I’m a 3D Visualizer specializing in cinematic architectural storytelling. With 5+ years of experience, I create high-end, photorealistic renders and animations that bring architecture to life. My expertise spans 3ds Max, Corona Renderer, Forest Pack, and TyFlow — tools I use to craft emotionally driven visuals that merge precision with atmosphere. I’ve worked across residential, commercial, and urban projects, delivering images that not only showcase design but also move people.…I’m a 3D Visualizer specializing in cinematic architectural storytelling. With 5+ years of experience, I create high-end, photorealistic renders and animations that bring architecture to life. My expertise spans 3ds Max, Corona Renderer, Forest Pack, and TyFlow — tools I use to craft emotionally driven visuals that merge precision with atmosphere. I’ve worked across residential, commercial, and urban projects, delivering images that not only showcase design but also move people.WWW…
I’m a 3D Visualizer specializing in cinematic architectural storytelling. With 5+ years of experience, I create high-end, photorealistic renders and animations that bring architecture to life. My expertise spans 3ds Max, Corona Renderer, Forest Pack, and TyFlow — tools I use to craft emotionally driven visuals that merge precision with atmosphere. I’ve worked across residential, commercial, and urban projects, delivering images that not only showcase design but also move people.…I’m a 3D Visualizer specializing in cinematic architectural storytelling. With 5+ years of experience, I create high-end, photorealistic renders and animations that bring architecture to life. My expertise spans 3ds Max, Corona Renderer, Forest Pack, and TyFlow — tools I use to craft emotionally driven visuals that merge precision with atmosphere. I’ve worked across residential, commercial, and urban projects, delivering images that not only showcase design but also move people.WWWW…
Available to hire
I’m a 3D Visualizer specializing in cinematic architectural storytelling. With 5+ years of experience, I create high-end, photorealistic renders and animations that bring architecture to life. My expertise spans 3ds Max, Corona Renderer, Forest Pack, and TyFlow — tools I use to craft emotionally driven visuals that merge precision with atmosphere. I’ve worked across residential, commercial, and urban projects, delivering images that not only showcase design but also move people.
Experience Level
Language
English
Fluent
Work Experience
CG Artist at Nara Studios
August 1, 2024 - November 1, 2024Senior Archviz 3D Artist at NAM Visual Solutions
February 1, 2025 - September 1, 2025Founder and Creative Director at Fieldtone Studio
June 1, 2025 - PresentEducation
Bachelors of Applied Sciences and Arts at German University in Cairo
September 1, 2016 - June 1, 2021Qualifications
Industry Experience
Real Estate & Construction
Shifting Light on Victoria
Located in the heart of Chatswood’s commercial
district , this redevelopment explores the tension
between mass, rhythm, and material simplicity.
The building’s design reinterprets mid-century
geometries through a contemporary lens, using
sculptural concrete fins, rhythmic window recesses,
and a textured precast screen that hovers above the
transparent retail podium.
The visualization highlights how the structure
transitions from private to public — with the lower
volume dissolving into a fully glazed retail zone, while
the upper floors remain grounded in a tactile rhythm
of perforated shading and vertical lines. Trees from
the surrounding urban forest softens the overall impact,
casting delicate shadows and blending the building
into its leafy context.…Located in the heart of Chatswood’s commercial
district , this redevelopment explores the tension
between mass, rhythm, and material simplicity.
The building’s design reinterprets mid-century
geometries through a contemporary lens, using
sculptural concrete fins, rhythmic window recesses,
and a textured precast screen that hovers above the
transparent retail podium.
The visualization highlights how the structure
transitions from private to public — with the lower
volume dissolving into a fully glazed retail zone, while
the upper floors remain grounded in a tactile rhythm
of perforated shading and vertical lines. Trees from
the surrounding urban forest softens the overall impact,
casting delicate shadows and blending the building
into its leafy context.WW…
Shifting Light on Victoria
Located in the heart of Chatswood’s commercial
district , this redevelopment explores the tension
between mass, rhythm, and material simplicity.
The building’s design reinterprets mid-century
geometries through a contemporary lens, using
sculptural concrete fins, rhythmic window recesses,
and a textured precast screen that hovers above the
transparent retail podium.
The visualization highlights how the structure
transitions from private to public — with the lower
volume dissolving into a fully glazed retail zone, while
the upper floors remain grounded in a tactile rhythm
of perforated shading and vertical lines. Trees from
the surrounding urban forest softens the overall impact,
casting delicate shadows and blending the building
into its leafy context.…Located in the heart of Chatswood’s commercial
district , this redevelopment explores the tension
between mass, rhythm, and material simplicity.
The building’s design reinterprets mid-century
geometries through a contemporary lens, using
sculptural concrete fins, rhythmic window recesses,
and a textured precast screen that hovers above the
transparent retail podium.
The visualization highlights how the structure
transitions from private to public — with the lower
volume dissolving into a fully glazed retail zone, while
the upper floors remain grounded in a tactile rhythm
of perforated shading and vertical lines. Trees from
the surrounding urban forest softens the overall impact,
casting delicate shadows and blending the building
into its leafy context.WW…
Sculpted Stilness
Location: at the foot of El Cerro Del Aripo, the highest
point of Trinidad and Tobago. This shore cabin is a
secluded retreat in which architecture melts away into
landscape. The building curvaceousness is a ref lection
of local topography — a roofline derived from the
wave, dune, and forest canopy rhythms. Constructed
from wooden slats and low-hung glass walls, the cabin
opens up completely to the wind, erasing the border of
in and out.
The building is one of restraint and expressive form:
rhythmic repetition of vertical wood crossed by spare
detailing, providing a zone where light and shadow
can enter and play upon the surface during the day.
On crossing the sandy ground barefoot, the building is
less as an object and more as an extension of the path
— a transition between mountain and sea.
It captures the moment of return — a woman and her
dog arriving home, golden light and stillness closing
in around them. The objective was to produce a sense
of cinematic tranquility, loneliness, and belonging
through a carefully choreographed interplay of light,
leafage, and texture. The cabin is not just a building,
it’s an emotional, sensory one: a place to return to,
time and time again.…Location: at the foot of El Cerro Del Aripo, the highest
point of Trinidad and Tobago. This shore cabin is a
secluded retreat in which architecture melts away into
landscape. The building curvaceousness is a ref lection
of local topography — a roofline derived from the
wave, dune, and forest canopy rhythms. Constructed
from wooden slats and low-hung glass walls, the cabin
opens up completely to the wind, erasing the border of
in and out.
The building is one of restraint and expressive form:
rhythmic repetition of vertical wood crossed by spare
detailing, providing a zone where light and shadow
can enter and play upon the surface during the day.
On crossing the sandy ground barefoot, the building is
less as an object and more as an extension of the path
— a transition between mountain and sea.
It captures the moment of return — a woman and her
dog arriving home, golden light and stillness closing
in around them. The objective was to produce a sense
of cinematic tranquility, loneliness, and belonging
through a carefully choreographed interplay of light,
leafage, and texture. The cabin is not just a building,
it’s an emotional, sensory one: a place to return to,
time and time again.WW…
The Whispering Grove
When I started thinking about how I wanted
to showcase this render, I wanted to create
more than just a household; I wanted to create
a seamless flow between architecture and
nature, a place where the lines between the two
dissolve. This private forest house emerged from
that concept I had in mind with its softly curving
stone forms that feel almost liquid, seamlessly
blending into the embracing tall pines.
I was imagining, as I was working, how this will
sit into its surroundings. There was a placement
of openings that were not only functioning as
windows but rather frames in which nature
itself should take over. Warm light seeping
through, giving way to quiet serenity and letting
you pause for the oneness of feeling with the
outside world.
And, by having placed this deer in the
foreground, which wasn’t an afterthought but a
symbol of what this space represents, it brings
people closer to harmony with untouched
wilderness. Every material I picked out, every
curve, texture, was chosen because they
remind one of the rhythms of the forest-so this
would feel less like intrusion but like a natural
extension to the setting.
For me, this structure is something more than
architecture: it is my refuge, my sanctuary,
sheltered by the trees. Modern, yet rooted, and a
perfect example of how design can respectfully
honor the beauty of its surroundings.…When I started thinking about how I wanted
to showcase this render, I wanted to create
more than just a household; I wanted to create
a seamless flow between architecture and
nature, a place where the lines between the two
dissolve. This private forest house emerged from
that concept I had in mind with its softly curving
stone forms that feel almost liquid, seamlessly
blending into the embracing tall pines.
I was imagining, as I was working, how this will
sit into its surroundings. There was a placement
of openings that were not only functioning as
windows but rather frames in which nature
itself should take over. Warm light seeping
through, giving way to quiet serenity and letting
you pause for the oneness of feeling with the
outside world.
And, by having placed this deer in the
foreground, which wasn’t an afterthought but a
symbol of what this space represents, it brings
people closer to harmony with untouched
wilderness. Every material I picked out, every
curve, texture, was chosen because they
remind one of the rhythms of the forest-so this
would feel less like intrusion but like a natural
extension to the setting.
For me, this structure is something more than
architecture: it is my refuge, my sanctuary,
sheltered by the trees. Modern, yet rooted, and a
perfect example of how design can respectfully
honor the beauty of its surroundings.WW…
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