I am a professional audio engineer specializing in mixing, mastering, sound design, and music production for modern digital platforms. My work is focused on sonic precision, depth, and musical realism. I combine advanced plugin-based workflows with hardware-oriented thinking — treating every project as a system of dynamics, frequency balance, stereo field, and emotional impact. I do not use presets. Every track, soundtrack, or sound design project is built from scratch using analytical tools, reference matching, and controlled signal flow. I work across music production (recording & mixing), mastering for streaming and release, sound design for film, animation, and interactive media, and hybrid orchestral + electronic composition. My approach is rooted in signal integrity: preserving transients, phase coherence, dynamic range, and tonal identity while still delivering competitive modern loudness. If you need audio that sounds three-dimensional, alive, and expensive, that is what I do. Notable project: Mumitroll’s Magic Forest — orchestral-hybrid soundtrack with live-style strings, brass, cinematic drums, and synthesized textures.

Ernest Grann

I am a professional audio engineer specializing in mixing, mastering, sound design, and music production for modern digital platforms. My work is focused on sonic precision, depth, and musical realism. I combine advanced plugin-based workflows with hardware-oriented thinking — treating every project as a system of dynamics, frequency balance, stereo field, and emotional impact. I do not use presets. Every track, soundtrack, or sound design project is built from scratch using analytical tools, reference matching, and controlled signal flow. I work across music production (recording & mixing), mastering for streaming and release, sound design for film, animation, and interactive media, and hybrid orchestral + electronic composition. My approach is rooted in signal integrity: preserving transients, phase coherence, dynamic range, and tonal identity while still delivering competitive modern loudness. If you need audio that sounds three-dimensional, alive, and expensive, that is what I do. Notable project: Mumitroll’s Magic Forest — orchestral-hybrid soundtrack with live-style strings, brass, cinematic drums, and synthesized textures.

Available to hire

I am a professional audio engineer specializing in mixing, mastering, sound design, and music production for modern digital platforms. My work is focused on sonic precision, depth, and musical realism. I combine advanced plugin-based workflows with hardware-oriented thinking — treating every project as a system of dynamics, frequency balance, stereo field, and emotional impact. I do not use presets. Every track, soundtrack, or sound design project is built from scratch using analytical tools, reference matching, and controlled signal flow.

I work across music production (recording & mixing), mastering for streaming and release, sound design for film, animation, and interactive media, and hybrid orchestral + electronic composition. My approach is rooted in signal integrity: preserving transients, phase coherence, dynamic range, and tonal identity while still delivering competitive modern loudness. If you need audio that sounds three-dimensional, alive, and expensive, that is what I do. Notable project: Mumitroll’s Magic Forest — orchestral-hybrid soundtrack with live-style strings, brass, cinematic drums, and synthesized textures.

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Language

English
Beginner
Ukrainian
Fluent
Russian
Fluent

Work Experience

editor, director, composer, mixing engineer, sound designer at F.P production
March 24, 2003 - February 22, 2022
Audio Engineer / Mixing & Mastering at Freelance
January 1, 2018 - Present
Mixing and mastering of music across multiple genres; Restoration and remastering from vinyl, tape and archival sources; Advanced EQ matching and reference-based tonal balancing; Stereo image reconstruction and L/R channel correction; Dynamic range optimization without loss of punch or depth.
Composer & Sound Designer at Freelance / Independent
January 1, 2015 - Present
Original music composition for film, animation, and visual projects; Hybrid orchestral + electronic production; Sound design: environments, effects, atmospheres, transitions; Sync-ready compositions for storytelling and cinematic use; Notable project: “Mumitroll’s Magic Forest” – orchestral-hybrid soundtrack with live-style strings, brass, cinematic drums and synthesized textures.

Education

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Qualifications

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Industry Experience

Media & Entertainment, Software & Internet, Professional Services, Other
    paper MUMITROLL’s Magic Forest

    A forest that transforms — from cautious mystery to radiant dance, then back into shadow.
    Composed before the war. Preserved in silence. Reborn in the REBIRTH era.

    This is a hybrid orchestral journey, where:

    • Apocalyptic cellos carve through the undergrowth
    • Sunlit clarinet and oboe drift like golden mist between branches
    • Modern drums and evolving rhythms pulse from tense pop-rock to a luminous waltz
    • And the forest itself breathes — shifting from fear to joy, then folding back into enigmatic stillness
      But the story begins much earlier.
      The first sketch of this piece was born when I was 25, working at Privat TV Dnipro.
      A whimsical animated series about these strange, gentle creatures was in development — but never made it to screen.
      The music, however, stayed with me.
      I carried the arrangement in memory for years, until in 2020, it finally emerged — no longer just a thought, but a living sound.
      A sound that still holds the forest’s hush, its shifting light, its cautious wonder.

    🎼 Genre: Cinematic / Orchestral / Hybrid
    🎧 Mood: Evolving, mystical, reverent
    🌀 Structure:

    • Opening: cautious strings, shadowed movement
    • Middle: rhythmic awakening, melodic interplay
    • Culmination: sunlit waltz — the forest dances
    • Finale: return to mystery — the trees whisper again

    “This is not just a track. It’s a memory that refused to fade.
    A forest that never stopped waiting to be heard.”

    paper Original music video “Bulldog” - (Bulterier) by Skryabin (2000)

    I directed and filmed Skryabin’s landmark music video “Bulterier”, a work that has become part of the history of Ukrainian music. Created in 2000, the video captured the energy, irony, and rebellious spirit of the era.
    The song’s lyrics by Kuzma Skryabin reflect sharp irony toward “Europe” and the social manners of the early 2000s, turning the piece into a cultural document of its time. The bulldog image became a symbol of defiance and freedom, while the video itself served as a visual manifesto of the band’s new stage.
    My role as director and cinematographer was to shape this vision into a coherent and powerful audiovisual statement — blending style, protest, and cultural resonance into a work that continues to be recognized as iconic within Ukraine’s music history.

    paper Music video - “Invite Me Into Your Dreams”

    Music video “Invite Me Into Your Dreams” — created by Film Plus Production studio in 2002, with Ernest Ґранн as the editing director. Performer — Taras Chubay and the band Plach Yeremiyi. Music by Volodymyr Ivasyuk, lyrics by Bohdan Stelmakh. Directed by Mykhailo Krupiievskyi, cinematography by Roman Yelenskyi.
    This is not just a video — it is a dream of Ukrainian culture at the dawn of the 2000s, where poetry and music merged into a visual legend.
    In 2025, the video was resurrected from archival depths: from a 320‑pixel shadow it was upscaled through Waifu2x to 4K clarity, preserving every detail and restoring its original magic.