I've always wanted to make the music I wanted to hear. I started composing music in musical notation-- all by pen and pencil. At the age of 14 I found online-production technology--originally noteflight, but just after I moved into the territory of beat-production technology. Ever since then I've aimed to be a producer, finding that my greatest joy in life is making music. I love hip-hop, jazz, post-punk, noise, baroque pop, son (cuban jazz), and just about anything. To me, the artist matters more than the genre. I make wonky hip-hop beats with classical and jazz influenced structures, but expect anything really.

Jeremy Schwartz

I've always wanted to make the music I wanted to hear. I started composing music in musical notation-- all by pen and pencil. At the age of 14 I found online-production technology--originally noteflight, but just after I moved into the territory of beat-production technology. Ever since then I've aimed to be a producer, finding that my greatest joy in life is making music. I love hip-hop, jazz, post-punk, noise, baroque pop, son (cuban jazz), and just about anything. To me, the artist matters more than the genre. I make wonky hip-hop beats with classical and jazz influenced structures, but expect anything really.

Available to hire
credit-card $250 per day ($31.25 per hour)

I’ve always wanted to make the music I wanted to hear. I started composing music in musical notation-- all by pen and pencil. At the age of 14 I found online-production technology–originally noteflight, but just after I moved into the territory of beat-production technology. Ever since then I’ve aimed to be a producer, finding that my greatest joy in life is making music. I love hip-hop, jazz, post-punk, noise, baroque pop, son (cuban jazz), and just about anything. To me, the artist matters more than the genre. I make wonky hip-hop beats with classical and jazz influenced structures, but expect anything really.

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