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Emotion is faster than language. I compose music that lives in the gap between feeling and understanding. Music that stays. With over 30+ years as a professional composer, multi-instrumentalist, and producer, I specialize in orchestral, hybrid, and electronic scoring for film, TV, documentaries, trailers, and interactive media. My music sits at the crossroads of cinematic grandeur, jazz sophistication, and the kind of raw texture that only comes from a life spent obsessing over sound. Based in Buenos Aires, I work from my own professional studio (Elorza Music) and collaborate remotely with directors, developers, and creative teams around the world. I deliver broadcast-ready stereo mixes, stems, adaptive loops, and Wwise/FMOD-compatible assets — whatever the pipeline demands. — What I bring to your project — A career built on versatility and depth. I've composed and produced for more than 50 projects spanning pop, jazz, latin, funk, world music, and cinematic genres. As a session musician, I've contributed bass, guitar, keys, and more to over 100 albums, giving me an intimate understanding of how recordings are built from the ground up — and how to make every element serve the story. International experience that travels. I've toured, performed, and recorded at the highest levels: the Ystad Sweden Jazz Festival (2024 & 2015), the Made in New York Jazz Festival (2014), the Buenos Aires Jazz International Festival, and more. I've shared stages and sessions with Randy Brecker, Lenny White, Jan Lundgren, León Gieco, and the Quincy Jones Celebration Orchestra. This isn't background color — it's the musical intelligence I bring to every cue I write. A composer who understands structure. My five published method books, two decades of teaching, and 500+ students across the world, reflect the analytical side of my musicianship. I don't just feel my way through a score — I understand why every harmonic choice, every rhythmic decision, and every orchestration move works. That precision shows in the work. Award-recognized craft. 2013 Made in NY Jazz Competition winner (Composer category). 2012 Igualdad Cultural prize (Music & Dance). 2007 Premio Docta Jazz for solo compositional voice. Lawrence School of Music full scholarship recipient. — How I work — I treat every project as a creative partnership. Before writing a single note, I want to understand the emotional arc, the visual language, and the audience you're serving. From there I move fast: reference tracks, a first pass within the agreed timeline, and revisions until the music earns its place in the cut. I work in Spanish and English, I'm fluent in both the creative and the technical conversation, and I'm comfortable with tight deadlines, milestone-based workflows, and async communication across time zones. If you're making something that deserves a score as carefully crafted as the rest of your work — let's talk.…Emotion is faster than language. I compose music that lives in the gap between feeling and understanding. Music that stays. With over 30+ years as a professional composer, multi-instrumentalist, and producer, I specialize in orchestral, hybrid, and electronic scoring for film, TV, documentaries, trailers, and interactive media. My music sits at the crossroads of cinematic grandeur, jazz sophistication, and the kind of raw texture that only comes from a life spent obsessing over sound. Based in Buenos Aires, I work from my own professional studio (Elorza Music) and collaborate remotely with directors, developers, and creative teams around the world. I deliver broadcast-ready stereo mixes, stems, adaptive loops, and Wwise/FMOD-compatible assets — whatever the pipeline demands. — What I bring to your project — A career built on versatility and depth. I've composed and produced for more than 50 projects spanning pop, jazz, latin, funk, world music, and cinematic genres. As a session musician, I've contributed bass, guitar, keys, and more to over 100 albums, giving me an intimate understanding of how recordings are built from the ground up — and how to make every element serve the story. International experience that travels. I've toured, performed, and recorded at the highest levels: the Ystad Sweden Jazz Festival (2024 & 2015), the Made in New York Jazz Festival (2014), the Buenos Aires Jazz International Festival, and more. I've shared stages and sessions with Randy Brecker, Lenny White, Jan Lundgren, León Gieco, and the Quincy Jones Celebration Orchestra. This isn't background color — it's the musical intelligence I bring to every cue I write. A composer who understands structure. My five published method books, two decades of teaching, and 500+ students across the world, reflect the analytical side of my musicianship. I don't just feel my way through a score — I understand why every harmonic choice, every rhythmic decision, and every orchestration move works. That precision shows in the work. Award-recognized craft. 2013 Made in NY Jazz Competition winner (Composer category). 2012 Igualdad Cultural prize (Music & Dance). 2007 Premio Docta Jazz for solo compositional voice. Lawrence School of Music full scholarship recipient. — How I work — I treat every project as a creative partnership. Before writing a single note, I want to understand the emotional arc, the visual language, and the audience you're serving. From there I move fast: reference tracks, a first pass within the agreed timeline, and revisions until the music earns its place in the cut. I work in Spanish and English, I'm fluent in both the creative and the technical conversation, and I'm comfortable with tight deadlines, milestone-based workflows, and async communication across time zones. If you're making something that deserves a score as carefully crafted as the rest of your work — let's talk.

Pablo Elorza

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Emotion is faster than language. I compose music that lives in the gap between feeling and understanding. Music that stays. With over 30+ years as a professional composer, multi-instrumentalist, and producer, I specialize in orchestral, hybrid, and electronic scoring for film, TV, documentaries, trailers, and interactive media. My music sits at the crossroads of cinematic grandeur, jazz sophistication, and the kind of raw texture that only comes from a life spent obsessing over sound. Based in Buenos Aires, I work from my own professional studio (Elorza Music) and collaborate remotely with directors, developers, and creative teams around the world. I deliver broadcast-ready stereo mixes, stems, adaptive loops, and Wwise/FMOD-compatible assets — whatever the pipeline demands. — What I bring to your project — A career built on versatility and depth. I've composed and produced for more than 50 projects spanning pop, jazz, latin, funk, world music, and cinematic genres. As a session musician, I've contributed bass, guitar, keys, and more to over 100 albums, giving me an intimate understanding of how recordings are built from the ground up — and how to make every element serve the story. International experience that travels. I've toured, performed, and recorded at the highest levels: the Ystad Sweden Jazz Festival (2024 & 2015), the Made in New York Jazz Festival (2014), the Buenos Aires Jazz International Festival, and more. I've shared stages and sessions with Randy Brecker, Lenny White, Jan Lundgren, León Gieco, and the Quincy Jones Celebration Orchestra. This isn't background color — it's the musical intelligence I bring to every cue I write. A composer who understands structure. My five published method books, two decades of teaching, and 500+ students across the world, reflect the analytical side of my musicianship. I don't just feel my way through a score — I understand why every harmonic choice, every rhythmic decision, and every orchestration move works. That precision shows in the work. Award-recognized craft. 2013 Made in NY Jazz Competition winner (Composer category). 2012 Igualdad Cultural prize (Music & Dance). 2007 Premio Docta Jazz for solo compositional voice. Lawrence School of Music full scholarship recipient. — How I work — I treat every project as a creative partnership. Before writing a single note, I want to understand the emotional arc, the visual language, and the audience you're serving. From there I move fast: reference tracks, a first pass within the agreed timeline, and revisions until the music earns its place in the cut. I work in Spanish and English, I'm fluent in both the creative and the technical conversation, and I'm comfortable with tight deadlines, milestone-based workflows, and async communication across time zones. If you're making something that deserves a score as carefully crafted as the rest of your work — let's talk.…Emotion is faster than language. I compose music that lives in the gap between feeling and understanding. Music that stays. With over 30+ years as a professional composer, multi-instrumentalist, and producer, I specialize in orchestral, hybrid, and electronic scoring for film, TV, documentaries, trailers, and interactive media. My music sits at the crossroads of cinematic grandeur, jazz sophistication, and the kind of raw texture that only comes from a life spent obsessing over sound. Based in Buenos Aires, I work from my own professional studio (Elorza Music) and collaborate remotely with directors, developers, and creative teams around the world. I deliver broadcast-ready stereo mixes, stems, adaptive loops, and Wwise/FMOD-compatible assets — whatever the pipeline demands. — What I bring to your project — A career built on versatility and depth. I've composed and produced for more than 50 projects spanning pop, jazz, latin, funk, world music, and cinematic genres. As a session musician, I've contributed bass, guitar, keys, and more to over 100 albums, giving me an intimate understanding of how recordings are built from the ground up — and how to make every element serve the story. International experience that travels. I've toured, performed, and recorded at the highest levels: the Ystad Sweden Jazz Festival (2024 & 2015), the Made in New York Jazz Festival (2014), the Buenos Aires Jazz International Festival, and more. I've shared stages and sessions with Randy Brecker, Lenny White, Jan Lundgren, León Gieco, and the Quincy Jones Celebration Orchestra. This isn't background color — it's the musical intelligence I bring to every cue I write. A composer who understands structure. My five published method books, two decades of teaching, and 500+ students across the world, reflect the analytical side of my musicianship. I don't just feel my way through a score — I understand why every harmonic choice, every rhythmic decision, and every orchestration move works. That precision shows in the work. Award-recognized craft. 2013 Made in NY Jazz Competition winner (Composer category). 2012 Igualdad Cultural prize (Music & Dance). 2007 Premio Docta Jazz for solo compositional voice. Lawrence School of Music full scholarship recipient. — How I work — I treat every project as a creative partnership. Before writing a single note, I want to understand the emotional arc, the visual language, and the audience you're serving. From there I move fast: reference tracks, a first pass within the agreed timeline, and revisions until the music earns its place in the cut. I work in Spanish and English, I'm fluent in both the creative and the technical conversation, and I'm comfortable with tight deadlines, milestone-based workflows, and async communication across time zones. If you're making something that deserves a score as carefully crafted as the rest of your work — let's talk.

Available to hire

Emotion is faster than language. I compose music that lives in the gap between feeling and understanding. Music that stays.

With over 30+ years as a professional composer, multi-instrumentalist, and producer, I specialize in orchestral, hybrid, and electronic scoring for film, TV, documentaries, trailers, and interactive media. My music sits at the crossroads of cinematic grandeur, jazz sophistication, and the kind of raw texture that only comes from a life spent obsessing over sound.

Based in Buenos Aires, I work from my own professional studio (Elorza Music) and collaborate remotely with directors, developers, and creative teams around the world. I deliver broadcast-ready stereo mixes, stems, adaptive loops, and Wwise/FMOD-compatible assets — whatever the pipeline demands.

— What I bring to your project —

A career built on versatility and depth. I’ve composed and produced for more than 50 projects spanning pop, jazz, latin, funk, world music, and cinematic genres. As a session musician, I’ve contributed bass, guitar, keys, and more to over 100 albums, giving me an intimate understanding of how recordings are built from the ground up — and how to make every element serve the story.

International experience that travels. I’ve toured, performed, and recorded at the highest levels: the Ystad Sweden Jazz Festival (2024 & 2015), the Made in New York Jazz Festival (2014), the Buenos Aires Jazz International Festival, and more. I’ve shared stages and sessions with Randy Brecker, Lenny White, Jan Lundgren, León Gieco, and the Quincy Jones Celebration Orchestra. This isn’t background color — it’s the musical intelligence I bring to every cue I write.

A composer who understands structure. My five published method books, two decades of teaching, and 500+ students across the world, reflect the analytical side of my musicianship. I don’t just feel my way through a score — I understand why every harmonic choice, every rhythmic decision, and every orchestration move works. That precision shows in the work.

Award-recognized craft. 2013 Made in NY Jazz Competition winner (Composer category). 2012 Igualdad Cultural prize (Music & Dance). 2007 Premio Docta Jazz for solo compositional voice. Lawrence School of Music full scholarship recipient.

— How I work —

I treat every project as a creative partnership. Before writing a single note, I want to understand the emotional arc, the visual language, and the audience you’re serving. From there I move fast: reference tracks, a first pass within the agreed timeline, and revisions until the music earns its place in the cut.

I work in Spanish and English, I’m fluent in both the creative and the technical conversation, and I’m comfortable with tight deadlines, milestone-based workflows, and async communication across time zones.

If you’re making something that deserves a score as carefully crafted as the rest of your work — let’s talk.