I’m a highly productive graphic designer with solid experience from B2B, FinTech and agency environments. I thrive at the intersection of creativity and structure, and I enjoy working within established design systems and grids to create scalable, consistent visuals. I’m skilled at streamlining workflows using Figma and the Adobe suite, and I pride myself on delivering high-quality results under tight deadlines. I’m self-motivated, accurate, and collaborative, always aiming to help internal teams align on branding and communication goals.

Kamil Sypień

I’m a highly productive graphic designer with solid experience from B2B, FinTech and agency environments. I thrive at the intersection of creativity and structure, and I enjoy working within established design systems and grids to create scalable, consistent visuals. I’m skilled at streamlining workflows using Figma and the Adobe suite, and I pride myself on delivering high-quality results under tight deadlines. I’m self-motivated, accurate, and collaborative, always aiming to help internal teams align on branding and communication goals.

Available to hire

I’m a highly productive graphic designer with solid experience from B2B, FinTech and agency environments. I thrive at the intersection of creativity and structure, and I enjoy working within established design systems and grids to create scalable, consistent visuals.

I’m skilled at streamlining workflows using Figma and the Adobe suite, and I pride myself on delivering high-quality results under tight deadlines. I’m self-motivated, accurate, and collaborative, always aiming to help internal teams align on branding and communication goals.

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Language

Polish
Fluent
English
Advanced
Norwegian
Advanced

Work Experience

Graphic Designer at Publizm (Norway)
January 1, 2025 - Present
Responsible for visual production and system development for an international FinTech client. Focus on B2B marketing and scalable design solutions. Developed and maintained design systems in Figma to ensure efficient production and reuse of components. Produced complex reports (white papers), e-books and presentations with strict requirements for grid systems, typography and readability. Ensured visual consistency across global markets in line with brand guidelines. Implemented AI tools for quality assurance and optimization of advertisements prior to publication.
Senior Graphic Designer & Brand Guardian at CSHARK
August 1, 2022 - April 1, 2024
Design of visual identities and spatial solutions for corporate clients. Design of wayfinding systems and signage for office buildings, based on technical drawings and visual frameworks. Preparation of files for printing (large format, foiling) with a focus on technical accuracy. Production of graphic material for digital surfaces and social media.
Graphic Designer at Bardzo
May 1, 2021 - July 1, 2022
Visual support for an R&D software company. Simplification of technically complex content through clear visual communication and infographics. Development of tailor-made illustrations adapted to the technology industry. Ensured consistency in communication across the website and marketing materials.
Graphic Designer & Illustrator at X-Berry
May 1, 2020 - May 1, 2021
In-house designer for a rapidly growing restaurant chain. High-volume production: Design of menus, posters and promotional material with short deadlines. Design of packaging and preparation of technical print files for mass production. Management of the visual aspect of B2C campaigns from concept to finished product.
Grafisk Designer & Designkoordinator at Pasibus
October 1, 2016 - May 1, 2020
In-house design lead for branding and packaging across multiple channels; high-volume production; collaborated with marketing and product teams; prepared files for printing; managed visual direction.
Service & Gastronomy
January 1, 2024 - Present
Gained experience in customer-facing service roles in Norway, contributing to event support and hospitality-related projects while continuing design work.
Events & Logistics
January 1, 2024 - January 1, 2026
Supported events and logistics activities, coordinating tasks and ensuring smooth delivery of visual and branded materials for events.

Education

Bachelor at SWPS University in Wrocław
January 1, 2016 - January 1, 2018
Master at SWPS University in Wrocław
January 1, 2018 - January 1, 2023

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Professional Services, Financial Services, Software & Internet, Travel & Hospitality
    paper Not my shibusa (Japan Competition Poster)

    🏮 Project: Inspired by Japan

    A Visual Reflection on Aesthetics, Symbols, and the Western Gaze


    🍵 Introduction: A Personal Journey

    When I set out to design a poster on Japanese aesthetics, I looked beyond the surface. For years, I have been drawn to Japanese culture—from the discipline of the tea ceremony to the subtle rhythms of Japanese poetry.

    This project wasn’t just about creating an image; it was about answering a question: What is Japan today, and what might it become tomorrow?


    🛡️ The Creative Challenge

    The goal was to move away from the “pop-culture version” of Japan and focus on deeper aesthetic principles that I studied in design school:

    • Asymmetry: Breaking the traditional balance to create tension.
    • Negative Space (Ma): Using emptiness as a powerful compositional tool.
    • Subverting Stereotypes: Addressing how Western culture often misinterprets icons like the Geisha.

    The poster was created for the Inspired by Japan competition, requiring a digital work that bridges tradition, history, and modern art.


    📐 Visual Architecture: The Mirror (Yata no Kagami)

    The centerpiece of the illustration is the Yata no Kagami—the sacred mirror.

    • The Composition: A balanced yet asymmetrical layout that houses elements of traditional culture: board games, karate, Zen gardens, and the tea ceremony.
    • The Red Sun: I intentionally kept the red sun as a separate, pure element. While the “Western gaze” views Japan through a distorted mirror of stereotypes, the sun remains true to itself—an enduring symbol of the country’s essence.
    • Thoughtfulness & Composure: This piece reflects a meditative approach to digital illustration, where every element has its place and meaning.

    🏆 Conclusion

    Though it didn’t take the top prize in the competition, I am immensely proud of the composure and thoughtfulness this illustration represents. It stands as a testament to my perspective as a designer—seeing beyond the obvious.

    📸 Project Gallery

    Not my shibusa - Full PosterNot my shibusa - Details

    paper Festiwal Pasibrzucha | Logo and visual identity for the largest free food truck festival in Poland

    🍔 Case Study: Festiwal Pasibrzucha

    Branding for the Largest Free Food Truck Festival in Poland


    🎸 Introduction: Street Culture at Scale

    I designed the end-to-end branding for Pasibus at the Polish Street Festival. The mission was to create an inclusive, high-energy aesthetic anchored by a custom logo that breathes street culture.

    This project was a masterclass in integrated visual communication, resulting in a high-visibility campaign that dominated the visual landscape of Wrocław.


    🛡️ Strategic Challenge: Cutting Through the Noise

    A mass event is an environment of visual chaos: thousands of people, hundreds of competing logos, and intense sensory stimuli.

    The challenge wasn’t just to “look nice”—it was to be impossible to ignore. The system had to:

    • Act as a navigational tool for thousands of attendees.
    • Maintain a relaxed, entertaining “vibe.”
    • Stand out against the cluttered background of a festival ground.

    🎨 Visual System Architecture: “Controlled Chaos”

    We moved away from rigid minimalism toward a library of dynamic elements.

    • Atomic Design (Sticker Pack): I created a modular library of “stickers” and illustrations (food icons, instruments) that can be mixed and matched. This allows for infinite variety while maintaining 100% consistency.
    • High-Contrast Palette: Neon colors paired with thick black outlines. This ensures rock-solid legibility in difficult lighting (evening concerts) and on mobile screens.
    • Typography: A bold, poster-style font that “shouts” as loudly as the festival sound system.

    📱 Execution & Touchpoints

    The identity was built to be fast, flexible, and functional:

    • Social Media: Dynamic templates for real-time updates (lineup changes, announcements) that remain instantly recognizable in a crowded feed.
    • On-Site Branding: From site maps and wristbands to zone markings. Color-coded consistency allowed participants to intuitively find their way between the Food Zone and the Music Zone.

    Conclusion: In this project, consistency isn’t about being quiet—it’s about the rigorous application of a defined style. The brand remains flexible enough to respond to trends while staying 100% true to its street-food roots.


    🔗 See the full festival branding: [kamilowany.no/festival](https://www.twine.net/signin

    paper Zbożowa Estate | A fully-fledged visual system instead of a simple logo

    🏗️ Case Study: Zbożowa Estate

    A Modular Visual System: Engineering Nature into Architecture


    🌿 Introduction: Beyond the Simple Logo

    Designing the visual identity for the Zbożowa Estate in Gdynia was a complex challenge. It required a comprehensive approach—from a core visual concept to a full-scale orientation system and city-wide promotional materials.

    The goal was to create a “visual key” that aligns perfectly with the estate’s architectural DNA and the lived experience of its future residents.


    🛡️ Strategic Challenge

    The real estate market is saturated with generic “eco” projects. For Zbożowa, the challenge was to avoid greenwashing while bridging two extremes:

    • Gdynia’s Modernist Heritage: Raw, geometric, and precise.
    • Organic Surroundings: The softness of the forest and nature.

    The Scalability Problem: The identity had to maintain perfect legibility whether displayed on a 100m² construction site banner or a smartwatch screen within a smart-home app.


    📐 Visual System Architecture: “Modular Logic”

    Instead of a traditional, static logo, I developed a modular graphic language.

    • Grid System: The entire identity is rooted in a rigid geometric grid, ensuring mathematical harmony.
    • Visual Syntax: Organic elements (leaves, wheat ears, the sun) were distilled into simple geometric primitives (semicircles, quarters). This gave nature an “engineering precision.”
    • Custom Typography: The ‘ZBOŻOWA’ wordmark isn’t just a font—it’s custom lettering built from the same geometric modules as the icons, ensuring total integration of text and image.

    📍 Execution & Touchpoints

    The system was stress-tested across diverse physical and digital environments:

    1. Outdoor (High Impact): On construction fences, the modular system forms a large-format mural. The repeatability of modules reduced production costs while increasing visual impact.
    2. Wayfinding (Function): Building signage and path markers use the same geometric shapes, turning the brand into a spatial experience.
    3. Sales Materials (Prestige): We used earth-toned, textured papers to add a haptic, premium dimension to the brochures and business cards.

    Conclusion: By sticking to a modular grid, we created a brand that is simultaneously technical (building trust in construction quality) and friendly (honoring the natural environment).


    Architecture, nature, and geometry in perfect transition.

    📸 Project Gallery

    ![Zbożowa Grid System](https://www.twine.net/signin![Zbożowa Sales Materials](https://www.twine.net/signin

    🔗 View the full modular system: [kamilowany.no/zbozowa-estate](https://www.twine.net/signin

    paper Forma Na Szczyt | The logo that conquered Mount Everest

    🏔️ Case Study: Forma Na Szczyt

    Visual Identity for High-Altitude Performance


    🎯 Intro

    Forma Na Szczyt is a premier provider for the outdoor, sports, and mountain industries. From supporting climbers on Mount Everest and Mont Blanc to preparing athletes for ultramarathons, they operate where there is no room for error.

    I was tasked by Karol, the brand’s leader, to design a new visual identity that is:

    • Professional & authoritative.
    • Flexible across digital and physical media.
    • Technical yet accessible.

    🛡️ Strategic Challenge

    In high-altitude expeditions, trust is everything. When customers put their lives in a company’s hands, the branding must reflect:

    • Technical precision and endurance.
    • Safety and reliability.
    • A “gear” feel, distinct from generic fitness or gym apps.

    📐 Visual System Architecture

    The design is rooted in a simple, grid-based logic to ensure maximum clarity across all touchpoints.

    • Symbolism: The logo functions as a “quality stamp”—reminiscent of military markings or professional mountaineering gear.
    • Usability: Stripped of unnecessary details, the mark remains legible whether it’s embroidered on thick fleece, printed on gear, or displayed on a sports watch face.

    🏆 Consistency Verification: The Everest Test

    The ultimate validation of this system wasn’t a digital mockup, but a real-world achievement.

    The Mount Everest Case: A client carried their training materials, branded with the new logo, to the summit of Mount Everest.

    Conclusion: This isn’t just a logo; it’s a Badge of Honour. The branding now fully aligns with the mission of conquering the world’s highest peaks.


    Created with a focus on precision and performance.

    📸 Project Gallery

    ![FNS Logo Wear](https://www.twine.net/signin![FNS Branding Mobile](https://www.twine.net/signin
    ![FNS Watch Face](https://www.twine.net/signin![FNS Everest Badge](https://www.twine.net/signin

    ![FNS Mountain Gear](https://www.twine.net/signin


    🔗 See the full case study: [kamilowany.no/fns](https://www.twine.net/signin

    paper E-Sygnalista | The logo where every pixel stands guard over the truth.

    🛡️ Case Study: E-Sygnalista

    Visual Identity: Where Every Pixel Stands Guard Over the Truth


    🏛️ Introduction: Transparency by Design

    E-Sygnalista is a leading provider of anonymous whistleblowing solutions for the corporate, legal, and HR sectors. In an era of increasing accountability, the brand needed a visual identity that reflects its core values: Professionalism, Security, and Modernity.

    While advanced technology is the heart of the product, the communication is built on human trust. I designed a new, grid-based logo that is fully adaptable—ensuring a seamless transition from digital platforms to high-level compliance meetings.


    🛡️ Strategic Challenge

    The whistleblowing industry relies on absolute anonymity. There is zero room for error or perceived insecurity.

    The branding couldn’t look like a generic office app or a simple messenger. It had to communicate:

    • Authority & Stability: A pillar of corporate ethics.
    • Data Protection: Meeting the highest global standards.
    • Integrity: A visual promise that the system is unbreachable.

    📐 Visual System Architecture

    The logo was engineered to evoke associations with a digital security certificate, a shield, or a modern seal of data integrity.

    • Reductionism: We eliminated all unnecessary embellishments in favor of a clean, technical form.
    • Universal Usability: The system is perfectly legible across all touchpoints—from a tiny smartphone notification icon to complex ESG reports and official legal documentation.

    ⚖️ Consistency Verification: The “Badge of Integrity”

    The true test of this identity wasn’t an ad campaign, but


    🔗 Explore the full case study: [kamilowany.no/e-sygnalista](https://www.twine.net/signin

    paper In Asia | A logo that reveals the true face of a tiger.

    🐅 Case Study: In Asia

    Modern Fusion Identity: Beyond the Oriental Stereotype


    🌿 Introduction: The Tiger’s Whisper

    The In Asia logo is designed to evoke mystery and stimulate more than just the taste buds. It transports the guest to an unfamiliar, jungle-like space, coming face-to-face with the tiger—a symbol of power and the element of wind.

    • The Concept: In a restaurant setting, the tiger is the one “spreading” the aromas straight from the kitchen.
    • The Palette: A bold juxtaposition of Vibrant Pink and Subdued Green—a courageous choice that stands out in a conservative gastronomic market.
    • The Detail: By highlighting the tiger’s eye, the visual system captures immediate attention and emphasizes the brand’s unique character.

    🛡️ Strategic Challenge

    How to unify the cuisines of Thailand, Vietnam, Japan, and China under one banner while avoiding kitsch?

    Many Asian restaurants in Poland fall into tired stereotypes (red dragons, bamboo, literal symbols). Our goal was to create a cosmopolitan, modern brand that feels at home in a high-end business district.


    📐 Visual System Architecture: “Modern Fusion”

    The identity is built on the principle of Reduction—abandoning literalism in favor of atmosphere.

    • Typography: A dialogue between a modern serif (honoring tradition) and a minimalist sans-serif (reflecting the pulse of modern Asian megacities).
    • Sensory Experience: Design you can feel. We utilized textured papers and hot-stamping refinements to elevate the physical touchpoints.
    • The Power of Whitespace: Consistency is driven by “breathing room.” Wide margins and generous line spacing create a sense of luxury and tranquility.

    🥢 Execution & Touchpoints

    The ultimate test for this system was the physical experience. From the website to the printed menu, the layout remains consistent:

    • Minimalist aesthetics.
    • Premium finishes.
    • A cohesive journey from digital discovery to the first bite.

    Redefining Asian dining through bold color and abstract storytelling.


    🔗 Explore the full visual identity: [kamilowany.no/in-asia](https://www.twine.net/signin