz and lo-fi composition. Since 2023, I’ve been active in the Color Bass scene, participating in multiple competitions and earning recognition through award-winning work. These experiences pushed me to refine both my technical and creative approach, and ultimately led me toward a deeper interest in video game music. More recently, I’ve focused on studying the design principles behind game audio, including immersion, adaptive systems, and emotional storytelling through sound. I recently developed a debut project titled Dial, a collection of interconnected tracks designed as a cohesive soundtrack for a theoretical game. This project explores how composition and technical structure can work together to support narrative, atmosphere, and player experience. Moving forward, I’m interested in continuing to grow as a composer within the game audio space, with a focus on creating music that is both emotionally resonant and thoughtfully integrated into interactive systems.…

Sean McNulty

I’m a game audio composer focused on interactive and emotionally- driven music design. I’ve spent nearly a decade developing my skills in music production, primarily within the bass music space, where I built a strong foundation in sound design alongside a background in jazz and lo-fi composition. Since 2023, I’ve been active in the Color Bass scene, participating in multiple competitions and earning recognition through award-winning work. These experiences pushed me to refine both my technical and creative approach, and ultimately led me toward a deeper interest in video game music. More recently, I’ve focused on studying the design principles behind game audio, including immersion, adaptive systems, and emotional storytelling through sound. I recently developed a debut project titled Dial, a collection of interconnected tracks designed as a cohesive soundtrack for a theoretical game. This project explores how composition and technical structure can work together to support narrative, atmosphere, and player experience. Moving forward, I’m interested in continuing to grow as a composer within the game audio space, with a focus on creating music that is both emotionally resonant and thoughtfully integrated into interactive systems.…

Available to hire

I’m a game audio composer focused on interactive and emotionally- driven music design. I’ve spent nearly a decade developing my skills in music production, primarily within the bass music space, where I built a strong foundation in sound design alongside a background in jazz and lo-fi composition. Since 2023, I’ve been active in the Color Bass scene, participating in multiple competitions and earning recognition through award-winning work. These experiences pushed me to refine both my technical and creative approach, and ultimately led me toward a deeper interest in video game music.
More recently, I’ve focused on studying the design principles behind game audio, including immersion, adaptive systems, and emotional storytelling through sound. I recently developed a debut project titled Dial, a collection of interconnected tracks designed as a cohesive soundtrack for a theoretical game. This project explores how composition and technical structure can work together to support narrative, atmosphere, and player experience. Moving forward, I’m interested in continuing to grow as a composer within the game audio space, with a focus on creating music that is both emotionally resonant and thoughtfully integrated into interactive systems.

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Language

English
Fluent

Work Experience

Composer and Sound Designer at Dial (Game Audio Project)
March 1, 2026 - May 1, 2026
Self-directed project creating a full interconnected soundtrack for a theoretical game world, using adaptive and non-linear music techniques with layered structures, transitions, and recurring motifs to reflect player actions and support immersive storytelling.
Visual Artist, Sound Designer at Self-Employed
June 1, 2025 - July 1, 2025
Designed visuals and soundtrack for Florida Driving Simulator, managed marketing banners, UI assets, and tutorial, icon, and end screens using Illustrator; produced a drum-and-bass jungle soundtrack inspired by 90s underground aesthetics.
Visual Artist, Sound Designer at Group 5
May 1, 2025 - June 1, 2025
Worked on Werewolf Are My Keys? as a visual artist and sound designer; created trimsheets, menu and game over screens; developed a consistent cartoonish-medieval visual theme in collaboration with lead artist.
Visual Artist at Self-Employed
March 1, 2025 - May 1, 2025
As a Game Artist for Fate, produced in-game assets such as sprites (including a dog), editing and animation, contributing to narrative and visual presentation.

Education

Bachelor's Degree at University of Central Florida
August 1, 2021 - May 1, 2026

Qualifications

Add your qualifications or awards here.

Industry Experience

Gaming, Media & Entertainment
    paper Drift Away

    This project was a personal project that showcases the style and complexity I’m more comfortable with, even though it does take a little more time to produce. This showcases my skills in arrangement, melody writing, mixing, mastering, and sound design.

    paper Dial - A Ludomusicology Study

    Dial was a project I submitted in conjunction with a thesis, which studied the concept of ludomusicology, or video game music, in depth. Created around the idea of a clockwork world, I made a collection of songs, including the environmental track, a combat theme, a playful puzzle song, a few story motifs, a menu theme, and a few technical tracks to introduce the environmental track and transition to and from the combat theme.