## Graphic Designer — Brand Identity, Editorial & Print Graphic designer with 4+ years across in-house and freelance roles, working with clients in marketing, publishing, and brand development. I specialise in print and visual design — from brand identity systems built for longevity, to editorial layouts and campaign collateral that hold together across every touchpoint. My focus is always on work that's considered, cohesive, and made to last. --- ### How I work What I bring to a project is a measured approach: I take time to understand the brief before I start making decisions, and I don't stop at surface-level aesthetics. Good design should flex across markets, scale with a brand, and still feel intentional at every size and format. --- ### Specialisms - Brand identity & logo systems - Editorial, publication & book design - Marketing collateral & campaign print --- *Available for freelance projects across brand, editorial, and print — Melbourne.*

Surej Sidhu

PRO
5.0 (1 review)

## Graphic Designer — Brand Identity, Editorial & Print Graphic designer with 4+ years across in-house and freelance roles, working with clients in marketing, publishing, and brand development. I specialise in print and visual design — from brand identity systems built for longevity, to editorial layouts and campaign collateral that hold together across every touchpoint. My focus is always on work that's considered, cohesive, and made to last. --- ### How I work What I bring to a project is a measured approach: I take time to understand the brief before I start making decisions, and I don't stop at surface-level aesthetics. Good design should flex across markets, scale with a brand, and still feel intentional at every size and format. --- ### Specialisms - Brand identity & logo systems - Editorial, publication & book design - Marketing collateral & campaign print --- *Available for freelance projects across brand, editorial, and print — Melbourne.*

Available to hire

Graphic Designer — Brand Identity, Editorial & Print

Graphic designer with 4+ years across in-house and freelance roles, working with clients in marketing, publishing, and brand development.

I specialise in print and visual design — from brand identity systems built for longevity, to editorial layouts and campaign collateral that hold together across every touchpoint. My focus is always on work that’s considered, cohesive, and made to last.


How I work

What I bring to a project is a measured approach: I take time to understand the brief before I start making decisions, and I don’t stop at surface-level aesthetics. Good design should flex across markets, scale with a brand, and still feel intentional at every size and format.


Specialisms

  • Brand identity & logo systems
  • Editorial, publication & book design
  • Marketing collateral & campaign print

Available for freelance projects across brand, editorial, and print — Melbourne.

See more

Language

English
Fluent

Work Experience

Designer at Freelance
April 5, 2023 - Present
End-to-end creative projects across brand identity, publication, and campaign design for purpose-driven clients. Managed the full design process independently — from scoping and proposals through to delivery — building strong client relationships and winning repeat business through trust, clarity, and well-presented creative work.
Brand Designer at Young Folkds
February 12, 2024 - November 11, 2025
Sole in-house designer within a creative agency, working with broad autonomy alongside a Creative Director. Led multi-channel campaign design across paid, organic, print, and digital —developing scalable brand identities and design systems, and partnering with copywriters and strategists to balance brand storytelling with measurable results.
Graphic Designer at Fender Katsalidis
November 7, 2022 - March 7, 2023
Sole designer supporting one of Australia's leading architecture practices. Produced proposals, pitch documents, and marketing collateral that combined strong layout, hierarchy, and storytelling — curating photography and visual assets to elevate presentations and maintain brand consistency across digital, print, and corporate communications.
Graphic & Communications Designer at SGS Economics and Planning
May 3, 2021 - October 7, 2022
Sole designer embedded within a multidisciplinary research and economics consultancy. Translated complex data and research into clear, engaging long-form reports and publications — developing brand guidelines, scalable templates, and custom infographics to strengthen the organisation's brand presence across print and digital channels.

Education

Graduate Diploma in Graphic Design at Media Design School
June 3, 2019 - May 29, 2020
Bachelor of Commerce at University of Auckland
February 14, 2011 - November 21, 2014

Qualifications

Add your qualifications or awards here.

Industry Experience

Government, Media & Entertainment, Professional Services, Education, Real Estate & Construction, Non-Profit Organization, Financial Services, Healthcare, Software & Internet
    paper NAPWHA media kit

    NAPWHA — Media Kit

    NAPWHA, in partnership with the Australian Government, was tasked with delivering the
    national rollout of Australia’s first HIV self-testing kit. A comprehensive media pack
    was required for use across clinics, community centres and advocacy organisations —
    with a strong emphasis on accessibility, clarity and the respectful representation of
    diverse communities.


    The challenge

    The materials needed to communicate sensitive public health information clearly and
    confidently across a wide range of audiences and formats — from posters and social media
    assets through to a four-page booklet — while maintaining inclusive representation
    throughout.

    The approach

    The design was built around strong typographic hierarchy and clear information pathways,
    ensuring key messages could be quickly understood in both print and digital contexts.
    Type, scale and spacing were carefully considered to support legibility, particularly
    for audiences with varying levels of health literacy. The result was a consistent visual
    system that could translate across multiple formats without losing clarity or impact.

    The result

    The first round of self-testing kits was distributed within three weeks of launch,
    with ongoing government funding approved to support the continued rollout of the
    program — a unified suite of materials that supported community trust and buy-in for
    a landmark public health initiative.

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    paper Oxford Studio Brand Identity

    Oxford Studio — Brand Identity

    Oxford Studio is an intimate life drawing studio in Collingwood, built as a welcoming,
    social and exploratory space for artists of all levels. The brief was to develop a brand
    identity that reflected the care and quality of the in-studio experience — inclusive and
    approachable, yet confident enough to support a premium price point of $40 per class.


    The challenge

    The brand needed to strike a precise balance: refined enough to justify the premium
    experience, but warm and open enough to attract artists at every level — from complete
    beginners through to the more experienced.

    The approach

    The process began with a typographic logo — letterforms carefully balanced to feel
    considered without being overly formal. From there, a full visual system was built to
    support ongoing social and promotional content.

    Typography played a central role, with expressive scale and layout used to create
    hierarchy and movement across formats. This was paired with a series of line-drawn
    illustrations that added a human, tactile quality reflecting the act of drawing itself.
    A rich, carefully selected colour palette completed the system — holding depth and
    contrast across both digital and print, while reinforcing warmth and quality throughout.

    The result

    The cohesive identity positioned Oxford Studio as a premium yet approachable offering
    for artists at all levels — with classes consistently selling out and the brand helping
    to build community trust and ongoing engagement over time.

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    paper Wayahead Social Content

    Wayahead — Social Media Content

    Wayahead is a mental health organisation providing information and support for young
    Australians. The brief was to create ongoing social content that felt accessible and
    informative — offering a starting point for individuals seeking support or wanting to
    learn more about mental health services, while handling sensitive subject matter with
    clarity and care.


    The challenge

    Wayahead needed a more consistent and engaging social presence to better connect with
    younger audiences. The existing brand guidelines covered core colour and typography,
    but hadn’t been developed to suit the specific demands of social channels.

    The approach

    Working from the existing brand guidelines, I expanded the visual system to better
    support social content — developing a more creative visual direction to improve
    engagement while remaining accessible and appropriate for the subject matter. The
    result was a flexible social system that could be applied and built on over time.

    The result

    The social content supported steady growth in Wayahead’s following and helped build
    a more consistent presence across digital channels — providing younger audiences with
    approachable entry points into Wayahead’s services, and helping reduce barriers to
    awareness and engagement over time.

    https://www.twine.net/signin

    paper Let Me Be Frank Accountability Report

    Let Me Be Frank — Accountability Report

    Let Me Be Frank is a social change agency working across strategy, culture and action
    to support a more just future for people and the planet. Following a chance meeting,
    I collaborated with the founder on the design of their Accountability Report —
    an annual publication reflecting how the organisation had lived its values in practice.


    The challenge

    The brief called for more than a well-designed document. Each of the organisation’s
    core values needed to be brought to life visually, using narrative illustration to
    make them tangible and relatable rather than abstract.

    The approach

    The project began with moodboarding to establish an approach that felt warm, human
    and aligned with the existing brand. An illustrative style quickly emerged as the right
    fit, allowing values to be communicated in a more accessible and engaging way.

    From there, the report was designed as a cohesive editorial system — typography and
    layout used to create clear hierarchy and pacing, guiding the reader through moments
    of reflection while maintaining readability across content types.

    The result

    The report was met with strong positive feedback, with the illustrated values
    particularly well received. Designed as a reusable template, the system has since
    been adopted for Let Me Be Frank’s ongoing Accountability Reports — allowing them
    to reflect on their impact year after year, while staying aligned with their values
    and visual identity.

    https://www.twine.net/signin

    paper SEED Northern Rivers

    Seed Northern Rivers — Brand Identity Rebrand

    Seed Northern Rivers evolved from Mullum Seed as part of a strategic rebrand to reflect
    the organisation’s expanding impact across the wider Northern Rivers region. The aim was
    to create a meaningful identity that felt genuinely connected to place and community,
    while supporting a shift from a local to a regional focus.


    The challenge

    The existing identity no longer reflected the organisation’s scope or ambition. As SEED
    grew beyond its local roots, the brand needed to carry that sense of place and connection
    into a wider regional context — without losing the warmth and community feel that defined it.

    The approach

    The project began with a strategy phase to clarify purpose, values and audience before
    any visual direction was set. The chosen concept — Connected by Threads — was developed
    into an interwoven logomark reflecting community connection and the flow of the region’s
    rivers. A full logo suite, nature-led colour palette, and grounded typography followed.

    A defining element of the identity was a custom brand pattern created collaboratively
    with the SEED team — leaves and flowers pressed in ink, digitised, and refined into an
    organic texture that tied the brand directly back to place and community.

    The result

    The rebrand was warmly received by the community, with strong appreciation for the
    identity’s connection to place. The team felt confident rolling out the brand
    independently using the templates and guidelines provided — an identity designed
    for longevity.

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    paper The Finders Keepers

    The Finders Keepers — Brand Identity Redesign

    The Finders Keepers is one of Australia’s leading independent design markets. They needed a brand identity that could grow with them — flexible enough to roll out across multiple markets, and built for longevity.


    The challenge

    The existing identity lacked the flexibility to scale. As the markets expanded into new cities and formats, the brand needed a visual language that could adapt without losing coherence.

    The approach

    The new identity system established a clear visual language with room to breathe — one that could stretch across formats, platforms, and applications while remaining distinctly Finders Keepers.

    The result

    67% increase in presale volumes year-on-year — a measure of how strongly the refreshed brand connected with their audience before doors even opened.
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