I am a Spain-based filmmaker, film critic, and cultural journalist working at the intersection of experimental documentary, film criticism, and audiovisual creation. My background in Audiovisual Communication and my Master’s degree in Film Criticism have shaped a practice that combines theoretical rigor with hands-on experience in directing, editing, cinematography, and sound. I have trained in cinematography and audiovisual workflows, developing a solid technical and creative profile through my work with tools such as Premiere Pro, DaVinci Resolve, After Effects, and InDesign, alongside a strong interest in screenwriting, montage, and narrative experimentation. My education has been complemented by international courses in filmmaking, editing, film analysis, and contemporary cinematic narratives at institutions such as the California Institute of the Arts, UNAM, ECAM, and Instituto RTVE. As a filmmaker, I have directed and co-directed several short films and experimental documentaries, including Memoria Espectral (Spectral Memory), Capitalismo Zombie (Zombie Capitalism), Manila, and the work-in-progress short documentary La herida (The Wound). My projects often explore memory, identity, and socio-political imaginaries through essayistic and self-referential forms, blending videographic research with personal and collective archives. I usually work across all stages of production, and I particularly value the dialogue between directing, editing, and writing as a central part of my creative process. Alongside my filmmaking work, I am active as a film critic and cultural journalist. Since 2019, I have written film reviews, interviews, and press materials, contributed to cultural magazines, and covered major international film festivals such as Cannes, Sitges, SSIFF... My writing seeks to connect academic film theory with contemporary cultural debate in an accessible and engaged way. I also have experience in film programming and cultural mediation. I have worked as a film programmer for the cycle “De bueno, punk” at the Puwerty 2024 programme in La Casa Encendida, participated as a youth jury member at FICG film festival in Guadalajara (Mexico) and collaborated with audiovisual institutions and cultural projects. In addition, I have professional experience in the marketing and sales of audiovisual content, working with international clients, distribution strategies, and market-oriented materials. What defines my profile is its hybrid nature: I am a filmmaker who writes, a critic who creates, and a cultural worker who understands cinema both as an artistic language and as an industry. My work is driven by curiosity, critical thinking, and a commitment to cinema as a space for experimentation, reflection, and dialogue across borders.…I am a Spain-based filmmaker, film critic, and cultural journalist working at the intersection of experimental documentary, film criticism, and audiovisual creation. My background in Audiovisual Communication and my Master’s degree in Film Criticism have shaped a practice that combines theoretical rigor with hands-on experience in directing, editing, cinematography, and sound. I have trained in cinematography and audiovisual workflows, developing a solid technical and creative profile through my work with tools such as Premiere Pro, DaVinci Resolve, After Effects, and InDesign, alongside a strong interest in screenwriting, montage, and narrative experimentation. My education has been complemented by international courses in filmmaking, editing, film analysis, and contemporary cinematic narratives at institutions such as the California Institute of the Arts, UNAM, ECAM, and Instituto RTVE. As a filmmaker, I have directed and co-directed several short films and experimental documentaries, including Memoria Espectral (Spectral Memory), Capitalismo Zombie (Zombie Capitalism), Manila, and the work-in-progress short documentary La herida (The Wound). My projects often explore memory, identity, and socio-political imaginaries through essayistic and self-referential forms, blending videographic research with personal and collective archives. I usually work across all stages of production, and I particularly value the dialogue between directing, editing, and writing as a central part of my creative process. Alongside my filmmaking work, I am active as a film critic and cultural journalist. Since 2019, I have written film reviews, interviews, and press materials, contributed to cultural magazines, and covered major international film festivals such as Cannes, Sitges, SSIFF... My writing seeks to connect academic film theory with contemporary cultural debate in an accessible and engaged way. I also have experience in film programming and cultural mediation. I have worked as a film programmer for the cycle “De bueno, punk” at the Puwerty 2024 programme in La Casa Encendida, participated as a youth jury member at FICG film festival in Guadalajara (Mexico) and collaborated with audiovisual institutions and cultural projects. In addition, I have professional experience in the marketing and sales of audiovisual content, working with international clients, distribution strategies, and market-oriented materials. What defines my profile is its hybrid nature: I am a filmmaker who writes, a critic who creates, and a cultural worker who understands cinema both as an artistic language and as an industry. My work is driven by curiosity, critical thinking, and a commitment to cinema as a space for experimentation, reflection, and dialogue across borders.WWWW…