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I began composing music at the age of six, 30+ years ago now. I started piano lessons in third grade. I started trumpet in 6th grade and began drum lessons in 7th grade. I've been composing, performing, and producing music and audio nonstop since then. First, it was in my Boise, Idaho garage as a kid. Now, it's in world-class studios in New York City. If a sound is described, I can produce it. My work, contributions, and personal projects have Included but are not limited to: The 50 best albums of 2020 #10, The Guardian; Best Albums of 2020 #3, Pitchfork; Best New Music, Pitchfork, 2020; Best Albums of 2020 #18, Rolling Stone; Jon Pareles' Best Albums of 2020 #3, The New York Times; 30 Best Bands of 2018, Stereogum; 5 Best songs of the week, 2018, Sterogum; “Best Band in New York” The Village Voice, 2016; Best Noise Band in New York, 2015, The Village Voice; Best Noise Band in Brooklyn, L Magazine, 2014; Band of the Week, The Guardian, 2014; 99/200 Best Cassettes, Tabs Out 2013; Louis Armstrong Jazz Award, 2004; DCI Division III World Champion, 2004 "Dale Eisinger’s sumptuous production, a melange of dance-punk hi-hats and rock-depth synthesizers and sax riffs in the spirit of Steely Dan, is frequently as intricate, elegant, and surprising as the work Tim Goldsworth and James Murphy did as producers in the early 2000s.” (Pitchfork, 2017)…I began composing music at the age of six, 30+ years ago now. I started piano lessons in third grade. I started trumpet in 6th grade and began drum lessons in 7th grade. I've been composing, performing, and producing music and audio nonstop since then. First, it was in my Boise, Idaho garage as a kid. Now, it's in world-class studios in New York City. If a sound is described, I can produce it. My work, contributions, and personal projects have Included but are not limited to: The 50 best albums of 2020 #10, The Guardian; Best Albums of 2020 #3, Pitchfork; Best New Music, Pitchfork, 2020; Best Albums of 2020 #18, Rolling Stone; Jon Pareles' Best Albums of 2020 #3, The New York Times; 30 Best Bands of 2018, Stereogum; 5 Best songs of the week, 2018, Sterogum; “Best Band in New York” The Village Voice, 2016; Best Noise Band in New York, 2015, The Village Voice; Best Noise Band in Brooklyn, L Magazine, 2014; Band of the Week, The Guardian, 2014; 99/200 Best Cassettes, Tabs Out 2013; Louis Armstrong Jazz Award, 2004; DCI Division III World Champion, 2004 "Dale Eisinger’s sumptuous production, a melange of dance-punk hi-hats and rock-depth synthesizers and sax riffs in the spirit of Steely Dan, is frequently as intricate, elegant, and surprising as the work Tim Goldsworth and James Murphy did as producers in the early 2000s.” (Pitchfork, 2017)

Dale Eisinger

Music Producer, Audio Engineer, Audio Mixer, +2

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I began composing music at the age of six, 30+ years ago now. I started piano lessons in third grade. I started trumpet in 6th grade and began drum lessons in 7th grade. I've been composing, performing, and producing music and audio nonstop since then. First, it was in my Boise, Idaho garage as a kid. Now, it's in world-class studios in New York City. If a sound is described, I can produce it. My work, contributions, and personal projects have Included but are not limited to: The 50 best albums of 2020 #10, The Guardian; Best Albums of 2020 #3, Pitchfork; Best New Music, Pitchfork, 2020; Best Albums of 2020 #18, Rolling Stone; Jon Pareles' Best Albums of 2020 #3, The New York Times; 30 Best Bands of 2018, Stereogum; 5 Best songs of the week, 2018, Sterogum; “Best Band in New York” The Village Voice, 2016; Best Noise Band in New York, 2015, The Village Voice; Best Noise Band in Brooklyn, L Magazine, 2014; Band of the Week, The Guardian, 2014; 99/200 Best Cassettes, Tabs Out 2013; Louis Armstrong Jazz Award, 2004; DCI Division III World Champion, 2004 "Dale Eisinger’s sumptuous production, a melange of dance-punk hi-hats and rock-depth synthesizers and sax riffs in the spirit of Steely Dan, is frequently as intricate, elegant, and surprising as the work Tim Goldsworth and James Murphy did as producers in the early 2000s.” (Pitchfork, 2017)…I began composing music at the age of six, 30+ years ago now. I started piano lessons in third grade. I started trumpet in 6th grade and began drum lessons in 7th grade. I've been composing, performing, and producing music and audio nonstop since then. First, it was in my Boise, Idaho garage as a kid. Now, it's in world-class studios in New York City. If a sound is described, I can produce it. My work, contributions, and personal projects have Included but are not limited to: The 50 best albums of 2020 #10, The Guardian; Best Albums of 2020 #3, Pitchfork; Best New Music, Pitchfork, 2020; Best Albums of 2020 #18, Rolling Stone; Jon Pareles' Best Albums of 2020 #3, The New York Times; 30 Best Bands of 2018, Stereogum; 5 Best songs of the week, 2018, Sterogum; “Best Band in New York” The Village Voice, 2016; Best Noise Band in New York, 2015, The Village Voice; Best Noise Band in Brooklyn, L Magazine, 2014; Band of the Week, The Guardian, 2014; 99/200 Best Cassettes, Tabs Out 2013; Louis Armstrong Jazz Award, 2004; DCI Division III World Champion, 2004 "Dale Eisinger’s sumptuous production, a melange of dance-punk hi-hats and rock-depth synthesizers and sax riffs in the spirit of Steely Dan, is frequently as intricate, elegant, and surprising as the work Tim Goldsworth and James Murphy did as producers in the early 2000s.” (Pitchfork, 2017)

Available to hire

I began composing music at the age of six, 30+ years ago now. I started piano lessons in third grade. I started trumpet in 6th grade and began drum lessons in 7th grade. I’ve been composing, performing, and producing music and audio nonstop since then. First, it was in my Boise, Idaho garage as a kid. Now, it’s in world-class studios in New York City. If a sound is described, I can produce it.

My work, contributions, and personal projects have Included but are not limited to:
The 50 best albums of 2020 #10, The Guardian; Best Albums of 2020 #3, Pitchfork; Best New Music, Pitchfork, 2020; Best Albums of 2020 #18, Rolling Stone; Jon Pareles’ Best Albums of 2020 #3, The New York Times; 30 Best Bands of 2018, Stereogum; 5 Best songs of the week, 2018, Sterogum; “Best Band in New York” The Village Voice, 2016; Best Noise Band in New York, 2015, The Village Voice; Best Noise Band in Brooklyn, L Magazine, 2014; Band of the Week, The Guardian, 2014; 99/200 Best Cassettes, Tabs Out 2013; Louis Armstrong Jazz Award, 2004; DCI Division III World Champion, 2004

"Dale Eisinger’s sumptuous production, a melange of dance-punk hi-hats and rock-depth synthesizers and sax riffs in the spirit of Steely Dan, is frequently as intricate, elegant, and surprising as the work Tim Goldsworth and James Murphy did as producers in the early 2000s.” (Pitchfork, 2017)