Hello! I'm Gustavo Palacios Moy, an audio engineer with over 20 years of experience in recording, editing, and post-production using Pro Tools. I've collaborated with mus...
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Hello! I'm Gustavo Palacios Moy, an audio engineer with over 20 years of experience in recording, editing, and post-production using Pro Tools. I've collaborated with mus...
See MoreI am Tobias Perez Losa, an audio engineer and music producer based in Lima, Peru. I specialize in recording, mixing, mastering, live sound, and audio post-production for...
See MoreHi, I'm Valeria Elias, a passionate Sound Designer with over 7 years of experience leading projects in film and TV, including work with notable streaming platforms like N...
See MoreHello! I’m Enzo Talavera, a dedicated music professional with a passion for both creative expression and education. I hold a Bachelor’s degree in Music Production from th...
See MoreI'm a Sound Editor expert based in Lima, Peru. I bring hands-on experience and a collaborative approach to every project.
See MoreI was born in Germany in 1982 and raised in Latin America, where I developed a deep connection to music and sound. I began composing on an Ensoniq synthesizer at the age ...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
S/6,700 – S/18,000
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A sound editor is responsible for creating and assembling the audio elements of a film, television show, or multimedia project. Their role involves selecting, editing, and mixing sound effects, dialogue, and music to enhance the overall auditory experience. Sound editors work closely with directors and sound designers to ensure that the audio aligns with the visual narrative. They may also be involved in post-production tasks such as ADR (Automated Dialogue Replacement), where actors re-record their lines in a studio setting. By refining the audio quality and creating seamless transitions, sound editors contribute significantly to the final product's emotional impact and audience engagement.
Exceptional sound editors possess a unique blend of technical skills and creative vision. They should have a profound understanding of audio engineering principles and proficiency in industry-standard software. Attention to detail is crucial, as even minor edits can dramatically affect the final product. Communication skills are vital for collaborating effectively with directors and other team members. A strong sense of rhythm and timing enhances their ability to sync audio with visuals perfectly. Additionally, a passion for storytelling through sound allows exceptional sound editors to elevate projects, making them memorable and impactful.
Typical day rates for Sound Editors in Peru vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect sound editor for your needs in Peru, start by evaluating their portfolio for relevant experience and style that matches your project. Look for testimonials and reviews from previous clients to assess their reliability and work ethic. During interviews, ask specific questions about their approach to sound design and how they handle revisions. It's also essential to gauge their communication skills and willingness to collaborate. A sound editor who demonstrates enthusiasm for your project and shares your vision will likely be a great fit. Trust your instincts and choose someone who resonates with your creative goals.
When interviewing a sound editor, consider asking the following key questions:
These questions will help you assess their expertise, communication style, and compatibility with your project's needs.
To hire a sound editor in Peru, start by defining your project requirements, including the type of project, timeline, and budget. Utilize online platforms like Twine to find skilled professionals. Create a detailed job post that includes essential information about your project. This clarity will attract the right candidates. When reviewing potential sound editors, consider their portfolios, which showcase their previous work and expertise. Additionally, check client reviews to gauge their professionalism and reliability. Once you identify suitable candidates, conduct interviews to discuss your project in detail and assess their compatibility with your vision.
Hiring a freelance sound editor offers flexibility and often lower costs compared to working with an agency. Freelancers typically have more direct communication, enabling quicker decision-making and personalized attention. They may also have a diverse skill set that allows for more creative solutions. On the other hand, agencies provide a wider range of services and resources, including access to a team of professionals with varying specialties. Agencies may also offer more reliability, especially for larger projects with strict deadlines. Ultimately, the choice depends on your project requirements, budget, and desired level of collaboration.
A well-structured project brief for a sound editor should include:
This information will help potential candidates understand your needs and tailor their proposals accordingly.
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