Marcelo Augusto Azarias Nascimento

Produced real-time 3D assets and scenes for medical research and commercial applications on Magic Leap. Modeled, retopologized, and optimized assets in Blender to meet head-mounted display limits (150k polygons/60fps). Built real-time scenes in Unity (URP) using Shader Graph procedural shaders and authored materials in Substance 3D Painter/Designer. Created previs for all scenes before final production and collaborated remotely with an international team.

Developed real-time and rendered 3D content for clients including MRV/Sensia, BLOC, EPO, MPO, and Katz. Contributed to MRV/Sensia Powerwall by handling 3D modeling, PBR texturing, shaders, optimization, lighting, and Unreal Engine Blueprint setup for interactive apartment visualization and customization. Built interactive Unreal Engine 5 scenes using Lumen and Nanite with custom shaders, lighting, optimization, and Blueprint logic; also worked on VR optimization for Meta Quest. Delivered end-to-end pipeline from modeling to real-time output using Blender, 3ds Max, and Substance/Quixel/Adobe tooling.

Created 3D scenes and animation for the official music video “People That We Know” with a handmade stop-motion look implemented in real time. Modeled assets in Blender in a paper cutout/origami style, created marker-style materials in Substance 3D Designer, and built procedural shaders in Unity Shader Graph. Wrote C# scripts to add stop-motion character to animation timing. Designed set-like lighting, handled rendering/export, and completed editing in DaVinci Resolve.