I am an award-recognized Video Colorist with 10+ years of experience in post-production and on-set workflows for film, television, and commercial content. I specialize in DaVinci Resolve, multi-camera matching, LUT creation, advanced color grading, and look development to deliver cinematic storytelling with technical precision. I collaborate closely with directors and cinematographers to maintain visual continuity across long-form projects and promos. I work across HDR/SDR, ACES pipelines, and high-end camera log formats (ARRI, RED, Sony) while staying focused on creative intent and deliverable requirements.

Chelsea Craig

I am an award-recognized Video Colorist with 10+ years of experience in post-production and on-set workflows for film, television, and commercial content. I specialize in DaVinci Resolve, multi-camera matching, LUT creation, advanced color grading, and look development to deliver cinematic storytelling with technical precision. I collaborate closely with directors and cinematographers to maintain visual continuity across long-form projects and promos. I work across HDR/SDR, ACES pipelines, and high-end camera log formats (ARRI, RED, Sony) while staying focused on creative intent and deliverable requirements.

Available to hire

I am an award-recognized Video Colorist with 10+ years of experience in post-production and on-set workflows for film, television, and commercial content. I specialize in DaVinci Resolve, multi-camera matching, LUT creation, advanced color grading, and look development to deliver cinematic storytelling with technical precision.

I collaborate closely with directors and cinematographers to maintain visual continuity across long-form projects and promos. I work across HDR/SDR, ACES pipelines, and high-end camera log formats (ARRI, RED, Sony) while staying focused on creative intent and deliverable requirements.

See more

Language

English
Fluent
Italian
Intermediate

Work Experience

Colorist at Remote (Marianna Productions LLC)
January 1, 2025 - Present
Colorist for feature film; on-set and post-production color grading; HDR/SDR mastering in ACES workflow; output to editorial.
Colorist at Beach Haven (Nicholas Goodwin Films)
January 1, 2025 - Present
Colorist for short film; cross-shot grading; LUT creation; look consistency across scenes.
Addl. DIT at The Waterfront (Netflix)
January 1, 2024 - Present
On-set DIT; RAW log workflow; monitor calibration; live color adjustments.
DIT at Capsized (Lost at Sea Films LLC)
January 1, 2024 - Present
DIT; on-set color management.
DIT at That's Her (Kountry Wayne Ent.)
January 1, 2024 - Present
DIT; color management.
Addl. DIT at The Bondsman S1 (Amazon)
January 1, 2024 - Present
Addl. DIT; color pipeline support.
DIT at The Ms. Pat Show S3 & S4 (BET+)
January 1, 2024 - Present
DIT; color workflow oversight.
Addl. DIT at Black Adam: Reshoots (Marvel)
January 1, 2022 - December 31, 2022
Addl. DIT; color pipeline support during reshoots.
Video Colorist at Pictures Up, LLC
January 1, 2023 - Present
Owner/Colorist; freelance color services and LUT development.
Video Colorist at Various Clients
January 1, 2023 - Present
Lead colorist for multiple projects; post-production color work.
Digital Imaging Technician at Various Productions
January 1, 2022 - Present
DIT across multiple productions.
2nd Assistant Camera at Various Productions
January 1, 2019 - January 1, 2021
Second AC on set; focus pulling, slate, camera prep.
Digital Utility at Various Productions
January 1, 2014 - January 1, 2018
General on-set utility and setup.
Owner at Pictures Up, LLC
January 1, 2022 - Present
Owner and operator; production services including color and post-production.
Video Colorist at Independent / Freelance
January 1, 2023 - Present
General and lead colorist for various projects; LUT development and color pipeline setup.
Video Colorist
January 1, 2023 - Present
Colorist on feature films and television projects, responsible for color grading, look development, and ensuring color continuity across multi-camera shoots. Works within HDR/SDR pipelines (ACES), log formats (ARRI, RED, Sony), and on-set color management to support editorial and delivery.
Digital Imaging Technician
January 1, 2022 - January 1, 2025
On-set DIT and live color support with RAW log workflows (ARRI LogC, RED IPP2, Sony S-Log), reference monitor calibration, and real-time color adjustments; collaborates with directors and cinematographers to maintain data integrity and color accuracy.
2nd AC
January 1, 2019 - January 1, 2021
Second Assistant Camera providing on-set support, slate management, lens changes, and coordination with camera department to ensure smooth production operations.
Digital Utility
January 1, 2014 - January 1, 2018
On-set production crew member performing various supporting duties across departments, contributing to efficient set operations and logistics from prep to wrap.

Education

Associate of Applied Sciences – Film Production at Trident Technical College, Charleston, SC
January 11, 2030 - February 16, 2026
ColourLab Masters Program – Color Grading Academy at ColourLab Masters Program – Color Grading Academy
January 1, 2025 - February 16, 2026
ColourLab Look Design Masterclass – Color Grading Academy at ColourLab Look Design Masterclass – Color Grading Academy
January 1, 2024 - February 16, 2026
ColourLab Masters Program – Color Grading Academy at ColourLab Masters Program, Color Grading Academy
January 1, 2025 - February 16, 2026
ColourLab Look Design Masterclass – Color Grading Academy at ColourLab Look Design Masterclass, Color Grading Academy
January 1, 2024 - February 16, 2026
SMPTE: Color-Managed Workflows Certification at SMPTE
January 1, 2024 - February 16, 2026
Associate of Applied Sciences – Film Production at Trident Technical College, Charleston, SC
January 11, 2030 - February 16, 2026

Qualifications

Sarah Jones Internship
January 11, 2030 - February 16, 2026
SMPTE: Color-Managed Workflows Certification
January 1, 2024 - February 16, 2026
Sarah Jones Internship
January 11, 2030 - February 16, 2026
SMPTE Color-Managed Workflows Certification
January 1, 2024 - February 16, 2026
ColourLab Masters Program – Color Grading Academy
January 1, 2025 - February 16, 2026
ColourLab Look Design Masterclass – Color Grading Academy
January 1, 2024 - February 16, 2026

Industry Experience

Media & Entertainment