Paul Rogers is a composer, producer, sound designer and music supervisor with over 30 years of experience across cinematic music, immersive electronic production, film, trailers and artist projects.
Paul Rogers is a composer, producer, sound designer and music supervisor with over 30 years of experience across cinematic music, immersive electronic production, film, trailers and artist projects. With a long history in electronic music, he has worked alongside some of the industry’s most respected artists and producers including Pete Tong, Sasha and James Lavelle (UNKLE), spanning studio production, live performance, radio and sound design. His work blends orchestral composition, analogue synthesis and atmospheric sound design, creating emotionally driven music with a strong sense of world building and storytelling.
Throughout his career he has worked across film scores, trailer music, radio and electronic music projects, including composing for Hollywood trailer companies Pusher Music and Audio Machine, with work connected to projects including Pacific Rim, Terminator, Transformers, Planet Of The Apes and Edge Of Tomorrow.
Alongside his composition work, Paul has extensive experience in A&R, artist development and music supervision, working closely with artists, labels and creative teams across multiple genres and projects. His role across various productions has included overseeing musical direction, helping shape records from early concept through to final mix, sourcing unique sonic identities and guiding artists through creative and technical production processes.
Paul is also one half of Planet Of Souls, a cinematic electronic project signed to UK independent label Anjunachill. The project’s debut album Lumiere was released on March 19th 2026, featuring remixes from UNKLE and Hybrid, with music from the project also featured on Netflix and Grey’s Anatomy. His production style combines immersive textures, analogue sound design and modern electronic composition with a focus on emotion, atmosphere and narrative depth.
Working from a fully equipped analogue and digital studio, and a huge range of analog synths, Paul specialises in creating immersive, emotionally resonant soundtracks that blend organic and futuristic elements.
Paul is one half of Planet Of Souls. A cinematic electronic project signed to UK independent label Anjunachill. The project’s debut album Lumiere was released on March 19th 2026, featuring remixes from UNKLE and Hybrid, with music from the project also featured on Netflix and Grey’s Anatomy. Its production style combines immersive textures, analogue sound design and modern electronic composition with a focus on emotion, atmosphere and narrative depth.
Debut album Lumiere released on March 19th 2026 on Anjunachill
Our track ‘One’ featuring Lily Papas being used on “Skyfall” (Season 22, Episode 7) of Grey’s Anatomy. Premiered on ABC on January 8, 2026
Produced & engineered this for Unkle live show at Reading & Leeds festival.
Paul is one half of Planet Of Souls. A cinematic electronic project signed to UK independent label Anjunachill. The project’s debut album Lumiere was released on March 19th 2026, featuring remixes from UNKLE and Hybrid, with music from the project also featured on Netflix and Grey’s Anatomy. Its production style combines immersive textures, analogue sound design and modern electronic composition with a focus on emotion, atmosphere and narrative depth.
Published by Universal Music Publishing Australia. Collaborated with artists including Thandi Phoenix, Jess Mauboy and Guy Sebastian.
One half of Planet Of Souls, a cinematic and immersive electronic artist project signed to UK independent label Anjunachill. Responsible for composition, production, sound design, editing and mixing across releases blending recorded strings, analogue synthesis, atmospheric textures and emotionally driven audio storytelling. Lumiere the album was released March 19th 2026. Music from the project has been synced to Netflix and Grey’s Anatomy, with a strong focus on immersive production, cinematic depth and detailed sonic world building.
Composed and produced four trailer albums for Audio Machine, focused on cinematic composition, immersive sound design and hybrid orchestral/electronic production. Projects involved detailed sound design, analogue synthesis, editing and high level post production workflows to create large scale emotional and cinematic audio experiences.
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