Hi, I’m Emily Maloney, an animator, story artist, and illustrator with a strong foundation in traditional art and cinematic visual storytelling. My experience includes directing and animating short films using a range of techniques—including 2D digital, paper, stop-motion, and CG animation, as well as creating storyboards for independent short-form projects in both live-action and animation. Films I’ve worked on have screened at festivals and galleries such as Employees Only Cineclub, the FVNMA & Sound Festival at the Gene Siskel Film Center, and the SAIC ExFest Showcase in Chicago, IL. I’m open to remote work and relocation opportunities and excited to bring my creativity and enthusiasm to new projects. To see more of my work, see my [website](_Website not available. Sign in: https://www.twine.net/signup_

EMILY MALONEY

PRO

Hi, I’m Emily Maloney, an animator, story artist, and illustrator with a strong foundation in traditional art and cinematic visual storytelling. My experience includes directing and animating short films using a range of techniques—including 2D digital, paper, stop-motion, and CG animation, as well as creating storyboards for independent short-form projects in both live-action and animation. Films I’ve worked on have screened at festivals and galleries such as Employees Only Cineclub, the FVNMA & Sound Festival at the Gene Siskel Film Center, and the SAIC ExFest Showcase in Chicago, IL. I’m open to remote work and relocation opportunities and excited to bring my creativity and enthusiasm to new projects. To see more of my work, see my [website](_Website not available. Sign in: https://www.twine.net/signup_

Available to hire

Hi, I’m Emily Maloney, an animator, story artist, and illustrator with a strong foundation in traditional art and cinematic visual storytelling.

My experience includes directing and animating short films using a range of techniques—including 2D digital, paper, stop-motion, and CG animation, as well as creating storyboards for independent short-form projects in both live-action and animation. Films I’ve worked on have screened at festivals and galleries such as Employees Only Cineclub, the FVNMA & Sound Festival at the Gene Siskel Film Center, and the SAIC ExFest Showcase in Chicago, IL.

I’m open to remote work and relocation opportunities and excited to bring my creativity and enthusiasm to new projects.

To see more of my work, see my [website](Website not available. Sign in: https://www.twine.net/signup

See more

Language

English
Fluent
Spanish; Castilian
Intermediate

Work Experience

Freelance Illustrator at Twine
May 11, 2024 - Present

Education

Bachelors of Fine Arts (BFA) at The School of the Art Institute of Chicago (SAIC)
September 2, 2020 - May 12, 2024

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Other
    paper Riding the Cradle

    A work-in-progress animated short about an insomniac trucker, combining hand-drawn animation, illustration, and 3D models.

    Screened at the Gene Siskel Film Center for the FVNMA & Sound Festival in May of 2024 (the film was then titled Sitting in the Middle).

     
     
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    Project Documentation:

     
    This project has gone through a lot of iterations! Originally, it was a stop-motion film that was going to be approximately 5-7 minutes focused on a tired trucker in a roadside diner. Then it became a 2D animation, and broadened in scope. While I screened a version of the film as my undergraduate thesis, I was unhappy with the story and sat on it for two years, eventually completing a new script recently, which I am currently creating storyboards for.
     
    Here is a sample of boards I’m currently working on
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    And another board:
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    You can find more boards here
     
     
    Here is the script, feel free to parse it.
     
     

    Clips

     
    Here are some pencil tests and clips of animation from the project:
     

     

     

     

     

     
     


    Stop-Motion

     
    As I said, originally this was going to be Stop-Motion animated. Here are some stuff from that stage, from photos of sets and props and puppets, to test footage.
     
     
    Photo Documentation:
     
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    Test Footage:
     

     

    paper There's Always a Bigger. . .

    An absurdist 2D animated short inspired by Terry Gilliam’s style.

    Selected for the SAIC ExFest Showcase in Chicago, IL.

     

    You can watch the full film here:


     
     


    Project Documentation:

     

    Storyboards for the film

     
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    Photo in-studio of the filmmaking process.
     
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    You can see some cut-outs props were stock photos, others were my own drawings. Originally, I had planned to create everything physically as stop motion in the way Gilliam would. However, seeing the opportunity to learn how to use Adobe Animate, I eventually transitioned into scanning the props and animating them digitally
     
     

    Here are two time lapses of the animation process you can watch:

     

     
     

     

    paper Head Teeth [16mm]

    A black and white 16mm experimental short

    Optimal Noise Exhibition selection, screened at the Employees Only Cineclub in Chicago, IL

     
    I created storyboards through advised revisions with the director (see their website here), and I also served as co-cinematographer and camera operator (using an Arriflex 16mm camera) for the film.
     


    Stills from the Film:

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    Project Documentation:

     
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    paper We Made the Donuts [Video + Animation Hybrid]

    An absurdist video using a combination of found footage from old Dunkin’ Donuts Commericals, and my own digital videos and animation. The animation in project was created using the rotoscoping software EbSynth, which interpolated my illustrations over my digital videos to create an fluid and eerie doughnut monster.

     

    You can watch the full video here:


     
     


    Project Documentation:

     
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