Gisela Lubik

Available to hire

I’m a Creative Director and Brand & Design professional based in Buenos Aires, with 20+ years of experience across branding, advertising, and digital product work.

About

I’m a Creative Director and Brand & Design professional based in Buenos Aires, with 20+ years of experience across branding, advertising, and digital product work. I lead creative direction for regional and global portfolios, including work for AB InBev (Coronа, Stella Artois, Budweiser, Hoegaarden, Michelob and Brahma) as well as Pepsi and Gatorade, building brand systems that can scale across markets.

I enjoy partnering with cross-functional teams to take ideas from strategy to execution—guiding brand identity, brand strategy, trade and brand experience, and UX/UI design. Through roles ranging from art direction and campaigns to leading global toolkits and digital products, I help teams align on a clear visual and experiential language that performs across LatAm, Europe, and Asia.

  • Joined October 2026

Languages

  • Spanish; CastilianFluent
  • EnglishAdvanced

Industry experience

  • Consumer Goods
  • Government
  • Media & Entertainment
  • Professional Services
  • Retail
  • Travel & Hospitality

Projects · 6

MODELO DRAUGHT: Brand Strategy, Visual Identity & Creative Direction. The Challenge Introducing Cerveza Modelo on draught in the UK and Canada meant entering two established beer markets where the brand had limited recognition and faced strong competition. Unlike Mexico, where draught represented a new experience for Modelo, the challenge in these markets was different: building brand awareness and premium recognition in an already familiar category. The key question was how to preserve Modelo's distinctive identity when its most recognizable asset — the iconic bottle — disappeared behind the bar. The Creative Approach The solution was to develop a cohesive visual identity system that translated Modelo's premium brand codes into the draught experience. Rather than focusing on a single tap handle, we approached the bar as an integrated brand environment, connecting glassware, draught equipment, and point-of-sale communication through a consistent visual language. Special attention was given to branded glassware as a key expression of the brand, moving beyond conventional pint-glass formats to reinforce Modelo's distinctive character. My Role & Contribution As Creative Director at BridgerConway, working for AB InBev / Grupo Modelo, I led the brand strategy, art direction, and visual identity development for the project. My responsibilities included defining the creative direction, establishing the visual language, identifying the most relevant brand assets, and developing design principles that ensured consistency and scalability across applications. I also directed the creative collaboration with BridgerConway's industrial design team, aligning the development of physical elements — including tap towers and glassware displays — with the overall brand system. The result was a unified creative approach that connected graphic and industrial design into a coherent brand experience. The Outcome A scalable visual identity system designed to bring Modelo's premium positioning to life in new markets, extending the brand beyond its iconic bottle and creating a distinctive, recognizable presence at the bar.

  • Art Director
  • Brand Designer
  • Brand Strategist
  • +2

Celebrating the legends of motorsport through graphic design: A collection of automotive-inspired illustrations created for KATO Motorsports, paying tribute to iconic racing cars, legendary liveries, and the visual heritage of motorsport. The series explores the intersection of racing history, graphic design, and contemporary aesthetics, translating iconic automotive identities into bold, minimalist compositions. Inspired by the timeless Gulf Racing colors and the legendary Porsche 917, the artwork combines dynamic geometric forms, expressive typography, and carefully curated color palettes. Each piece captures the spirit of motorsport through a distinctive visual language, transforming racing heritage into collectible graphic art.

  • Art Director
  • Brand Designer
  • Brand Strategist
  • +2

A bold new visual language for Korea's leading beer brand: The All New Cass project was an opportunity to translate the brand's renewed identity into a distinctive, energetic, and cohesive visual world. My contribution focused on developing the Visual Brand Identity, exploring graphic elements, compositions, and a flexible design language that could extend the brand's personality beyond packaging. The goal was to create a recognizable and consistent visual system, balancing freshness, energy, and brand recognition across multiple communication touchpoints. A visual identity designed not just to stand out, but to bring the brand to life.

  • Art Director
  • Brand Designer
  • Brand Strategist
  • +2

Brand system and art direction connecting Michelob ULTRA's global positioning to a 30+ piece on-trade, off-trade and sponsorship toolkit (NBA, COPA América), translating a business problem (an existing toolkit disconnected from brand strategy, indistinguishable from Bud Light or Gatorade) into a single, ownable identity system across materials, color and environment. Led design and creative direction at BridgerConway for AB InBev / Michelob ULTRA. Michelob ULTRA competes in a $1.9T health & wellness market it wants to lead, against beer categories that already own their own territory: Corona has the beach, Budweiser has the stage, Stella has the table. Michelob ULTRA's own trade toolkit had no equivalent: assets were designed per product category, with no inspirational world or design rationale behind them, so nothing at point of purchase told consumers "beer doesn't have to mean giving up an active life." The business win condition wasn't more assets, it was assets a shopper could recognize as Michelob ULTRA's and no one else's. I owned creative direction and brand strategy for the toolkit, defining the inspirational world, the design principles, and the design rules that made the system scalable across categories (POCM, on trade, off trade, sponsorship) and reproducible by teams and vendors across markets.

  • Art Director
  • Brand Designer
  • Brand Strategist
  • +2

I developed the new packaging and Brand World for HANMAC, the first Korean Lager perfect for consumers taste. This beer is brewed with 100% homegrown high-quality rice (Korea's staple food that symbolizes the country) directly supplied by local farmers, in order to ensure the best flavor and quality. The packaging design stands out and enhance an image that speaks about the new and smoother taste of the beer. The Brand World developed, also reflects the brand origin and new spirit: to make "Korea Smooth". The identity was builded around two forces meant to live in the same bottle: a Smooth Heart and a Bold Character. The new logo pairs a bolder, hand-tailored wordmark with the Kihamoon, a gold medallion built from a rice-ear motif and the geometry of traditional Korean windows.

  • Art Director
  • Brand Designer
  • Brand Strategist
  • +2

Stella Artois' global platform reframed the brand in 2023 around The Table, not a piece of furniture, but a new way of gathering: any place, however unexpected, can become a table to share. My role was to bring that idea into the Off-Trade point-of-sale universe, aligning it with the On-Trade toolkit that agency JKR had already developed, so "Moments of beauty around the table" traveled consistently from the bar to the shelf. JKR had built Stella's On-Trade platform around The Table, the thread meant to connect every consumer touchpoint, plus refreshed Brand World guidelines built on five creative principles (cinematic storytelling, authentic chemistry, high-low contrast, sensorial magnetism, aspirational inclusivity). The Off-Trade toolkit still needed to translate that same idea, bringing the table to the shopper, wherever they are, into a retail-ready system across premium grocery, hypermarket, convenience and traditional trade. Leading from the design and communication side, I: Audited JKR's On-Trade toolkit and the global Brand World guidelines to carry The Table concept, and the five creative principles behind it, through to Off-Trade Defined how "bring the table to you, wherever you are" translated into shopper-mission-based POCM: end caps, FSDUs, coolers, shelf systems, and premium grocery displays that recreate a moment at the table right at the point of sale Directed and designed the lighter brand assets, ensuring consistency with the wordmark, cartouche pattern, typography and color system Partnered with my agency's industrial design department, who developed the heavier structural/rendered assets (coolers, FSDUs, aisle displays, exhibition units) based on the direction we set.

  • Art Director
  • Brand Designer
  • Brand Strategist
  • +2

Work experience· 8 roles

Creative Director / Bridger · ConwaySep 2020 – Present · 6 yrs 3 mos

Lead creative direction across the regional and global portfolio for AB InBev, covering brands such as Corona, Stella Artois, Budweiser, Hoegaarden, Michelob and Brahma, plus Pepsi and Gatorade. Direct cross-functional teams on brand identity, brand strategy, trade and brand experience, and develop global toolkits deployed across markets in LatAm, Europe and Asia.

Creative Director / Templo StudioAug 2013 – Sep 2020 · 7 yrs 2 mos

Creative direction for branding and UX/UI design for startups and new ventures, working alongside founders from early-stage brand strategy through to visual systems and digital product design.

Creative Director, Art Director · Inidia Buenos AiresDec 2010 – Jul 2013 · 2 yrs 8 mos

Art direction for ATL/BTL campaigns for clients including Yamaha (Argentina and Uruguay), the City of Buenos Aires Government, and the Ministry of Labor and Tecnópolis. As art director, led projects for Yamaha, New Balance, Dilexis (Galletitas Dale!), Canal Rural, and Apartcar.

Art Director, Art Director · Rêve ProduccionesSep 2010 – Aug 2012 · 2 yrs
Art Director, Designer · FreelanceDec 2009 – Aug 2010 · 9 mos
Creative Coordinator / Savaglio · SavaglioFeb 2008 – Nov 2009 · 1 yr 10 mos
Product Coordination / Presidencia de la Nación Argentina · Presidencia de la Nación ArgentinaApr 2004 – May 2008 · 4 yrs 2 mos
Junior Web Designer · Diseño Arg StudioNov 2002 – Mar 2004 · 1 yr 5 mos

Education· 6

Design — Creative Direction · Brother Buenos Aires, Escuela de Creativos2009 – 2010
Advertising · UAD E2008 – 2010
Technical Degree — Audio Recording & Post-Production · TECSOn2004 – 2006
Architecture · University of Buenos Aires2002 – 2003

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