Audio Engineer with a focus on sound design for film and broadcast. Editor and mixer on elements for television shows, commercials, and short and feature films. Additiona...
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Audio Engineer with a focus on sound design for film and broadcast. Editor and mixer on elements for television shows, commercials, and short and feature films. Additiona...
See MoreI'm Blue, a freelance audio/Video technician from Charlotte, NC. I graduated from the Carolina School of Broadcasting in 2021 with a certification in broadcast media. I a...
See MoreI'm a music maker, audio producer, and editor from Charlotte NC I have been making music, recording editing and producing audio for over 10 years. I am fast efficient ...
See MoreA technical, speedy and creative video editor and cinematographer with over 8 years of experience managing/streamlining post production workflows, editing short and long ...
See MoreI am a diligent freelance voice actor with experience delivering high-quality recordings across genres, including character voices, commercials, and narrations. I collabo...
See MoreI am an innovative sound designer with 4 years of experience crafting immersive audio for mobile and streaming platforms. I specialize in designing and implementing sound...
See MoreI’m a sound editor and music producer with a deep passion for storytelling through audio. As a DJ and audio engineer, I specialize in shaping sound that feels intentional...
See MoreBased in Charlotte, United States, I'm a Sound Editor expert focused on Ableton Live, Adobe Audition, and Audacity. I take a clear, collaborative approach to every projec...
See MoreHi! I’m Leah Travis, a Senior at the University of North Carolina at Charlotte. I major in Digital Media and minor in Film Production. I’m passionate about visual storyt...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
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Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
$5,000 – $13,500
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for creating, editing, and enhancing audio for various media, including films, television shows, video games, and advertisements. They work closely with directors and producers to ensure the audio complements the visual elements. Key tasks include selecting and adjusting sound effects, dialogue, and music tracks, as well as synchronizing audio with visuals. Sound Editors also utilize software tools to manipulate sound quality, volume levels, and effects, crafting an immersive auditory experience for the audience. Their work is crucial in setting the tone and mood of a project, ultimately enhancing storytelling through sound.
Exceptional Sound Editors possess a unique blend of technical skills, creativity, and attention to detail. They have a deep understanding of sound design principles, audio editing software, and the latest industry trends. Moreover, they are adaptable, able to work across various media formats and genres. Strong communication skills are crucial, as they must collaborate effectively with directors and other team members to achieve a unified vision. Additionally, exceptional Sound Editors demonstrate a keen ear for sound quality and are proactive in problem-solving, ensuring that every audio element enhances the overall project.
Typical day rates for Sound Editors in United States vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
Recognizing the perfect Sound Editor involves assessing their portfolio, experience, and compatibility with your project. Start by reviewing their previous work to ensure their style aligns with your vision. Look for diversity in their portfolio, indicating versatility in handling different genres. Conduct interviews to understand their creative process, communication style, and availability. Assess their ability to meet deadlines and adapt to feedback, as these qualities are vital for a successful collaboration. Additionally, consider their knowledge of the latest audio technologies and trends, as this can significantly impact the quality of your project.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you gauge their expertise, communication skills, and approach to your specific project, ensuring you find the best fit for your needs.
Hiring a Sound Editor in Charlotte, US, involves a few clear steps. First, define your project requirements, including the type of media, desired style, and specific sound elements needed. Next, explore platforms like Twine to find freelancers with relevant experience. Review their portfolios and client feedback to gauge their skills. When you identify potential candidates, reach out to discuss your project in detail, ensuring they understand your vision. Finally, evaluate their availability and rates to find a fit for your budget and timeline. A clear communication process will help you establish a productive working relationship.
Hiring a freelance Sound Editor offers direct communication and often lower costs compared to working with an agency. Freelancers tend to have more flexibility in their schedules and can provide personalized attention to your project. In contrast, agencies typically have a team of professionals, which can ensure a broader range of skills and faster turnaround times. However, agencies may charge higher rates due to overhead costs. Ultimately, the choice depends on your project’s complexity, budget, and the level of collaboration you desire. Consider your priorities carefully when making this decision.
A comprehensive project brief for a Sound Editor should include the following elements:
By including these elements, you set clear expectations and help attract the right candidates for your project.
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