I'm Yurii Dovhaliuk, a dedicated BA/BSc (Hons) Audio Production student with hands-on audio, technical, and creative experience. I'm skilled in Pro Tools, Ableton, Cubase...
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I'm Yurii Dovhaliuk, a dedicated BA/BSc (Hons) Audio Production student with hands-on audio, technical, and creative experience. I'm skilled in Pro Tools, Ableton, Cubase...
See MoreHi, I'm Fred Cresson, a full-time bilingual voice artist with a naturally warm and assured tone. I provide professional French narration and fluent English delivery with ...
See MoreI’m a Sound Designer and Composer creating original audio for digital content, branded media, and film. I craft immersive soundscapes, custom music, and polished mixes th...
See MoreSimon Jones is a filmmaker, writer, and hybrid animator based in Liverpool, UK. He specialises in surreal comedy, sci-fi satire, and emotionally grounded storytelling, of...
See MoreBased across the North West of England (Liverpool/Manchester). I am an experienced sound specialist with a degree in electronic music production, looking for opportuniti...
See MoreHi! I’m a freshly graduated music and music production student from Liverpool Hope University. I have learnt many techniques and valuable skills from my time at univers...
See Moreless is less contact: [email protected]
See MoreHi, I'm a Video Editor with a passion for visual storytelling.
See MoreHi, I’m Dean Flynn. I’m a qualified and experienced Audio Engineer who loves collaborating with artists to record, mix and master tracks to a high industry standard. I ha...
See MoreI'm a reliable, creative, and hardworking professional with experience in management, hospitality, customer service, care work and the performing arts. I have strong comm...
See MoreI am a recent Audio engineering graduate looking for any audio work to build a portfolio. I have worked in professional studio environments, recording and producing music...
See MoreI'm a highly motivated, tenacious, reliable and committed individual, who is a very quick learner, performance and target driven. I’m organized, methodical and rise to a ...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
£3,200 – £8,400
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for manipulating and enhancing audio recordings to achieve a desired sound quality in film, television, music, and other media. They work with various audio elements, including dialogue, sound effects, and music, to create a cohesive auditory experience. Key tasks include:
Sound Editors are essential in ensuring that the audio complements the visual elements, elevating the overall production quality.
Exceptional Sound Editors possess a combination of technical skills and creative flair. Key qualities include:
These qualities enable them to deliver high-quality soundtracks that elevate the overall production value.
Typical day rates for Sound Editors in United Kingdom vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
Recognizing the perfect Sound Editor for your project involves assessing several factors. Start by reviewing their portfolio to gauge their style and expertise. Look for their experience in similar projects and check client testimonials for reliability. Additionally, consider the following:
By focusing on these aspects, you can find a Sound Editor who meets your specific needs.
When interviewing a Sound Editor, it’s important to ask questions that reveal their qualifications and approach. Consider asking:
These questions will help you gauge their expertise and compatibility with your project vision.
Hiring a Sound Editor in Liverpool, UK, involves a few strategic steps. Begin by defining your project requirements, including the type of audio work needed and the deadline. Next, utilize platforms like Twine to post your job listing, detailing your expectations. Here are some steps to follow:
By taking these steps, you can ensure that you find a qualified Sound Editor who aligns with your project goals.
The primary difference between hiring a freelance Sound Editor and working with an agency lies in flexibility and cost. Freelancers often offer lower rates and more direct communication, allowing for a more personalized experience. On the other hand, agencies provide access to a team of professionals, ensuring that various aspects of your project are covered. Consider the following:
Your choice should align with your project size, budget, and specific needs.
A comprehensive project brief is essential for attracting the right Sound Editor. Include the following elements:
By detailing these aspects, you will attract qualified candidates who align with your project goals.
Hiring on Twine is simple.
Post your project and meet your expert within 24 hours. Over 45,000+ high growth companies that trust Twine.