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I'm an experienced design and audio director with six years of experience shaping entire soundscapes for high-profile narrative projects, including Empire of The Ants (Ivors Academy Award Nominee). While my recent focus has leaned toward interactive media, the core of my work is rooted in traditional, high-fidelity audio post-production and cinematic storytelling. I thrive at the intersection of creative direction and hands-on sound design, delivering polished audio identities from Foley to final mix. I bring collaborative energy, technical fluency across DAWs and engines, and a passion for immersive sonic experiences.…I'm an experienced design and audio director with six years of experience shaping entire soundscapes for high-profile narrative projects, including Empire of The Ants (Ivors Academy Award Nominee). While my recent focus has leaned toward interactive media, the core of my work is rooted in traditional, high-fidelity audio post-production and cinematic storytelling. I thrive at the intersection of creative direction and hands-on sound design, delivering polished audio identities from Foley to final mix. I bring collaborative energy, technical fluency across DAWs and engines, and a passion for immersive sonic experiences.

Vincent Miot-Sertier

Sound Designer, Audio Engineer, Sound Editor

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I'm an experienced design and audio director with six years of experience shaping entire soundscapes for high-profile narrative projects, including Empire of The Ants (Ivors Academy Award Nominee). While my recent focus has leaned toward interactive media, the core of my work is rooted in traditional, high-fidelity audio post-production and cinematic storytelling. I thrive at the intersection of creative direction and hands-on sound design, delivering polished audio identities from Foley to final mix. I bring collaborative energy, technical fluency across DAWs and engines, and a passion for immersive sonic experiences.…I'm an experienced design and audio director with six years of experience shaping entire soundscapes for high-profile narrative projects, including Empire of The Ants (Ivors Academy Award Nominee). While my recent focus has leaned toward interactive media, the core of my work is rooted in traditional, high-fidelity audio post-production and cinematic storytelling. I thrive at the intersection of creative direction and hands-on sound design, delivering polished audio identities from Foley to final mix. I bring collaborative energy, technical fluency across DAWs and engines, and a passion for immersive sonic experiences.

Available to hire

I’m an experienced design and audio director with six years of experience shaping entire soundscapes for high-profile narrative projects, including Empire of The Ants (Ivors Academy Award Nominee). While my recent focus has leaned toward interactive media, the core of my work is rooted in traditional, high-fidelity audio post-production and cinematic storytelling.

I thrive at the intersection of creative direction and hands-on sound design, delivering polished audio identities from Foley to final mix. I bring collaborative energy, technical fluency across DAWs and engines, and a passion for immersive sonic experiences.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Intermediate

Language

English

Fluent

Work Experience

Sound Designer / Audio Director at TowerFive Studio

January 1, 2019 - January 1, 2021

Led audio design and direction for high-profile interactive media projects, coordinating Foley, music design, sound editing and delivery for narrative experiences. Collaborated with partner studios (Allumage Production, Cinekit a, Canal+) to source, mix and master sound for film and TV series.

Sound Designer / Audio Editor at TowerFive Studio

January 1, 2021 - January 1, 2025

Continued audio leadership across multi‑platform projects; supervised Foley recording, dialogue editing, mixing and mastering; integrated audio assets with game engines.