I’d like to think of creativity as a philosophy. Not just for every single project, but as a way to discover my own path and the new dimensions beyond what’s actually here. Creativity is the way that best worked for me to overcome my fears, to learn from each experience and to push me to the unknown. And every time I found myself squeezed against the boundaries of what’s previously established or the boundaries of complete randomness, I’ve used what’s outside and forbidden for my own advantage. That’s why I’d like to think of genres and styles as a path to originality and not as a result to achieve. For me, to be able to communicate emotions, to make an audience dance and sing, shiver and thrill, and make the immersive experience an imaginative journey, is the best result you can achieve with music and sound. Yamaha Music School Clemente I volunteer at a cultural association by helping them to fix poor quality audio recordings and other technical issues. I led an audio team during the development of the video game Rush Down Revolt where I consistently worked on the Soundtrack, Sound Effects and Implementation. I had the luck to follow Gareth Coker’s steps since he did a few songs for the first phase of the game. I’ve been working hard on music and sound for many projects, including video games, trailers, YouTube videos and more since 2018. In the next page you’ll find a selection of my most important works: Logic Pro, Ableton, Cubase, Mixing & Mastering; Sound Design, Wwise & FMOD; Film Scoring; Izotope RX; IDM Music / Bixio Music Group is a music licensing and rights agency with offices in Croatia and New York. I’ve been producing music for their catalogue on their request for more than a year now. We’re focusing on re-recording very old Italian songs and bringing them back to life.…I’d like to think of creativity as a philosophy. Not just for every single project, but as a way to discover my own path and the new dimensions beyond what’s actually here. Creativity is the way that best worked for me to overcome my fears, to learn from each experience and to push me to the unknown. And every time I found myself squeezed against the boundaries of what’s previously established or the boundaries of complete randomness, I’ve used what’s outside and forbidden for my own advantage. That’s why I’d like to think of genres and styles as a path to originality and not as a result to achieve. For me, to be able to communicate emotions, to make an audience dance and sing, shiver and thrill, and make the immersive experience an imaginative journey, is the best result you can achieve with music and sound. Yamaha Music School Clemente I volunteer at a cultural association by helping them to fix poor quality audio recordings and other technical issues. I led an audio team during the development of the video game Rush Down Revolt where I consistently worked on the Soundtrack, Sound Effects and Implementation. I had the luck to follow Gareth Coker’s steps since he did a few songs for the first phase of the game. I’ve been working hard on music and sound for many projects, including video games, trailers, YouTube videos and more since 2018. In the next page you’ll find a selection of my most important works: Logic Pro, Ableton, Cubase, Mixing & Mastering; Sound Design, Wwise & FMOD; Film Scoring; Izotope RX; IDM Music / Bixio Music Group is a music licensing and rights agency with offices in Croatia and New York. I’ve been producing music for their catalogue on their request for more than a year now. We’re focusing on re-recording very old Italian songs and bringing them back to life.WWWW…