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Fresh from training and now working as an on-screen compositor, I bring studio-standard quality to 3D animation and post-production pipelines. I’m credited on “Fright Krewe” (Seasons 1–2) as a Compositor, trained in Autodesk Maya for character animation, body mechanics, and performance. I animate with the final frame in mind and use AI-assisted workflows to speed up delivery without losing craft. I handle end-to-end compositing work like final shot finishing, color correction, and seamless visual integration—collaborating closely with leads and teams while managing revisions and version discipline.…Fresh from training and now working as an on-screen compositor, I bring studio-standard quality to 3D animation and post-production pipelines. I’m credited on “Fright Krewe” (Seasons 1–2) as a Compositor, trained in Autodesk Maya for character animation, body mechanics, and performance. I animate with the final frame in mind and use AI-assisted workflows to speed up delivery without losing craft. I handle end-to-end compositing work like final shot finishing, color correction, and seamless visual integration—collaborating closely with leads and teams while managing revisions and version discipline.

Nadeem Ali

Animator, 3D Animator, Post-Production, +1

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Fresh from training and now working as an on-screen compositor, I bring studio-standard quality to 3D animation and post-production pipelines. I’m credited on “Fright Krewe” (Seasons 1–2) as a Compositor, trained in Autodesk Maya for character animation, body mechanics, and performance. I animate with the final frame in mind and use AI-assisted workflows to speed up delivery without losing craft. I handle end-to-end compositing work like final shot finishing, color correction, and seamless visual integration—collaborating closely with leads and teams while managing revisions and version discipline.…Fresh from training and now working as an on-screen compositor, I bring studio-standard quality to 3D animation and post-production pipelines. I’m credited on “Fright Krewe” (Seasons 1–2) as a Compositor, trained in Autodesk Maya for character animation, body mechanics, and performance. I animate with the final frame in mind and use AI-assisted workflows to speed up delivery without losing craft. I handle end-to-end compositing work like final shot finishing, color correction, and seamless visual integration—collaborating closely with leads and teams while managing revisions and version discipline.

Available to hire

Fresh from training and now working as an on-screen compositor, I bring studio-standard quality to 3D animation and post-production pipelines. I’m credited on “Fright Krewe” (Seasons 1–2) as a Compositor, trained in Autodesk Maya for character animation, body mechanics, and performance.

I animate with the final frame in mind and use AI-assisted workflows to speed up delivery without losing craft. I handle end-to-end compositing work like final shot finishing, color correction, and seamless visual integration—collaborating closely with leads and teams while managing revisions and version discipline.