Réalisateur, Monteur et Chef de Projet Audiovisuel · Self-Employed / FreelanceJan 1994 – Present · 32 yrs 11 mos
I am a senior film editor and director with extensive experience in scripted television, documentary filmmaking, live performance capture, commercial content, and digital media. My work spans the entire post-production pipeline — from ingesting and organizing raw footage to final delivery for broadcast, cinema, and online platforms.
As a TV series editor, I have edited more than 80 episodes, developing strong expertise in narrative structure, pacing, emotional rhythm, and character-driven storytelling. I work closely with directors and producers to shape performances, refine dramatic arcs, and ensure clarity and continuity across episodes and seasons.
As a documentary director and editor, I have directed over 30 documentaries, managing projects from development to final cut. This includes research, writing, shooting supervision, interview direction, narrative construction in the edit room, and final post-production supervision.
I have also edited more than 20 live dance and stage performance recordings, requiring precision in multi-camera editing, musical timing, and sensitivity to choreography and stage rhythm. These projects demand both technical accuracy and artistic interpretation.
My expertise covers the full post-production workflow:
Advanced editing (Final Cut Pro, Premiere Pro, DaVinci Resolve, Avid Media Composer)
Story development and structural editing
Motion design and animated graphics
Visual effects integration
3D elements and compositing
Sound design, dialogue editing, and mix supervision (including 5.1 workflows)
Color correction and color grading
Broadcast and DCP delivery standards
In addition, I have created numerous commercials, branded films, and startup content, translating complex ideas into clear, engaging visual narratives. I am experienced in working under tight deadlines while maintaining high creative standards.
Beyond editing, I regularly collaborate with diverse creative teams, including deaf performers and technicians, and have contributed to projects involving sign language integration for broadcast. My background combines strong technical mastery with a deep understanding of visual storytelling, rhythm, and emotional impact.
What defines my work is not the software — it is the ability to decide which image should follow another, and why.
