Mixing and mastering engineer focused on house, techno, garage, and club-driven electronic records. I help artists and labels decide what a track actually needs before release: a clean stereo master, stem-based mix refinement, or mix-prep feedback before the final pass. My work is built around translation, low-end control, reference-based judgment, and release-ready delivery without flattening the character of the original mix.
Through OutOfPrint Records, I built a hybrid mastering service that combines human listening decisions, producer-facing intake standards, stereo-versus-stem routing, and an optional Apollo x8p print and QC path for records that earn a hybrid finish. I work from the artist and label side as well, which keeps the process practical: clear direction, revisions that solve the real issue, and final files that hold up outside the studio.
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A hazy disco flip for the modern dance floor, finished through T. Nguyen’s Codex-built hybrid mastering chain.
This is an unofficial Lavender Haze bootleg remix by T. Nguyen, built as a pop club record with disco motion, body-forward low end, and a modern dance-floor finish.
This release also works as live proof of the hybrid mastering chain currently being demoed and offered to artists through OutOfPrint. The chain was built in Codex, then checked through a human-led mastering process so the result stays musical, controlled, and club-ready.
Claim the free download, enter your email to unlock it, and stay close to future edits, drops, and mastering releases from OutOfPrint.
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