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I'm a game audio professional with a focus on both sound design and audio programming. For the past four years I’ve been doing game audio in Unreal Engine 5 as a technical sound designer, crafting immersive soundscapes and integrating them directly into the engine. I love building practical tools and pipelines that make audio come alive in real time, not just as assets but as an implemented experience. Lately I write the sound in code as well: I’m building a generative music system in C++ with my own DSP modules. I’m looking for a role that combines both aspects—understanding game audio from the sound side and implementing it myself in the engine and workflow.…I'm a game audio professional with a focus on both sound design and audio programming. For the past four years I’ve been doing game audio in Unreal Engine 5 as a technical sound designer, crafting immersive soundscapes and integrating them directly into the engine. I love building practical tools and pipelines that make audio come alive in real time, not just as assets but as an implemented experience. Lately I write the sound in code as well: I’m building a generative music system in C++ with my own DSP modules. I’m looking for a role that combines both aspects—understanding game audio from the sound side and implementing it myself in the engine and workflow.

Mateusz Lisiewicz

Music Composer, Music Producer, Sound Designer, +4

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I'm a game audio professional with a focus on both sound design and audio programming. For the past four years I’ve been doing game audio in Unreal Engine 5 as a technical sound designer, crafting immersive soundscapes and integrating them directly into the engine. I love building practical tools and pipelines that make audio come alive in real time, not just as assets but as an implemented experience. Lately I write the sound in code as well: I’m building a generative music system in C++ with my own DSP modules. I’m looking for a role that combines both aspects—understanding game audio from the sound side and implementing it myself in the engine and workflow.…I'm a game audio professional with a focus on both sound design and audio programming. For the past four years I’ve been doing game audio in Unreal Engine 5 as a technical sound designer, crafting immersive soundscapes and integrating them directly into the engine. I love building practical tools and pipelines that make audio come alive in real time, not just as assets but as an implemented experience. Lately I write the sound in code as well: I’m building a generative music system in C++ with my own DSP modules. I’m looking for a role that combines both aspects—understanding game audio from the sound side and implementing it myself in the engine and workflow.

Available to hire

I’m a game audio professional with a focus on both sound design and audio programming. For the past four years I’ve been doing game audio in Unreal Engine 5 as a technical sound designer, crafting immersive soundscapes and integrating them directly into the engine. I love building practical tools and pipelines that make audio come alive in real time, not just as assets but as an implemented experience.

Lately I write the sound in code as well: I’m building a generative music system in C++ with my own DSP modules. I’m looking for a role that combines both aspects—understanding game audio from the sound side and implementing it myself in the engine and workflow.

Skills

Experience Level

Expert

Expert

Intermediate

Intermediate

Intermediate

Intermediate

Language

Polish

Fluent

English

Fluent

Spanish; Castilian

Intermediate

German

Beginner

Work Experience

Technical Sound Designer / Composer at Real Invented Studio

June 1, 2020 - March 1, 2024

Full game audio in UE5 plus custom tools to implement it (Blueprints, Meta Sounds) – not just assets, but the implementation pipeline. The Reise Project Prologue – music, sound effects, audio tools. Earlier: music for the VR application “Auschwitz” (in development). Composition, production, mix and mastering; voice-over recording; audio post for promotional material.

Sound Designer at Wooden Alien

May 1, 2024 - July 1, 2024

Sound effects for the game “Space Prison” and their implementation in FMOD Studio.

Technical Sound Designer / Composer at Freelance

January 1, 2024 - Present

Technical sound design in UE5 for an unannounced project. Music for the short film “Holos” (dir. E. Zagajewska). Personal project: generative music system in C++ with own DSP modules.