I’m Elisha Moore, a UK-based Videographer, Camera Operator, and Editor with a passion for crafting visuals that move people. My journey began behind the lens and has taken me through live touring, television, and cinematic production — building a strong technical and creative foundation that now fuels my work as a remote video editor. I’ve operated LED systems for major UK tours such as Diana Ross’s “Sacred Memories” and Peter Kay Live, working hands-on with Brompton Processing and ROE Carbon Series LED walls. I’ve also served as a Front-of-House Camera Operator and LED Technician, collaborating with production teams under tight turnarounds and high-pressure environments — experiences that sharpened my precision, adaptability, and attention to detail. In editing, I bring that same on-set discipline to post-production — delivering cinematic storytelling through seamless cuts, sound design, and colour work. Whether it’s documentary, commercial, or live event content, I approach each project with clarity, creativity, and a deep respect for narrative flow. What sets me apart is my blend of live-production experience and post-production storytelling — I understand every step from capture to final delivery. Working remotely, I excel at efficient communication, structured workflows, and hitting deadlines without sacrificing quality. I love transforming raw footage into visual stories that connect, inspire, and engage — and I’m always open to collaborating with brands, creators, and productions who share that same drive for excellence.…I’m Elisha Moore, a UK-based Videographer, Camera Operator, and Editor with a passion for crafting visuals that move people. My journey began behind the lens and has taken me through live touring, television, and cinematic production — building a strong technical and creative foundation that now fuels my work as a remote video editor. I’ve operated LED systems for major UK tours such as Diana Ross’s “Sacred Memories” and Peter Kay Live, working hands-on with Brompton Processing and ROE Carbon Series LED walls. I’ve also served as a Front-of-House Camera Operator and LED Technician, collaborating with production teams under tight turnarounds and high-pressure environments — experiences that sharpened my precision, adaptability, and attention to detail. In editing, I bring that same on-set discipline to post-production — delivering cinematic storytelling through seamless cuts, sound design, and colour work. Whether it’s documentary, commercial, or live event content, I approach each project with clarity, creativity, and a deep respect for narrative flow. What sets me apart is my blend of live-production experience and post-production storytelling — I understand every step from capture to final delivery. Working remotely, I excel at efficient communication, structured workflows, and hitting deadlines without sacrificing quality. I love transforming raw footage into visual stories that connect, inspire, and engage — and I’m always open to collaborating with brands, creators, and productions who share that same drive for excellence.WWWW…