Dear Hiring Team, I work with audio daily and have developed a strong critical ear over time, especially when it comes to spotting subtle issues that affect how “real” or natural something sounds. I’m used to analyzing things like harsh frequencies, over-compression, phase problems, or vocals that just feel off in the mix. I mainly use Ableton Live, and I’m comfortable working across voice, music, and sound design. What I’m good at is not just hearing problems, but explaining them clearly — what’s wrong, why it happens, and how it could be improved. I like the idea of evaluating generated audio, identifying patterns in what goes wrong, and helping define what better output should sound like. I can work fast, stay consistent, and deliver structured feedback without overcomplicating things. Happy to provide sample evaluations if needed. Best, YOUNES EL BAHAOUI

YOUNES EL BAHAOUI

Dear Hiring Team, I work with audio daily and have developed a strong critical ear over time, especially when it comes to spotting subtle issues that affect how “real” or natural something sounds. I’m used to analyzing things like harsh frequencies, over-compression, phase problems, or vocals that just feel off in the mix. I mainly use Ableton Live, and I’m comfortable working across voice, music, and sound design. What I’m good at is not just hearing problems, but explaining them clearly — what’s wrong, why it happens, and how it could be improved. I like the idea of evaluating generated audio, identifying patterns in what goes wrong, and helping define what better output should sound like. I can work fast, stay consistent, and deliver structured feedback without overcomplicating things. Happy to provide sample evaluations if needed. Best, YOUNES EL BAHAOUI

Available to hire

Dear Hiring Team,

I work with audio daily and have developed a strong critical ear over time, especially when it comes to spotting subtle issues that affect how “real” or natural something sounds. I’m used to analyzing things like harsh frequencies, over-compression, phase problems, or vocals that just feel off in the mix.

I mainly use Ableton Live, and I’m comfortable working across voice, music, and sound design. What I’m good at is not just hearing problems, but explaining them clearly — what’s wrong, why it happens, and how it could be improved.

I like the idea of evaluating generated audio, identifying patterns in what goes wrong, and helping define what better output should sound like.

I can work fast, stay consistent, and deliver structured feedback without overcomplicating things.

Happy to provide sample evaluations if needed.

Best,
YOUNES EL BAHAOUI

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