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I am a passionate editor recognized for my contributions to independent cinema. My creative journey spans video art, music, and post-production, leaving a footprint across these fields. I began editing in the 1980s, experimenting with Betamax and VHS formats, and my involvement in cinema has included on-set lighting and collaborative production work, shaping creative editorial across multiple projects in the indie film and video art scenes.…I am a passionate editor recognized for my contributions to independent cinema. My creative journey spans video art, music, and post-production, leaving a footprint across these fields. I began editing in the 1980s, experimenting with Betamax and VHS formats, and my involvement in cinema has included on-set lighting and collaborative production work, shaping creative editorial across multiple projects in the indie film and video art scenes.

José Manuel Romero

Sound Editor, Video Editor, Cinematographer, +5

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I am a passionate editor recognized for my contributions to independent cinema. My creative journey spans video art, music, and post-production, leaving a footprint across these fields. I began editing in the 1980s, experimenting with Betamax and VHS formats, and my involvement in cinema has included on-set lighting and collaborative production work, shaping creative editorial across multiple projects in the indie film and video art scenes.…I am a passionate editor recognized for my contributions to independent cinema. My creative journey spans video art, music, and post-production, leaving a footprint across these fields. I began editing in the 1980s, experimenting with Betamax and VHS formats, and my involvement in cinema has included on-set lighting and collaborative production work, shaping creative editorial across multiple projects in the indie film and video art scenes.

Available to hire

I am a passionate editor recognized for my contributions to independent cinema. My creative journey spans video art, music, and post-production, leaving a footprint across these fields. I began editing in the 1980s, experimenting with Betamax and VHS formats, and my involvement in cinema has included on-set lighting and collaborative production work, shaping creative editorial across multiple projects in the indie film and video art scenes.