Odyssey is Erik Stiansen’s debut album and an introduction to him not just as a composer, but as a storyteller. The record unfolds like a journey—reflective, emotional, and cinematic—inviting the listener to move through inner landscapes rather than toward a single destination.

At its core, Odyssey is piano-led and intimate, with melodies that feel personal and searching. The writing favors space and nuance over spectacle, allowing emotion to surface gradually. Subtle textures and restrained harmonies support the piano without overpowering it, giving the album a sense of motion that feels organic and human.

As a debut, Odyssey establishes Stiansen’s artistic voice: music that values atmosphere, memory, and emotional honesty. It feels exploratory and sincere—less about arrival, more about the act of traveling, reflecting, and becoming.

“Winter” is a quiet, reflective piano-led piece that leans into stillness rather than drama. The writing feels spacious and restrained, allowing silence and sustain to carry emotional weight. The harmony unfolds slowly, evoking cold air, solitude, and introspection—more observation than action.

The piano melody is simple but expressive, almost hesitant at times, giving the piece a human, vulnerable quality. Any supporting textures feel understated and atmospheric, serving more as emotional color than as foreground material. There’s a sense of drifting—like walking through a quiet winter landscape where memories surface gently rather than forcefully.

Emotionally, the piece balances melancholy with warmth. It doesn’t feel hopeless or heavy; instead, it suggests acceptance, calm reflection, and quiet resolve. “Winter” feels contemplative, cinematic, and intimate—music that invites the listener inward rather than pushing them forward.

A Short Horror film by Postmortem Films about an officer named Crevits (Haley Johnson) who returns from maternity leave only to find herself face-to-face with a murderous, axe-wielding spirit.