I’m Kristopher Hatchett, a multi-disciplinary artist, producer, engineer, and film composer based in Winchester, CA. I craft original scores for film and media, produce music across hip-hop, R&B, soul, rock, and more, and collaborate with artists to shape performances and sound. My freelance work includes scoring and producing for Tubi films When Lines Are Crossed and The Photo Book, as well as short films Humanoid and Screens (dir. Donald Floyd).
Remote collaborations drive my work at Eyelektric in LA, where I produce drums, basslines, transitions, and design sonic textures to create distinctive identities. I bring vocal arrangement, session workflow, and professional studio etiquette to every project, while staying fluent in cross-genre production and continuing to grow through advanced editing and mixing techniques.
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“Dying To Live” is a powerful, emotion-driven record I co-produced alongside Billboard producer and engineer Olivier Bassil. My main contributions were crafting the drums, bass, transitions, and percussive elements — building the heartbeat that gives the track its emotional depth and energy.
I used a variety of song structure and production techniques to create movement and tension throughout the record, ensuring every section felt purposeful and cinematic. Each element — from the punch of the kick to the subtle percussion layers — was designed to complement Davide’s performance and make the song hit harder emotionally and sonically.
This collaboration pushed my creativity to new levels, and I’m proud of the final result. You can listen and watch the official video for “Dying To Live” on YouTube here:
“Autobiography” was one of those records that came together through pure emotion and intention. When I first heard Aubren Jay’s vocal demo, I knew the production had to capture the honesty and vulnerability in his storytelling. I started by building a soulful foundation — a deep bass and layered samples that gave the track a raw yet polished feel, allowing his voice to take center stage.
Using Logic Pro and Pro Tools, I shaped the sonics with FabFilter and Slate Digital plugins to bring out the clarity and warmth in every element. The mix balances smooth dynamics with textured low end, while subtle saturation and tape-style compression add that nostalgic, lived-in tone.
Every sound was chosen to serve the story — pulling the listener deeper into Aubren’s truth. “Autobiography” isn’t just a record; it’s an experience. You can listen to the song and watch the official video on YouTube here:
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