I’m a 3D Generalist, Compositor, and Photographer
I’ve been known to thrive under pressure to deliver high quality detail oriented work. I am also knowledgeable in classical art techniques as well as the fine details that will push any project to the highest possible quality. This stems from a passion for both artistic and mathematical disciplines that have been developed through a variety of fields. Will work to solve any problems that arise over the course of any production to keep a smooth working environment.
Employment and project experience
Lighting and Rendering Artist for SUPERPLASTIC Inc
- Lit and composited animations using a variety of complex techniques to achieve high quality videos with fast results. I used Renderman, Maya, Davinci Fusion, Unreal Engine. Adobe Phototshop, and Premiere to achieve any result our clients asks of me.
Lighting Key Artist at MPC
- Lit CG elements to match set lighting to be used in many similar challenging situations, while working with other artists in a complex pipeline. Gave support to junior artists working within the same sequence. We used Katana, Nuke, and Renderman to match CG elements to live action plates.
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Industry Experience
Above is a link to my showreel displaying my work in a variety of projects, including:
Godzilla vs. Kong (2021) - Lighting and rendering for various shots during the Hong Kong fight sequence.
Maleficent Mistress of Evil (2019) - Lit and rendered full CG environments, Full cg digi-doubles, wide ranging FX, and body replacements.
Superplastichttps://www.twine.net/signin) - Lit, rendered, composited various shots for social media and music videos. Also responsible for some environments and lookdev. Acted as Lighting Lead on multiple projects. Helped build pipeline for Renderman and Unreal Engine.
Cruella (2021) - Lit London Tower Bridge to fit time period of film. Lit some shots of CG dogs.
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