Hey i’m Gian, i’m 22 years old and do audio/sound editing for 5 years since i create my own music, covers, mashups, vlogs and youtube videos! Hit me up:)
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Hey i’m Gian, i’m 22 years old and do audio/sound editing for 5 years since i create my own music, covers, mashups, vlogs and youtube videos! Hit me up:)
See MoreI’m Tomas Ridikas, an audio technician based in Vienna. I work on recordings, music production, and live audio setups—handling organization for events and concerts while ...
See MoreBased in Vienna, Austria, I'm a Sound Editor expert. I take a clear, collaborative approach to every brief.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
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Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
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Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
€3,900 – €10,500
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for manipulating and enhancing audio elements in film, television, music, and other media. Their primary duties include:
Sound Editors play a crucial role in post-production, ensuring that the final audio product is polished and professional.
Exceptional Sound Editors possess a mix of technical skills and creative vision. Key qualities include:
Moreover, their ability to adapt and innovate often leads to unique soundscapes that elevate the overall production.
Typical day rates for Sound Editors in Austria vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect Sound Editor for your project, assess their portfolio for relevant experience and style. Look for a diverse range of past projects that demonstrate their capability to handle various audio tasks. Additionally, consider their responsiveness and communication during the hiring process, as this reflects their professionalism. Client reviews and testimonials can also provide insight into their reliability and work ethic. Ultimately, the perfect fit should align with your project's vision and goals.
During an interview with a Sound Editor, consider asking the following questions:
These questions will help you gauge their expertise and compatibility with your project needs.
Hiring a Sound Editor in Vienna involves a few straightforward steps. Begin by determining your project requirements, including the type of media and specific audio needs. Next, utilize platforms like Twine to access a wide range of skilled freelancers. Post a detailed job listing outlining your project scope, budget, and timeline. Be sure to review portfolios and past work to evaluate each candidate’s expertise. Finally, conduct interviews to assess compatibility and communication skills before making your final selection.
When hiring a freelance Sound Editor, you typically engage directly with an individual, which can lead to personalized service and potentially lower costs. Freelancers often have flexible schedules and can adapt quickly to changes. Conversely, working with an agency can provide access to a team of professionals, ensuring a variety of skills and faster turnaround times. However, agencies may charge higher rates and involve more layers of communication. Your choice should depend on your specific project needs and budget constraints.
A well-crafted project brief for a Sound Editor should include:
Providing clear and precise information will help attract the right candidates for your project.
Hiring on Twine is simple.
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