I am an Audio Engineer, musician, percussionist, and drummer with more than 24 years of professional experience in audio engineering and music production. I began my professional career in audio in 2003 and have since worked across recording, editing, mixing, mastering, audio post-production, and immersive audio, with experience in music, television, series, audiovisual productions, and large-scale orchestral recording. I am a 2× Latin Grammy® Winner, 6× Latin Grammy® Nominee, and 1× Grammy® Award Nominee. My work has been recognized in both stereo and immersive recording and mixing. Throughout my career, I have worked with artists such as Oscar D’León, Simón Díaz, Guaco, Rubén Blades, Gilberto Santa Rosa, Yordano, Caramelos de Cianuro, Desorden Público, Huascar Barradas, Samuel Torres, Felipe Peláez, Annaé Torrealba, and Luis Fernando Borjas, among others. I also worked as a Recording and Mixing Engineer with El Sistema de Orquestas de Venezuela, recording orchestras including the Simón Bolívar Symphony Orchestra, Teresa Carreño Symphony Orchestra, and Venezuelan Brass Ensemble. I have worked on projects involving conductors Gustavo Dudamel, Claudio Abbado, Simon Rattle, and Thomas Clamor, and artists including Yo-Yo Ma, Gabriela Montero, Pacho Flores, Pedro Eustache, Juan Diego Flórez, and Alexis Cárdenas. My expertise includes: • Audio Recording & Editing • Stereo Mixing & Mastering • Audio Post-Production • Critical Listening & Audio Quality Assessment • Pro Tools-based workflows • Music Production • Audio Education & Technical Training I have more than 15 years of experience teaching audio engineering, including Pro Tools, digital audio, microphone techniques, ear training, mixing, and mastering. I also provide personalized online mentoring focused on professional listening skills and industry-standard results. In 2009, I won first place in the Classical Music – Stereo category of the AES Latin American Student Recording Competition. I am interested in collaborating with international teams in audio engineering, music production, audio post-production, immersive audio, audio quality assessment, and emerging applications of audio technology and AI. Available for remote work worldwide.…I am an Audio Engineer, musician, percussionist, and drummer with more than 24 years of professional experience in audio engineering and music production. I began my professional career in audio in 2003 and have since worked across recording, editing, mixing, mastering, audio post-production, and immersive audio, with experience in music, television, series, audiovisual productions, and large-scale orchestral recording. I am a 2× Latin Grammy® Winner, 6× Latin Grammy® Nominee, and 1× Grammy® Award Nominee. My work has been recognized in both stereo and immersive recording and mixing. Throughout my career, I have worked with artists such as Oscar D’León, Simón Díaz, Guaco, Rubén Blades, Gilberto Santa Rosa, Yordano, Caramelos de Cianuro, Desorden Público, Huascar Barradas, Samuel Torres, Felipe Peláez, Annaé Torrealba, and Luis Fernando Borjas, among others. I also worked as a Recording and Mixing Engineer with El Sistema de Orquestas de Venezuela, recording orchestras including the Simón Bolívar Symphony Orchestra, Teresa Carreño Symphony Orchestra, and Venezuelan Brass Ensemble. I have worked on projects involving conductors Gustavo Dudamel, Claudio Abbado, Simon Rattle, and Thomas Clamor, and artists including Yo-Yo Ma, Gabriela Montero, Pacho Flores, Pedro Eustache, Juan Diego Flórez, and Alexis Cárdenas. My expertise includes: • Audio Recording & Editing • Stereo Mixing & Mastering • Audio Post-Production • Critical Listening & Audio Quality Assessment • Pro Tools-based workflows • Music Production • Audio Education & Technical Training I have more than 15 years of experience teaching audio engineering, including Pro Tools, digital audio, microphone techniques, ear training, mixing, and mastering. I also provide personalized online mentoring focused on professional listening skills and industry-standard results. In 2009, I won first place in the Classical Music – Stereo category of the AES Latin American Student Recording Competition. I am interested in collaborating with international teams in audio engineering, music production, audio post-production, immersive audio, audio quality assessment, and emerging applications of audio technology and AI. Available for remote work worldwide.WWWW…