Hi! I’m Frida, and I live at the intersection of high-end animation and the fast-paced world of Gen Z digital culture. Having recently completed my Master’s in Animation, I look at video editing through a much deeper lens than most. Because I’ve spent years as a character designer and storyboard artist, I don’t just "cut" footage; I understand the mechanics of a story, the importance of a visual hook, and how to build a narrative arc even in a fifteen-second window. My background in 2D and 3D animation—working on everything from award-winning student films to professional series like Janó Manó—gives me the technical edge to manipulate frames and timing in ways that traditional editors might miss. As a member of Gen Z, I have a natural pulse on what feels authentic versus what feels like "marketing." During my time at Pharmax KFT and Midas Games, I leaned heavily into this by researching online trends and creating content that spoke the language of the internet. This often meant leaning into meme culture to create high-impact gameplay demos and social content that actually resonated with our audience. I’ve found that my ability to blend professional-grade tools like Maya and the Adobe Creative Suite with a "meme-literate" sensibility allows me to produce videos that aren't just high-quality, but are genuinely shareable. Whether I’m integrating AI-generated visuals or hand-drawing assets to add that extra layer of personality, my goal is always to create something that feels fresh, funny, and visually arresting.…Hi! I’m Frida, and I live at the intersection of high-end animation and the fast-paced world of Gen Z digital culture. Having recently completed my Master’s in Animation, I look at video editing through a much deeper lens than most. Because I’ve spent years as a character designer and storyboard artist, I don’t just "cut" footage; I understand the mechanics of a story, the importance of a visual hook, and how to build a narrative arc even in a fifteen-second window. My background in 2D and 3D animation—working on everything from award-winning student films to professional series like Janó Manó—gives me the technical edge to manipulate frames and timing in ways that traditional editors might miss. As a member of Gen Z, I have a natural pulse on what feels authentic versus what feels like "marketing." During my time at Pharmax KFT and Midas Games, I leaned heavily into this by researching online trends and creating content that spoke the language of the internet. This often meant leaning into meme culture to create high-impact gameplay demos and social content that actually resonated with our audience. I’ve found that my ability to blend professional-grade tools like Maya and the Adobe Creative Suite with a "meme-literate" sensibility allows me to produce videos that aren't just high-quality, but are genuinely shareable. Whether I’m integrating AI-generated visuals or hand-drawing assets to add that extra layer of personality, my goal is always to create something that feels fresh, funny, and visually arresting.WWWW…