I will try not to bore you with technical details about why you should choose me to do your musical work and my qualifications, and I inevitably will need to, but the fact is: Every single bio you'll ever read will never come forward with the headline: "Vision". And vision is, in my opinion, if not the most important thing in art. Have you ever heard a musical composition that blew your mind? One that took you out of this world for a few minutes and made you feel at peace with yourself and the world? I have. And it didn't come from very experienced artists. In fact, most of them had around 1-2 years of practising their craft before they created that beautiful soundscape that kept reminding me why I do this. It is not just to check some boxes. It's about expressing emotion. It's about creating a world above this one. But enough talk. Let me take you through what I did and what I can do. Everybody I know describes me by one word: Underrated. Not to seem cocky or anything, but I can school anybody around my age if you give me a DAW and some sounds. I mostly make trap-sounding instrumentals. Not because they're easy to make (which they're not, if you don't limit yourself), but because there is beauty in simplicity, and I've always like the bass and the two-step hi-hats. That never put me in a box, though, but I don't know if that's a good thing or a bad thing, considering that only boxes sell around here. I derived every single piece of inspiration I have gotten from throughout all genres I love, such as rock, alternative, folk, film scores (if you can put them in a box), electronic music, R&B, pop, etc. and put them into one vision that makes your ears cry of happiness. I am usually very humble, but not when someone challenges me about my craft. And when that happens, you better know it's showtime. I have been making music for two years. And every day for those past two years I have done nothing but perfect myself and the world that you get taken into once the vibrations touch your eardrums. I have made a grand total of two albums, unavailable to the public eye aside from some highlights. I sang in them, and that brought them down, but every single piece of instrumentation was created from my own sweat and tears during sleepless nights. So trust me, I'm up for any challenge. And if you give me that shot, I will create the best damn soundscape the human ear has ever heard.

adrius

I will try not to bore you with technical details about why you should choose me to do your musical work and my qualifications, and I inevitably will need to, but the fact is: Every single bio you'll ever read will never come forward with the headline: "Vision". And vision is, in my opinion, if not the most important thing in art. Have you ever heard a musical composition that blew your mind? One that took you out of this world for a few minutes and made you feel at peace with yourself and the world? I have. And it didn't come from very experienced artists. In fact, most of them had around 1-2 years of practising their craft before they created that beautiful soundscape that kept reminding me why I do this. It is not just to check some boxes. It's about expressing emotion. It's about creating a world above this one. But enough talk. Let me take you through what I did and what I can do. Everybody I know describes me by one word: Underrated. Not to seem cocky or anything, but I can school anybody around my age if you give me a DAW and some sounds. I mostly make trap-sounding instrumentals. Not because they're easy to make (which they're not, if you don't limit yourself), but because there is beauty in simplicity, and I've always like the bass and the two-step hi-hats. That never put me in a box, though, but I don't know if that's a good thing or a bad thing, considering that only boxes sell around here. I derived every single piece of inspiration I have gotten from throughout all genres I love, such as rock, alternative, folk, film scores (if you can put them in a box), electronic music, R&B, pop, etc. and put them into one vision that makes your ears cry of happiness. I am usually very humble, but not when someone challenges me about my craft. And when that happens, you better know it's showtime. I have been making music for two years. And every day for those past two years I have done nothing but perfect myself and the world that you get taken into once the vibrations touch your eardrums. I have made a grand total of two albums, unavailable to the public eye aside from some highlights. I sang in them, and that brought them down, but every single piece of instrumentation was created from my own sweat and tears during sleepless nights. So trust me, I'm up for any challenge. And if you give me that shot, I will create the best damn soundscape the human ear has ever heard.

Available to hire
credit-card $250 per day ($31.25 per hour)

I will try not to bore you with technical details about why you should choose me to do your musical work and my qualifications, and I inevitably will need to, but the fact is: Every single bio you’ll ever read will never come forward with the headline: “Vision”. And vision is, in my opinion, if not the most important thing in art.

Have you ever heard a musical composition that blew your mind? One that took you out of this world for a few minutes and made you feel at peace with yourself and the world? I have. And it didn’t come from very experienced artists. In fact, most of them had around 1-2 years of practising their craft before they created that beautiful soundscape that kept reminding me why I do this.

It is not just to check some boxes. It’s about expressing emotion. It’s about creating a world above this one. But enough talk. Let me take you through what I did and what I can do.

Everybody I know describes me by one word: Underrated. Not to seem cocky or anything, but I can school anybody around my age if you give me a DAW and some sounds. I mostly make trap-sounding instrumentals. Not because they’re easy to make (which they’re not, if you don’t limit yourself), but because there is beauty in simplicity, and I’ve always like the bass and the two-step hi-hats.

That never put me in a box, though, but I don’t know if that’s a good thing or a bad thing, considering that only boxes sell around here. I derived every single piece of inspiration I have gotten from throughout all genres I love, such as rock, alternative, folk, film scores (if you can put them in a box), electronic music, R&B, pop, etc. and put them into one vision that makes your ears cry of happiness.

I am usually very humble, but not when someone challenges me about my craft. And when that happens, you better know it’s showtime.

I have been making music for two years. And every day for those past two years I have done nothing but perfect myself and the world that you get taken into once the vibrations touch your eardrums. I have made a grand total of two albums, unavailable to the public eye aside from some highlights. I sang in them, and that brought them down, but every single piece of instrumentation was created from my own sweat and tears during sleepless nights.

So trust me, I’m up for any challenge. And if you give me that shot, I will create the best damn soundscape the human ear has ever heard.

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