Production Sound Mixer and Audio Engineer with hands-on experience across feature films, web series, documentaries, and OTT productions. Most recently, I worked as the Production Sound Mixer on *The Calf Doll*, a feature film that premiered at CPH:DOX 2026 and was later screened at several renowned international film festivals. My work covers both production and post-production sound, including location sound recording, dialogue editing, sound design, audio restoration, Foley, and final mixing. I've collaborated with independent filmmakers, production houses, and post-production teams on projects such as *The Calf Doll*, *Valle de Sombras* (Netflix Spain), *Bhawani*, and *Bad Boys Bhiwani*. I enjoy solving audio problems and helping filmmakers tell their stories through sound. Whether it's capturing clean dialogue in difficult shooting conditions, repairing recordings in post, or building immersive soundscapes, I focus on delivering audio that serves the film while maintaining high technical standards. Having worked on both sides of the workflow, I understand the challenges of production and post-production and can adapt to the needs of each project.…Production Sound Mixer and Audio Engineer with hands-on experience across feature films, web series, documentaries, and OTT productions. Most recently, I worked as the Production Sound Mixer on *The Calf Doll*, a feature film that premiered at CPH:DOX 2026 and was later screened at several renowned international film festivals. My work covers both production and post-production sound, including location sound recording, dialogue editing, sound design, audio restoration, Foley, and final mixing. I've collaborated with independent filmmakers, production houses, and post-production teams on projects such as *The Calf Doll*, *Valle de Sombras* (Netflix Spain), *Bhawani*, and *Bad Boys Bhiwani*. I enjoy solving audio problems and helping filmmakers tell their stories through sound. Whether it's capturing clean dialogue in difficult shooting conditions, repairing recordings in post, or building immersive soundscapes, I focus on delivering audio that serves the film while maintaining high technical standards. Having worked on both sides of the workflow, I understand the challenges of production and post-production and can adapt to the needs of each project.WWWW…