Hello. I've been a Production Supervisor or Head of Production for 25 years. When I would work in a producer/production manager role, my responsibilities would include supervising all departments within the production and help to ensure the production stays on schedule and within budget. I would work to create realistic and cost-effective production schedules based on specs and information provided by the client/broadcaster or executive in charge. Create and supervise the overall production schedule from pre-production through final delivery. Revising or adjusting the schedule to ensure final delivery to the client. This always includes disseminating the schedule information to all production personnel and ancillary departments. Tracking production progress and updating production the schedule on an ongoing basis. I would always assist with reviewing resumes and demo reels for prospective team members, conduct interviews and administer animation tests. I would be also responsible for monthly tracking of labour expenses on the production and calculate costs to complete. This included any communication and training of Production Coordinators and receiving any concerns of flags from them in regards to their work and observations and making efforts to deal with issues efficiently and proactively. If necessary, flag schedule and budgeting concerns to the head of the studio. Troubleshoot problems and proactively collaborating with the other managers/coordinators and leads from the team to find solutions. Communicating with tech support when needed to support artists and the tracking systems they rely on and use to deliver their work; this would include the Animation Directors or Supervisors on processes such as assigning shots or tracking workloads, along with asset management with the art director and their team of artists & designers to ensure the production's goals and stylistic needs of the client are being met. This included directing a point person to the client on behalf of the production, to help facilitate a positive working relationship between studios and help to ensure the overall production runs smoothly. I would assist the Producer/Director on all aspects of the production, including the coordinating of deliveries between production facilities. Maintain file management of all incoming materials and tracking systems for the directors and producers, and guide and oversee all artwork and animated sequences and scenes through all stages of production on each episode. Provide scheduling and administrative support for the producers and directors, as required. Coordinate, book travel and hotels for the Production’s staff. Maintain all materials of stages. I hope I can be of use to your production, thank you so much for your tume.

Hello. I've been a Production Supervisor or Head of Production for 25 years. When I would work in a producer/production manager role, my responsibilities would include supervising all departments within the production and help to ensure the production stays on schedule and within budget. I would work to create realistic and cost-effective production schedules based on specs and information provided by the client/broadcaster or executive in charge. Create and supervise the overall production schedule from pre-production through final delivery. Revising or adjusting the schedule to ensure final delivery to the client. This always includes disseminating the schedule information to all production personnel and ancillary departments. Tracking production progress and updating production the schedule on an ongoing basis. I would always assist with reviewing resumes and demo reels for prospective team members, conduct interviews and administer animation tests. I would be also responsible for monthly tracking of labour expenses on the production and calculate costs to complete. This included any communication and training of Production Coordinators and receiving any concerns of flags from them in regards to their work and observations and making efforts to deal with issues efficiently and proactively. If necessary, flag schedule and budgeting concerns to the head of the studio. Troubleshoot problems and proactively collaborating with the other managers/coordinators and leads from the team to find solutions. Communicating with tech support when needed to support artists and the tracking systems they rely on and use to deliver their work; this would include the Animation Directors or Supervisors on processes such as assigning shots or tracking workloads, along with asset management with the art director and their team of artists & designers to ensure the production's goals and stylistic needs of the client are being met. This included directing a point person to the client on behalf of the production, to help facilitate a positive working relationship between studios and help to ensure the overall production runs smoothly. I would assist the Producer/Director on all aspects of the production, including the coordinating of deliveries between production facilities. Maintain file management of all incoming materials and tracking systems for the directors and producers, and guide and oversee all artwork and animated sequences and scenes through all stages of production on each episode. Provide scheduling and administrative support for the producers and directors, as required. Coordinate, book travel and hotels for the Production’s staff. Maintain all materials of stages. I hope I can be of use to your production, thank you so much for your tume.

Available to hire

Hello. I’ve been a Production Supervisor or Head of Production for 25 years.

When I would work in a producer/production manager role, my responsibilities would include supervising all departments within the production and help to ensure the production stays on schedule and within budget.

I would work to create realistic and cost-effective production schedules based on specs and information provided by the client/broadcaster or executive in charge. Create and supervise the overall production schedule from pre-production through final delivery. Revising or adjusting the schedule to ensure final delivery to the client. This always includes disseminating the schedule information to all production personnel and ancillary departments. Tracking production progress and updating production the schedule on an ongoing basis.

I would always assist with reviewing resumes and demo reels for prospective team members, conduct interviews and administer animation tests. I would be also responsible for monthly tracking of labour expenses on the production and calculate costs to complete. This included any communication and training of Production Coordinators and receiving any concerns of flags from them in regards to their work and observations and making efforts to deal with issues efficiently and proactively. If necessary, flag schedule and budgeting concerns to the head of the studio. Troubleshoot problems and proactively collaborating with the other managers/coordinators and leads from the team to find solutions.

Communicating with tech support when needed to support artists and the tracking systems they rely on and use to deliver their work; this would include the Animation Directors or Supervisors on processes such as assigning shots or tracking workloads, along with asset management with the art director and their team of artists & designers to ensure the production’s goals and stylistic needs of the client are being met. This included directing a point person to the client on behalf of the production, to help facilitate a positive working relationship between studios and help to ensure the overall production runs smoothly.

I would assist the Producer/Director on all aspects of the production, including the coordinating of deliveries between production facilities. Maintain file management of all incoming materials and tracking systems for the directors and producers, and guide and oversee all artwork and animated sequences and scenes through all stages of production on each episode.

Provide scheduling and administrative support for the producers and directors, as required. Coordinate, book travel and hotels for the Production’s staff. Maintain all materials of stages.

I hope I can be of use to your production, thank you so much for your tume.

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Language

English
Fluent
French
Intermediate

Work Experience

Animation Production Supervisor at Mushu Productions
January 1, 2023 - Present
Oversaw the animation production process, ensuring high-quality outputs within project timelines. Collaborated closely with the creative team to meet artistic goals and client expectations.
Animation Director at Toopy and Binoo
January 1, 2022 - January 1, 2023
Directed animation for various episodes, coordinating with storyboard artists and animators to bring each script to life. Focused on maintaining visual consistency and quality throughout the series.
Storyboard Artist at Super Team Canada
December 31, 2020 - December 31, 2021
Created detailed storyboards for animated TV series, ensuring smooth storytelling and visual flow. Worked closely with directors and writers to align on creative vision.
Head of Production / Supervising Director at Collideascope Digital
January 1, 2000 - December 31, 2008
Led animation production and supervision for multiple series; responsibilities included directing and overseeing production.
2D Animation Director at Speed Racer – Animation Collective / Nickelodeon
January 1, 2007 - December 31, 2008
Directed Season 1 (24x22) of Speed Racer; supervised animation and design.
Co-Director at Olliver’s Adventures – Teletoon
January 1, 2001 - December 31, 2001
Co-directed Season 1 (39x7); animation direction and production oversight.
Animation Director at Teen Titans Go! – Warner Bros. Animation / Cartoon Network
January 1, 2013 - December 31, 2017
Directed Season 1-4 (104x11) of Teen Titans Go!; animation direction and process.
Animation Director at Teen Titans Go To The Movies – DC / Warner Bros.
January 1, 2017 - December 31, 2017
Directed 77 min feature film.
Animation Director at Woody Woodpecker – Universal Studios
January 1, 2018 - December 31, 2018
Directed Season 3 – 10x6; Universal Studios.
Animation Supervisor at The Tom & Jerry Show – Slap Happy Cartoons / Warner Bros.
January 1, 2018 - December 31, 2018
Supervised animation for Season 2 – 2x7.
Animation Director / Design Supervisor at Luna, Chip & Inkie – Knowledge Network
January 1, 2022 - December 31, 2022
Directed Season 2 – 30x11; design supervision.
Animation Director at Rise of the Teenage Mutant Ninja Turtles – Feature Film – Nickelodeon / Netflix
January 1, 2020 - December 31, 2021
Directed feature film.
Animation Director at Woody Woodpecker – Season 3 – Universal Studios
January 1, 2020 - December 31, 2020
Directed Season 3 – 10x6.
Animation Director at Dorg Van Dango – Cartoon Saloon / Wildbrain / Nickelodeon
January 1, 2018 - December 31, 2018
Directed 4x11 episodes.
Animation Supervisor at Polly Pocket – Wildbrain (DHX) / Mattel
January 1, 2010 - December 31, 2011
Animation supervision for series.
Animation Supervisor at LEGO Ninjago – Wildbrain / CBC
January 1, 2019 - December 31, 2019
Season 11, Episode 24 (5 min sequence) supervision.
Head of Production / Supervising Director at Collideascope Digital
January 1, 2000 - December 31, 2008
Led multiple projects across production pipeline; supervised teams.
2D Animation Director at Speed Racer – Animation Collective / Nickelodeon
January 1, 2007 - December 31, 2008
Directed Season 1 – 24x22.
Animation Production Supervisor at Mahoo Academy
January 1, 2023 - Present
Oversaw animation projects from concept to completion, ensuring creative vision and technical excellence.
Animation Production at Toopy and Binoo
January 1, 2024 - January 1, 2025
Worked on seasonal episodes enhancing storylines through dynamic animation techniques.
Storyboard Artist at Atomic Cartoons
January 1, 2022 - January 1, 2023
Created storyboards for various projects communicating visual narratives effectively.

Education

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Qualifications

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Industry Experience

Media & Entertainment, Education, Professional Services