Hello, What you'll read next is something you'll read on every application: how to say "I'm the best choice you'll ever make" without actually saying it. I'm all for transparency and in music in general and filmmusic in particular, the best collaborations have a certain 'vibe'. Technically all composers will be able to write what you need. I'll try to find out what you want your audiece to 'feel' (jumpscares, yes, but what else?). Here goes the 'official' part: I am a contemporary classical composer whose work weaves together elements of modern classical music, cinematic soundscapes, ambient textures, and post-minimalist influences. Born in Belgium, I draw inspiration from a wide range of cosmopolitan experiences and cultural encounters, always seeking profound artistic expression in everything I create. My compositions explore new sonic landscapes and aim to push the boundaries of traditional music. I strive to create work that resonates both intellectually and emotionally—pieces that invite introspection, evoke beauty, and often carry a touch of quiet melancholy. Over the years, my music has been featured across a variety of multimedia platforms, including documentaries, short films, art installations, and dance performances. I’ve found a natural affinity with cinematic storytelling, and I’m often drawn to creating immersive atmospheres that help audiences connect more deeply with the visuals or movement they accompany. My approach to composition is rooted in a strong foundation in guitar and media composition, enriched by years of experience collaborating with symphony orchestras. I’m particularly fascinated by delicate harmonic structures, layered soundscapes, polyrhythm, and polytonality—tools I use to sculpt music that is both intricate and emotionally grounded. I also hold a master’s degree in psychology, a background that informs much of my creative process. Understanding human emotion and perception allows me to compose with a certain psychological depth—music that not only moves but lingers. I’ve had the honor of being a finalist in several international composition competitions, and I share my passion through teaching both composition and guitar. Currently, I serve as Composer-in-Residence for Brussels Muzieque, a leading chamber music institution in the heart of Europe. In this role, I help curate performances and foster collaborations with distinguished international artists. Thank you for your consideration. Kind regards, Kris So there. I'm open to any budget - I'm doing this for pleasure because I love collaborating with people (composing cán become a lonely business). So don't be afraid and wrongly assume that I'll eat all of your money: I work fast and efficient. And now, it's up to you. Let's get to know eachother.…

Kris De Ruysscher

PRO
5.0 (1 review)

Hello, What you'll read next is something you'll read on every application: how to say "I'm the best choice you'll ever make" without actually saying it. I'm all for transparency and in music in general and filmmusic in particular, the best collaborations have a certain 'vibe'. Technically all composers will be able to write what you need. I'll try to find out what you want your audiece to 'feel' (jumpscares, yes, but what else?). Here goes the 'official' part: I am a contemporary classical composer whose work weaves together elements of modern classical music, cinematic soundscapes, ambient textures, and post-minimalist influences. Born in Belgium, I draw inspiration from a wide range of cosmopolitan experiences and cultural encounters, always seeking profound artistic expression in everything I create. My compositions explore new sonic landscapes and aim to push the boundaries of traditional music. I strive to create work that resonates both intellectually and emotionally—pieces that invite introspection, evoke beauty, and often carry a touch of quiet melancholy. Over the years, my music has been featured across a variety of multimedia platforms, including documentaries, short films, art installations, and dance performances. I’ve found a natural affinity with cinematic storytelling, and I’m often drawn to creating immersive atmospheres that help audiences connect more deeply with the visuals or movement they accompany. My approach to composition is rooted in a strong foundation in guitar and media composition, enriched by years of experience collaborating with symphony orchestras. I’m particularly fascinated by delicate harmonic structures, layered soundscapes, polyrhythm, and polytonality—tools I use to sculpt music that is both intricate and emotionally grounded. I also hold a master’s degree in psychology, a background that informs much of my creative process. Understanding human emotion and perception allows me to compose with a certain psychological depth—music that not only moves but lingers. I’ve had the honor of being a finalist in several international composition competitions, and I share my passion through teaching both composition and guitar. Currently, I serve as Composer-in-Residence for Brussels Muzieque, a leading chamber music institution in the heart of Europe. In this role, I help curate performances and foster collaborations with distinguished international artists. Thank you for your consideration. Kind regards, Kris So there. I'm open to any budget - I'm doing this for pleasure because I love collaborating with people (composing cán become a lonely business). So don't be afraid and wrongly assume that I'll eat all of your money: I work fast and efficient. And now, it's up to you. Let's get to know eachother.…

Available to hire

Hello,
What you’ll read next is something you’ll read on every application: how to say “I’m the best choice you’ll ever make” without actually saying it. I’m all for transparency and in music in general and filmmusic in particular, the best collaborations have a certain ‘vibe’. Technically all composers will be able to write what you need. I’ll try to find out what you want your audiece to ‘feel’ (jumpscares, yes, but what else?).

Here goes the ‘official’ part:

I am a contemporary classical composer whose work weaves together elements of modern classical music, cinematic soundscapes, ambient textures, and post-minimalist influences. Born in Belgium, I draw inspiration from a wide range of cosmopolitan experiences and cultural encounters, always seeking profound artistic expression in everything I create.

My compositions explore new sonic landscapes and aim to push the boundaries of traditional music. I strive to create work that resonates both intellectually and emotionally—pieces that invite introspection, evoke beauty, and often carry a touch of quiet melancholy.

Over the years, my music has been featured across a variety of multimedia platforms, including documentaries, short films, art installations, and dance performances. I’ve found a natural affinity with cinematic storytelling, and I’m often drawn to creating immersive atmospheres that help audiences connect more deeply with the visuals or movement they accompany.

My approach to composition is rooted in a strong foundation in guitar and media composition, enriched by years of experience collaborating with symphony orchestras. I’m particularly fascinated by delicate harmonic structures, layered soundscapes, polyrhythm, and polytonality—tools I use to sculpt music that is both intricate and emotionally grounded.

I also hold a master’s degree in psychology, a background that informs much of my creative process. Understanding human emotion and perception allows me to compose with a certain psychological depth—music that not only moves but lingers.

I’ve had the honor of being a finalist in several international composition competitions, and I share my passion through teaching both composition and guitar. Currently, I serve as Composer-in-Residence for Brussels Muzieque, a leading chamber music institution in the heart of Europe. In this role, I help curate performances and foster collaborations with distinguished international artists.

Thank you for your consideration.

Kind regards,
Kris

So there.
I’m open to any budget - I’m doing this for pleasure because I love collaborating with people (composing cán become a lonely business). So don’t be afraid and wrongly assume that I’ll eat all of your money: I work fast and efficient.

And now, it’s up to you.

Let’s get to know eachother.

See more

Language

English
Fluent
Dutch
Fluent
French
Fluent
German
Fluent

Work Experience

Press attaché at Ars Musica Festival
January 5, 1995 - December 31, 1995
Web Content Manager at Sappi Fine Paper Europe
September 3, 2000 - April 15, 2003

Education

Master in Musicology at Katholieke Universiteit Leuven (Belgium)
October 2, 1995 - July 2, 1999
Diploma in Professional Guitar at Musicians Institute London
September 1, 1993 - September 2, 1994
Advanced Diploma in Composition at Royal Academy of Music
September 6, 1993 - June 30, 1995
Master of Science in Health Psychology at University of Westminster
September 4, 2006 - July 3, 2008

Qualifications

Add your qualifications or awards here.

Industry Experience

Healthcare, Media & Entertainment, Manufacturing, Software & Internet
    uniE608 Neon Abyss: When You Wake Up in a Barren 5D Computer Program
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    uniE608 Tori no saezuri (birdsong) - Tribute to Ghibli Studios
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    uniE608 Grand Overture
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    uniE608 Ad Infinitum - How Short is Time?
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    uniE608 Tuvstarr - an Enchanting Story
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    uniE608 Alien Ascension
    👽 Alien: Ascension – A Journey Through the Cosmos An Original Symphonic Homage by Kris De Ruysscher 🪐 Where fear becomes beauty, and the unknown sings. In the history of film music, few sagas have left such an indelible mark as Ridley Scott’s Alien universe — a world where terror meets transcendence, and sound becomes a living organism. From Jerry Goldsmith’s pioneering dissonances in 1979 to James Horner’s visceral energy and Jed Kurzel’s eerie modern textures, the musical DNA of Alien has always pushed boundaries between sci-fi and symphony. 🎶 Enter composer Kris De Ruysscher — with Alien: Ascension, an unofficial, original composition inspired by this legacy. Not affiliated with the franchise, yet deeply reverent of its emotional and sonic depth, this work reimagines what an Alien score could become in a cosmic, spiritual evolution. 🚀 The Concept Alien: Ascension is not about monsters — it’s about transcendence. It explores the journey of humanity facing the infinite: our fear of extinction, our hunger for meaning, and our fragile place among the stars. The music begins in darkness — deep drones, muted strings, and alien frequencies whisper of something vast awakening. As the piece evolves, harmonic tension grows into luminosity. Metallic percussions and hybrid orchestral textures give way to sweeping strings, glacial brass, and ethereal choirs. It’s the sound of fear transforming into awe, the sonic birth of a new consciousness. Every theme carries symbolic weight: 🌑 The Bass & Low Brass — the void, the mechanical pulse of space. 💫 The Strings — fragile humanity, reaching toward light. 🪶 The Woodwinds & Harp — memory and longing. ⚙️ The Electronics & Percussion — alien intelligence, unearthly design. What begins as survival evolves into ascension — a symphonic metaphor for rebirth in the cosmos. 🌌 Musical Aesthetics Blending cinematic orchestration with ambient sound design, the score draws influence from both film scoring masters and modern experimental music. Expect moments of silence, shock, and serenity — where dissonance and melody coexist like twin stars. This is music for the imagination: for those who dream of deep space, who feel both small and infinite, who listen to silence and hear life. 🧬 The Creative Vision “Alien: Ascension is not just a soundtrack — it’s a reflection on our evolution. It imagines what happens when the unknown becomes divine, when the alien ceases to be a threat and becomes the next stage of being.” — Kris De Ruysscher…

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