I am a composer, orchestrator, and soundtrack producer with a Master’s in Composition from the Conservatorio di Santa Cecilia in Rome. Over the years, I have developed a career that bridges creativity and technical precision, working across film, documentary, live performance, and music production. My work in cinema includes composing the original soundtrack for the feature film Malati di Sesso (2018) and the award-winning documentary Astor Place: The American Dream (2022), where I also orchestrated and produced the score, recording live instruments and programming orchestral parts. I have created original music for film trailers and contributed to projects recognized at international film festivals. In 2024, I collaborated on Samuele Bersani’s live tour as an orchestral transcriber and arranger, preparing scores for the orchestra and conductor. Beyond scoring and arranging, I am deeply involved in music production for emerging artists. I own and operate my own recording studio, where I guide artists through the entire creative and technical process, from composition and arrangement to recording, mixing, and mastering, ensuring each project achieves the highest quality and artistic vision. My compositions often draw inspiration from both narrative storytelling and the evocative power of sound, transforming imaginative ideas into immersive musical journeys. Notable works include my symphonic piece "Three Marine Episodes for Orchestra," composed as a master’s thesis, exploring the adventures and perils of the sea. I continue to pursue projects that challenge me creatively and technically, combining my deep understanding of composition and orchestration with hands-on production expertise to shape music that resonates with audiences worldwide.

Simone Lontano

I am a composer, orchestrator, and soundtrack producer with a Master’s in Composition from the Conservatorio di Santa Cecilia in Rome. Over the years, I have developed a career that bridges creativity and technical precision, working across film, documentary, live performance, and music production. My work in cinema includes composing the original soundtrack for the feature film Malati di Sesso (2018) and the award-winning documentary Astor Place: The American Dream (2022), where I also orchestrated and produced the score, recording live instruments and programming orchestral parts. I have created original music for film trailers and contributed to projects recognized at international film festivals. In 2024, I collaborated on Samuele Bersani’s live tour as an orchestral transcriber and arranger, preparing scores for the orchestra and conductor. Beyond scoring and arranging, I am deeply involved in music production for emerging artists. I own and operate my own recording studio, where I guide artists through the entire creative and technical process, from composition and arrangement to recording, mixing, and mastering, ensuring each project achieves the highest quality and artistic vision. My compositions often draw inspiration from both narrative storytelling and the evocative power of sound, transforming imaginative ideas into immersive musical journeys. Notable works include my symphonic piece "Three Marine Episodes for Orchestra," composed as a master’s thesis, exploring the adventures and perils of the sea. I continue to pursue projects that challenge me creatively and technically, combining my deep understanding of composition and orchestration with hands-on production expertise to shape music that resonates with audiences worldwide.

Available to hire

I am a composer, orchestrator, and soundtrack producer with a Master’s in Composition from the Conservatorio di Santa Cecilia in Rome. Over the years, I have developed a career that bridges creativity and technical precision, working across film, documentary, live performance, and music production.

My work in cinema includes composing the original soundtrack for the feature film Malati di Sesso (2018) and the award-winning documentary Astor Place: The American Dream (2022), where I also orchestrated and produced the score, recording live instruments and programming orchestral parts. I have created original music for film trailers and contributed to projects recognized at international film festivals.

In 2024, I collaborated on Samuele Bersani’s live tour as an orchestral transcriber and arranger, preparing scores for the orchestra and conductor.

Beyond scoring and arranging, I am deeply involved in music production for emerging artists. I own and operate my own recording studio, where I guide artists through the entire creative and technical process, from composition and arrangement to recording, mixing, and mastering, ensuring each project achieves the highest quality and artistic vision.

My compositions often draw inspiration from both narrative storytelling and the evocative power of sound, transforming imaginative ideas into immersive musical journeys. Notable works include my symphonic piece “Three Marine Episodes for Orchestra,” composed as a master’s thesis, exploring the adventures and perils of the sea.

I continue to pursue projects that challenge me creatively and technically, combining my deep understanding of composition and orchestration with hands-on production expertise to shape music that resonates with audiences worldwide.

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Experience Level

Expert
Expert
Expert
Expert
Expert
Expert

Language

Italian
Fluent
English
Intermediate

Work Experience

Composer & Soundtrack Producer at Independent / Freelance
January 1, 2018 - Present
Composed, orchestrated, and produced original scores for film and documentary, including Malati di Sesso (2018) and Astor Place: The American Dream (2022). Recorded all instruments personally and programmed orchestral parts. Created original music for film trailers. Work recognized at international film festivals (Antakya, Coney Island, Fort Lauderdale, SoHo).
Orchestral Transcriber & Arranger at Samuele Bersani
December 31, 2024 - September 23, 2025
Transcribed orchestral arrangements and prepared scores for orchestra and conductor. Contributed to live performances later released as an album.
Music Producer & Audio Engineer at Own Recording Studio / Independent Artists
January 1, 2015 - Present
Produce and develop emerging artists across genres. Handle full recording, mixing, and mastering process. Provide creative guidance and technical supervision to ensure high-quality productions.

Education

Master's Degree in Composition at Conservatorio di Santa Cecilia, Rome
January 11, 2030 - January 1, 2019
Bachelor's Degree in Composition at Saint Louis College, Rome
January 11, 2030 - January 1, 2017

Qualifications

Master Degree in Music Composition
September 1, 2017 - October 1, 2019

Industry Experience

Media & Entertainment
    uniE603 Brighton by Vic Richardson
    I produced and arranged “Brighton” by Vic Richardson, crafting a warm, English folk-pop sound with modern sensibilities. The track is anchored by acoustic guitar, which carries both the rhythm and melodic heart of the song, while a subtle rhythmic section of percussion, bass, and Wurlitzer adds depth and movement without overpowering the organic feel. Drawing inspiration from artists like Oasis and Ed Sheeran, the arrangement blends a nostalgic, Brit-pop charm with contemporary polish. I worked closely with the artist on the vocal performance, shaping background layers and harmonies to enhance emotional resonance. I also handled the mixing and mastering, ensuring the final track is balanced, vibrant, and fully expressive of the artist’s vision
    uniE603 She is the sea
    I produced and arranged “She is the Sea” by SAVI, overseeing the project from start to finish. I wrote and arranged the string parts, while personally performing all other instruments, including guitars, bass, drums, synths, and background vocals. The track blends a folk foundation with modern pop touches, inspired by artists like Ed Sheeran, creating a warm, intimate, yet contemporary sound. The vocal recording and production took place in my studio, where I worked closely with the artist to enhance the emotional delivery. I also handled the mixing and mastering, ensuring a polished and professional sound that highlights both the organic and modern elements of the track
    uniE603 For Eternity by Savi
    I produced and arranged “For Eternity” by SAVI, overseeing the project from start to finish. I wrote and arranged the string parts, while personally performing all the other instruments, including guitars, bass, drums, synths, and background vocals. The vocal recording and production took place in my studio, where I worked closely with the artist to refine the performance and enhance the emotional delivery. I also handled the mixing and mastering, ensuring a polished, professional sound that fully embodies the artistic vision of the track
    uniE603 La Pianura delle Volpi by Luca di Tommaso
    I co-composed, co-produced and arranged “La Pianura delle Volpi” by Luca Di Tommaso, together with Giorgio Balestra, shaping an acoustic and organic sound that emphasizes the dialogue between piano and voice. The piano provides both melodic and structural support, weaving seamlessly with the vocal line. Layers of acoustic guitars add a folk-inspired flavor, enriching the harmonic texture. Despite its earthy, acoustic foundation, the track carries a modern pop sensibility, balancing warmth and accessibility. I also personally handled the mixing and mastering, ensuring a polished and professional final sound that fully reflects the artistic vision
    uniE603 Bambina by Elettricaessenza
    I co-produced and arranged this track on commission for the artist Elettricaessenza, together with Giorgio Balestra. Starting from a simple guitar-and-vocal demo, we shaped the arrangement with a retro-inspired sound, using clean electric guitars, organs, and electric pianos, enriched by subtle synth textures. While these instruments give the track a distinctly vintage character, the drums introduce a modern touch, adding energy and contrast to the overall atmosphere. All parts were recorded between my studio and Giorgio’s. We also collaborated on the vocal production, layering background vocals and sound effects to enhance the emotional depth and create a seamless dialogue between voice and instrumentation. Finally, I handled the mixing and mastering, ensuring a refined and coherent sound that blends nostalgic tones with contemporary production
    uniE603 Lo So by Elettricaessenza
    I co-produced and arranged this track on commission for the artist Elettricaessenza, together with my colleague Giorgio Balestra. We started from a guitar-and-vocal demo provided by the artist and developed the arrangement by layering multiple electric guitars enriched with synth parts. The rhythmic section of drums and bass adds energy and keeps the groove driving throughout. All parts were recorded in my studio and Giorgio’s. We then collaborated on the vocal production, adding layers of background vocals and sound effects to create a harmonious balance between voice and instrumentation, giving the track unique emotional depth and dynamic presence. I finalized the track by personally handling the mixing and mastering, ensuring a professional sound fully aligned with the artistic vision
    uniE603 SWIM by Ed
    I produced and arranged this track on commission for the artist ED, starting from their original vocal line. The arrangement developed organically, layering multiple classical guitar parts that interact with piano, strings, and percussion, all recorded in my studio to achieve a warm, organic sound. We then collaborated on the vocal production, adding layers of background vocals and sound effects to create a harmonious balance between voice and instrumentation, resulting in a track with unique emotional depth and dynamic presence. I also finalized the track by personally handling the mixing and mastering, ensuring a professional sound and a result fully aligned with the artistic vision
    uniE608 Crown Energy Spot
    Composer of the original soundtrack for spot Crown Energy(2022). Beyond composition, I also orchestrated and produced the score — recording every instrument myself, blending live performance with programmed orchestral textures. The idea originates from a promise — THE PROMISE OF A LAND RETURNING TO LAND. In this story, Angola’s land fulfills that promise through the magic of children, who often shape the hoped-for future through imagination. An African nursery rhyme opens the tale, the music highlights its wonder, the spiral staircase of a building animates the dialogue between the two young protagonists, and the green paint on the girl’s fingers turns the map of Angola back into forest. In a whirlwind of beauty, 2050 becomes reality composer musiccomposer orchestrator musicproduction
    uniE608 Tre episodi marini per orchestra
    Three Marine Episodes for Orchestra’ is a short symphonic work in three movements, composed as my master’s thesis in Composition at the Conservatorio di Santa Cecilia in Rome. Inspired by the vastness and mystery of the sea, the piece explores the adventures, challenges, and wonders that arise when confronting this captivating yet perilous natural element. Each movement captures a different facet of maritime life, from the playful and serene to the powerful and tumultuous, inviting listeners to embark on a sonic journey across the ever-changing waters composer orchestra musiccomposer

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