My name is Daniel Lobo, I graduated from animation college (2022). Until then I only managed to do work during my college time, I acted directly in a short animated film. My graduation project was an animated series pilot. I'm currently working with 3D, I use Blender as a tool, but I also know well how to animate in Maya. after effects and premiere.

Daniel Lobo

My name is Daniel Lobo, I graduated from animation college (2022). Until then I only managed to do work during my college time, I acted directly in a short animated film. My graduation project was an animated series pilot. I'm currently working with 3D, I use Blender as a tool, but I also know well how to animate in Maya. after effects and premiere.

Available to hire

My name is Daniel Lobo, I graduated from animation college (2022).
Until then I only managed to do work during my college time, I acted directly in a short animated film. My graduation project was an animated series pilot.

I’m currently working with 3D, I use Blender as a tool, but I also know well how to animate in Maya.
after effects and premiere.

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Experience Level

Expert
Expert
Expert
Intermediate
Intermediate

Language

Portuguese
Fluent
English
Fluent
Spanish; Castilian
Intermediate

Work Experience

3D Modeler & Prototyper at Space Orbit
September 22, 2022 - September 28, 2025
Worked on the creation of 3D models for the official Space Orbit store, handling the complete modeling and prototyping workflow. Collaborated closely with the design team to develop accurate, visually appealing models for products and collectibles. Responsible for 3D modeling, optimization, and preparing assets for rendering and printing.
3D Modeler & Prototyper at Space Orbit
September 1, 2025 - September 1, 2025
Created 3D models for the official Space Orbit store, managing the complete modeling and prototyping workflow. Collaborated with designers to develop accurate, visually appealing models for products and collectibles.
Administrative Assistant at United Company Representação e Consultoria LTDA
January 1, 2021 - January 1, 2021
Managed documentation, spreadsheets, and reports, supporting internal operations and team organization.

Education

Bachelor's Degree in Communication and Marketing with a Focus on Animated Film at Fundação Armando Alvares Penteado
January 10, 2019 - January 10, 2022
free course of games and 3D at Saga
July 13, 2020 - March 15, 2022
Bachelor’s in Cinema and Animation at FAAP
January 1, 2022 - October 27, 2025

Qualifications

Formação Impressão 3D Total – Fatiamento e Impressão
May 15, 2024 - October 27, 2025
Comprehensive training in slicing techniques, 3D printing processes, and printer operation. Focused on optimizing print quality and material efficiency using Orca Slicer and Bambu Lab tools.
Modelagem para Impressão 3D – Fusion 360
July 3, 2024 - October 27, 2025
Course focused on creating and preparing models for 3D printing using Autodesk Fusion 360. Emphasis on mechanical design, surface modeling, and precision detailing.
Criação de Personagens para Animação
October 13, 2022 - October 27, 2025
Practical training in 3D character design, focusing on anatomy, topology, and stylization for animation and storytelling.
Cinema Total – Roteiro, Produção, Direção, Som e Edição
March 30, 2021 - October 27, 2025
Comprehensive program covering all stages of film production, including writing, directing, editing, and sound design. Developed a holistic view of audiovisual storytelling.
Start Saga – Arte Vetorial, Motion Graphics e Animação
January 30, 2019 - October 27, 2025
Training in digital illustration, motion graphics, and animation using Adobe Creative Suite tools. Focused on design principles and creative workflows.
Bacharelado em Cinema e Animação – FAAP
August 1, 2022 - October 27, 2025
Bachelor’s degree focused on animation, visual storytelling, and film production. Covers narrative development, direction, sound, and editing, with emphasis on creative experimentation and visual language applied to 2D and 3D animation.
Formação Impressão 3D Total – Fatiamento e Impressão
January 1, 2024 - October 27, 2025
Modelagem para Impressão 3D – Fusion 360
January 1, 2024 - October 27, 2025
Criação de Personagens para Animação
January 1, 2022 - October 27, 2025
Cinema Total – FAAP
January 1, 2021 - October 27, 2025
Start Saga – Arte Vetorial, Motion Graphics e Animação
January 1, 2019 - October 27, 2025
Saga 3D – Oficina de 3D com Certificado Autodesk
January 1, 2019 - October 27, 2025

Industry Experience

Media & Entertainment, Education, Consumer Goods
    uniE621 Patch
    The 3D model is a flat, hexagonal emblem or mission patch designed with a stylized space exploration theme. The object features a simple loop at the top, suggesting it is intended to be a wearable or hangable item. The graphic design prominently includes a large number 2 within a central circle, flanked by two stylized rockets. The bottom section includes the text "2024" and the top features the phrase "SPACE TOUR". The model is being displayed in the Blender software environment, with a visible Node Editor panel below, indicating that the user is actively working on the material and texture properties of the patch
    uniE621 star wars art
    The image is a 3D rendering in a low-poly and miniature style, set on a desert planet (reminiscent of Tatooine) under a dramatic orange sunset with two visible celestial bodies. In the foreground, a group of Star Wars figures, including small Jawas and droids such as R2-D2 and BB-8, are gathered around a tent and colorful boxes, suggesting a marketplace or a scavenger camp. The backdrop is completed by rolling mountains and simplified spaceships, including TIE Fighters, flying in the distance, reinforcing the aesthetic of a galactic outpost. designer
    uniE621 Artic
    The image is a minimalist and dramatic 3D rendering of an Antarctic or Arctic landscape, characterized by large textured ice walls in bluish-green tones under a dark cyan sky. The composition is dominated by a narrow pass leading into the background, where a solitary penguin rests on a small iceberg. Other stylized penguin figures are present in the foreground and on top of the ice formations, and a small detail of a camping tent on the crest of the left wall adds a contrasting element of human presence in the vast cold environment. designer
    uniE621 sushi
    The image displays a 3D rendering of six square-shaped sushi pieces, arranged in a two-by-three grid on a minimalist gray tray. The pieces are highly stylized, showing a thick dark green outer layer (nori), followed by a beige layer of rice, and a visible geometric filling combining orange (salmon) and light green (avocado or wasabi) colors. A pair of black chopsticks is positioned in front of the tray. The style is graphic, clean, and uses a solid navy blue background, reinforcing the digital and minimalist aesthetic.
    uniE621 Lab
    The image is a 3D rendering of a science fiction laboratory with a dark, industrial, and slightly retro (vintage futurism) aesthetic. The focal point is a large vertical containment tube radiating an intense green glow, filled with a bioluminescent liquid and organic shapes. The room is surrounded by textured metal walls, marble-like columns, and control panels with brightly lit blue monitors, while a central table holds various beakers and laboratory glassware filled with chemicals. A suspended molecular chandelier complements the dramatic lighting, creating an atmosphere of mystery, secret research, or a sci-fi/horror movie set. designer
    uniE621 avocado
    The image is a digital rendering or a stylized 3D model of an avocado cut in half, placed on a green surface and background that establish a monochromatic environment. The central subject consists of two halves: one that still contains the brown pit in its center, and the other that is empty. The lighting is strong and dramatic, resulting in dark cast shadows that accentuate the volume and the modern, graphic style of the piece. designer
    uniE621 Pudim
    The image is a photorealistic 3D rendering of a flan or caramel pudding, which has been unmolded and is centered on a shallow white plate. The pudding has its classic ring shape, with a shiny and slightly porous surface, and is enveloped by an abundant and thick dark caramel sauce that pools on the plate. The dish rests on a solid-color cobalt blue surface, contrasting with a textured light beige wall background, with soft, controlled lighting designed to highlight the appetizing sheen of the dessert.