Award-winning composer and sound designer with over 15 years of experience creating original music for theatre, film, and multimedia productions across Romania, Hungary, Germany, Serbia, and Russia. I have composed for 60+ productions, specializing in psychological storytelling, narrative-driven composition, atmospheric world-building, leitmotif development, orchestration, recording production, mixing, and music direction.
I collaborate closely with directors to craft emotionally immersive musical identities that deepen character, atmosphere, and dramatic impact. I bring a full production workflow to the table—composition, orchestration, recording, sound design, mixing, and mastering—while thriving in remote collaboration and adapting quickly to feedback. My portfolio is organized by emotional atmosphere to help directors explore a wide range of moods and psychological sound worlds, reflecting my belief that music should be experienced through its dramatic function.
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For the Örkény Theatre’s stage adaptation of Sylvia Plath’s The Bell Jar, I composed an original score for solo piano that explores the boundaries between psychological tension and post-minimalist concert music. Built from subtle repetitions, evolving harmonic patterns, and restrained gestures, the music gradually intensifies the emotional pressure, mirroring the protagonist’s fragile inner world. Rather than serving as conventional accompaniment, the score functions as a structural and dramatic force, creating an atmosphere of unease, intimacy, and relentless psychological suspense.
Psyché is an intimate solo theatre performance by Váradi Eszter Sára, featuring an original score for four cellos. The music unfolds in a delicate, deeply emotional sound world, balancing fragility and intensity while closely following the inner landscape of the protagonist. Rather than accompanying the performance, the score becomes an essential dramatic voice, shaping its atmosphere with warmth, restraint, and lyrical depth.
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