I’m a freelancer specializing in motion graphics, video editing, and animation, with over 10 years of experience working with top brands like McDonald’s, Stella Artois, Unilever, and Cinemark. I focus on creating dynamic content for social media, SaaS explainer videos, and branded storytelling that really connects with the audience.
What sets me apart is not just technical skill — I bring creative ideas and a deep understanding of each client’s sector to make sure the final product fits their brand voice and goals. Whether it’s fast-paced TikTok reels or polished YouTube videos, I adapt my workflow to whatever the project needs and deliver quality with clear communication.
If you want someone who’s reliable, experienced, and can suggest ways to improve your content beyond just editing, that’s me.
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I recorded, produced, and edited 10 episodes of the Friedrich Ebert Stiftung podcast called “Hoy en la Tierra”, a podcast about global warming and things regarding the planet.
In the editing process, I had to find all the sound effects and music for the podcast.
It was recorded in 2 days and the voices are from Johana Ortega and José Enriquez
- Video on a Canon 70D in Cinestyle.
- Audio with the mic Zoom ZDM-1 and a Zoom Podtrack direct into the camera.
- One LCD light panel on the left, the right part in a huge window and natural light.
- Edited in Premiere Pro and After Effects.
- Audio polished in Adobe Audition.
Normally Mark or someone from Random Sounds writes the script and then I get the office for the video and start recording. Then edit the whole video, eq sounds, color correction, animate it, create the subtitles and then publish. So, besides the script, I made the entire video.
Tech stuff:
If you want to see more videos, you can follow Random Sounds at: https://www.instagram.com/randomsounds/reels/
Douglas Blanco, a Venezuelan medical nurse based in New York, creates educational videos offering tips and insights about the U.S. healthcare system. He reached out to me to bring consistency, clarity, and visual polish to his YouTube content.
For this project, I’m responsible for the entire post-production workflow of his 10–15 minute videos. Starting from the raw footage, I handle:
– Structured video editing tailored to keep viewers engaged
– Color correction to make Douglas stand out as the visual focus
– Audio enhancement for optimal clarity on both mobile and TV
– Custom motion graphics that support and emphasize key points
– Thumbnail design crafted to capture attention and drive clicks
– Final polish and quality control to ensure a cohesive visual identity across all videos
The goal is to deliver professional, accessible, and visually engaging content that matches the informative tone of the channel, helping Douglas connect with his audience and grow his presence in the digital health education space.
- A hero launch video for global release
- A dynamic teaser to build pre-launch hype
- Product showcase loops for website use
The biggest video request ever made by Qualifyze became one of the most ambitious motion design projects I’ve worked on so far.
With the launch of their new suite of digital tools, we needed to create a comprehensive video campaign covering multiple formats and audiences:
Two internal videos for product and onboarding teams
This wasn’t just about animation; it was about solving communication challenges across departments and platforms, delivering a full post-production solution to support a global rollout.
Creative Direction & Workflow
Working closely with Qualifyze’s marketing team and graphic director Victoria Mautone, we started with script development aligned to updated brand guidelines and product goals.
Animations were built directly from real Figma app designs imported into Adobe After Effects. I animated each UI screen individually, choreographing interactions and transitions to reflect the smooth, intuitive user experience Qualifyze aims to deliver.
To keep the workflow efficient and adaptable, I created modular rigs with Action Script in After Effects. This allowed fast adjustments and scalability without rebuilding animations from scratch, crucial for last-minute changes and consistency.
Launch Video
The flagship video is a high-energy, visually immersive overview of the platform. It combines animated screens, layered tunnel transitions, and fast-paced movement evoking streamlined workflows and smart data flow. The look follows Qualifyze’s branding but with a bold, engaging twist.
Teaser
The teaser builds hype while keeping key features hidden, using subtle UI hints, branded motion elements, and rhythmic pacing to tease the product without revealing too much.
Website Animations
Web-optimized animations in transparent WEBM format were made for seamless integration with parallax scrolling on the landing page. These loops prioritize fast load times and crisp visuals across devices.
Internal Product Videos
Two internal explainer videos were created to train and onboard staff. Though not public-facing, they maintain the same visual polish, clarity, and brand consistency as the external assets.
Voiceover & Sound
English and Spanish voiceovers use AI-generated voices from Artlist, selected and edited to keep a professional, clear tone. Sound design and music, also from Artlist, were synced carefully to complement the pacing and visuals.
This project pushed me to combine technical rigor with creative storytelling, delivering a versatile video suite that supports a complex, global product launch while maintaining strong brand identity and engagement.
This project was developed for Banco Continental, one of the top financial institutions in Paraguay. The objective was to create a short, engaging video that clearly explains how to open a bank account—optimized for digital platforms and mobile users.
The client provided the graphic design in Illustrator along with the final audio track, which included voiceover and music. Since the timing was already locked, I had to structure the entire animation around the audio, keeping everything tight, clean, and well-paced.
I proposed replacing their original static hand illustration with a more dynamic version that allowed me to include a 3D-style smartphone (built directly inside After Effects). This made the piece feel more current and helped emphasize the mobile aspect of the process.
All assets were imported using the Overlord plugin, which ensured smooth integration between Illustrator and After Effects. Every scene was animated step by step, keeping the visuals simple but impactful.
Watch it on their social post.
The video was approved with no changes and was successfully used across social media and internal digital channels.
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