Jesse Vargas is an internationally experienced Music Director, Composer, Arranger, Orchestrator, and Music Producer whose career spans theater, television, concerts, and themed entertainment. Theater credits include Broadway’s Glory Days (Music Supervisor, Arrangements & Orchestrations) and The Ritz (Orchestrations); Off-Broadway’s bare: A Pop Opera (Music Director & Vocal Arrangements), Rooms: A Rock Romance (Music Supervisor, Arrangements & Orchestrations), Shida (Music Director, Additional Arrangements), and Saved. He has served as Music Director for national tours of Xanadu and Barry Manilow’s Copacabana, and provided arrangements/orchestrations for numerous regional and developmental productions including A Little More Alive (Kansas City Rep), White Noise (Chicago), One Hit Wonder, The Santa Switch, Peep Show (Las Vegas), Asphalt Beach, Bright Lights, Big City, Hair in Concert (Grammy-nominated album), and Pippin (Dance Arrangements – 2006 Tour). During his time in New York, Jesse was Music Director for Clay Aiken from 2004–2008, conducting and arranging for multiple national tours. He also served as keyboardist, arranger, and music supervisor for the funk/soul band Nick Blaemire and The Hustle, and was the final music director/arranger for The Midtown Men, featuring original cast members from Jersey Boys. Jesse has produced, arranged, and orchestrated albums for artists including Scott Alan, Kooman & Dimond, Daniel Reichard, Michael Longoria, and others. His piano arrangements are featured on Brian Justin Crum’s EP Diva. After 15 years in NYC, Jesse relocated to Los Angeles, where he became Music Supervisor for For The Record Live, known for immersive theatrical productions based on film soundtracks. His work there includes BAZ: Star Crossed Love (The Venetian, Las Vegas), The Brat Pack Live (Norwegian Cruise Lines, Break Room 86), Scorsese: American Crime Requiem (The Wallis Annenberg), and the critically acclaimed Love Actually Live!—a multimedia holiday concert experience that has become a Los Angeles tradition. Recent highlights include serving as arranger/orchestrator for Invincible: The Musical, featuring the catalog of Pat Benatar & Neil Giraldo, with whom he collaborated directly. He has also created music for Europa Park, MSC Cruises, and original songs for Warner Bros., Disney’s Galaxy’s Edge, and various media and podcast projects. TV credits include orchestrations for Crazy Ex-Girlfriend and original music for Good Trouble (song: “Fat Bitch”).…Jesse Vargas is an internationally experienced Music Director, Composer, Arranger, Orchestrator, and Music Producer whose career spans theater, television, concerts, and themed entertainment. Theater credits include Broadway’s Glory Days (Music Supervisor, Arrangements & Orchestrations) and The Ritz (Orchestrations); Off-Broadway’s bare: A Pop Opera (Music Director & Vocal Arrangements), Rooms: A Rock Romance (Music Supervisor, Arrangements & Orchestrations), Shida (Music Director, Additional Arrangements), and Saved. He has served as Music Director for national tours of Xanadu and Barry Manilow’s Copacabana, and provided arrangements/orchestrations for numerous regional and developmental productions including A Little More Alive (Kansas City Rep), White Noise (Chicago), One Hit Wonder, The Santa Switch, Peep Show (Las Vegas), Asphalt Beach, Bright Lights, Big City, Hair in Concert (Grammy-nominated album), and Pippin (Dance Arrangements – 2006 Tour). During his time in New York, Jesse was Music Director for Clay Aiken from 2004–2008, conducting and arranging for multiple national tours. He also served as keyboardist, arranger, and music supervisor for the funk/soul band Nick Blaemire and The Hustle, and was the final music director/arranger for The Midtown Men, featuring original cast members from Jersey Boys. Jesse has produced, arranged, and orchestrated albums for artists including Scott Alan, Kooman & Dimond, Daniel Reichard, Michael Longoria, and others. His piano arrangements are featured on Brian Justin Crum’s EP Diva. After 15 years in NYC, Jesse relocated to Los Angeles, where he became Music Supervisor for For The Record Live, known for immersive theatrical productions based on film soundtracks. His work there includes BAZ: Star Crossed Love (The Venetian, Las Vegas), The Brat Pack Live (Norwegian Cruise Lines, Break Room 86), Scorsese: American Crime Requiem (The Wallis Annenberg), and the critically acclaimed Love Actually Live!—a multimedia holiday concert experience that has become a Los Angeles tradition. Recent highlights include serving as arranger/orchestrator for Invincible: The Musical, featuring the catalog of Pat Benatar & Neil Giraldo, with whom he collaborated directly. He has also created music for Europa Park, MSC Cruises, and original songs for Warner Bros., Disney’s Galaxy’s Edge, and various media and podcast projects. TV credits include orchestrations for Crazy Ex-Girlfriend and original music for Good Trouble (song: “Fat Bitch”).WWWW…