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I am a Senior VFX / CG Supervisor with 30+ years of experience in broadcast VFX, 3D animation, and motion graphics. I specialize in camera tracking, multi-pass compositing, fluid and destruction simulations, rotoscoping, clean-plate creation, and full production pipelines, consistently delivering photoreal shots from concept to master.
I turn complex briefs into striking visual stories, delivering under tight deadlines while leading multidisciplinary teams for agencies and networks such as McCann, Grey Worldwide, Mood Media, and Reebok.
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Mysterious object. Impossible physics. A planet about to wake up. INBOUND is an original sci‑fi series that starts with one question: what if it’s not natural?
Stylish motion‑graphics reel focused on typography, graphic systems and slick 2D/3D transitions tailored for broadcast and digital campaigns.
Features punchy pacing, music‑driven edits and brand‑centric design language ideal for promos, idents and explainer content.
Behind‑the‑scenes cut revealing the full pipeline: on‑set supervision, tracking, simulations, compositing and final grading.
Highlights problem‑solving, team workflow and the step‑by‑step evolution from raw plates to polished shots.
High‑impact studio reel showcasing broadcast‑level VFX, CG and motion graphics for global brands, with fast‑paced editorial, bold design and cinematic compositing.
Emphasis on dynamic camera work, seamless integration of CG into live action and strong brand‑driven visual storytelling.
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